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Tomorrow Morning (Deluxe Version)

Eels

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iTunes Review

When Mark Oliver Everett, never known as a chipper sort, opens an album with “In Gratitude for This Magnificent Day,” it’s natural to be waiting for the other shoe to drop. After all, his voice, a quiet, desperate rasp, always sounds as if it’s been woken from a solid nap, and his last album, early 2010’s End Times, starred a man at the end of his rope. Late 2010’s Tomorrow Morning is the sound of rebirth with keyboards and strings and electronic sounds creating a warm nest for a man who sings “Baby Loves Me” with an electro-shock to its soul. “Spectacular Girl” is a ‘70s-styled keyboard number that sounds like Everett’s been hanging out in the right retro bars to meet his perfect match. The famously reclusive singer-songwriter sounds as if he’s walked into the sunlight on “This Is Where It Gets Good” and “I Like The Way This Is Going,” a tune worthy of Randy Newman. Everett’s one of the most talented songwriters working under the radar. The Deluxe Version includes an extra EP with the spirited “Let’s Ruin Julie’s Birthday” and the solitary and gripping “For You.”

Customer Reviews

Third time's a charm.

While Mark Oliver Everett was churning out three albums in less than a year, Hombre Lobo and End Times, he'd planned to do kind of a trilogy of albums that are more straightforward than Blinking Lights. Hombre Lobo and End Times weren't home runs in the same way that Blinking Lights was, musically or lyrically, but they were good, and they were cerebral enough to keep me interested and listening and thinking.

Tomorrow Morning is the endcap of this "trilogy", and it borders on euphoric with a hint of restraint. Mr. E treads into both familiar and new waters, showing heavier use of a drum machine and effects than I've heard since before Shootenanny!. The result is a warm, genuine album that actually rectroactively makes the previous two albums feel more complete and finished, and overall, you could spend an entire evening with all three, on the headphones, lying down and staring into the darkness, making you wonder about your whole life.

Yeah, E's just that good.

Eels, Tomorrow Morning - MusicBoxer.com reivew

The latest Eels album, Tomorrow Morning, is the third part to a trilogy of albums the band has released over the past year or so. That’s a really important thing to know if you are an Eels fan but not so much if you are not. The reason this bit of information is important to Eels fans is that this album is really optimistic. The theme across the trilogy is love, I guess. The first album, Hombre Lobo is about desire and falling in love while the second album, End Times, is about losing it all. With Tomorrow Morning, Eels main man E sees hope in the dawn of a new day.

And for a guy that is constantly slagged for being such a downer, Tomorrow Morning proves that E doesn’t have to be working from a broken heart in order to write. Tomorrow Morning ins’t my favorite Eels album but it’s creeping up into the top three. That’s saying a lot since E and the Eels are responsible for one of my favorite albums of all time.

This album is also a step back towards earlier Eels material. The album incorporates a lot more loops and electronic noise and beats that have been (for the most part) absent in most of the Eels recent work (Blinking Lights excluded).

Where the last album, End Times, was dark and quiet this album is upbeat both lyrically and musically. Not all the tracks are danceable but they are all good. As I tend to gravitate towards the slower songs the best track on here for me is the sweet and softer “What I have to Offer.” The jam like “This Is Where It Get’s Good” is a close contender to my favorite on the disk.

Read more at musicboxer.com

Great end of the trio

I love how this album builds on Hombre Lobo and End Times while still being able to stand alone. Great music from a great artist.

Biography

Formed: 1995 in Los Angeles, CA

Genre: Alternative

Years Active: '90s, '00s, '10s

Although Eels are often marketed as a full-fledged band, singer/songwriter E (real name: Mark Oliver Everett) is responsible for the group's sound and direction. Born in Virginia on April 9, 1963, Everett became interested in rock music at an early age via his sister's record collection, and began playing drums at the age of six (as well as tinkering on his family's piano). As the years progressed, Everett began leading a troubled teenage life, which was further complicated by his father's death....
Full Bio

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