Tonight and the Rest of My Life (Bonus Track)
Nina Gordon
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| Name | Artist | Time | Price | ||
|---|---|---|---|---|---|
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1 |
Now I Can Die | Nina Gordon | 3:07 | $0.99 | View In iTunes |
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2 |
2003 | Nina Gordon | 4:05 | $0.99 | View In iTunes |
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3 |
Tonight and the Rest of My Life | Nina Gordon | 5:14 | $0.99 | View In iTunes |
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4 |
Badway | Nina Gordon | 3:08 | $0.99 | View In iTunes |
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5 |
Horses In the City | Nina Gordon | 4:08 | $0.99 | View In iTunes |
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6 |
Hold On to Me | Nina Gordon | 4:05 | $0.99 | View In iTunes |
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7 |
New Year's Eve | Nina Gordon | 3:28 | $0.99 | View In iTunes |
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8 |
Fade to Black | Nina Gordon | 4:07 | $0.99 | View In iTunes |
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9 |
Number One Camera | Nina Gordon | 2:58 | $0.99 | View In iTunes |
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10 |
Got Me Down | Nina Gordon | 4:05 | $0.99 | View In iTunes |
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11 |
Too Slow to Ride | Nina Gordon | 3:49 | $0.99 | View In iTunes |
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12 |
Hate Your Way | Nina Gordon | 4:46 | $0.99 | View In iTunes |
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13 |
The End of the World | Nina Gordon | 3:39 | $0.99 | View In iTunes |
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14 |
Black and Blonde (Bonus Track) | Nina Gordon | 4:21 | Album Only | View In iTunes |
| Total: 14 Songs |
Album Review
Nina Gordon departed Veruca Salt, the band she co-led with former best friend Louise Post, in a swirl of anger, allegations, cheats, and general nastiness. Post retaliated by retaining the band's name and releasing the vitriolic, bile-ridden Resolver. Gordon acted like the furor never happened. Actually, the break was even more extreme than that. With an exception or two, she acted like Veruca Salt never happened, hiring Bob Rock — who helmed the group's last Gordon-Post effort, Eight Arms to Hold You — as the producer for Tonight and the Rest of My Life, an album that refashions Nina Gordon as an adult alternative pop/rock singer/songwriter, just a little like a fusion of Aimee Mann and Juliana Hatfield. As it turns out, the makeover works very well. Since Gordon always had the melodic instincts and girlish voice, she was better suited for such an overhaul, but what is a surprise is that the subdued yet glossy production, big hooks, and mature attitude add up to a charming little album. That's not to say that it's perfect, there are awkward lyrical turns of phrase (such as the whole of "Horses in the City"), but that's not unusual for Gordon. But it does work, and it's a real grower, sounding better with each spin; and there are enough hooks and production flourishes to have it return to the turntable. Some might say that producer Rock or sideman (and Aimee Mann collaborator) Jon Brion have a large part to do with the record's success because they helped make it sound seamless and professional. That's unfair to Gordon. She not only demonstrates a true flair for well-crafted mature pop — from Beatlesque choruses to country-rock tinges — throughout the record, but she proves that she's a pretty compelling performer in her own right. Not just that, it's a stronger and more consistent platter than either of Veruca Salt's appealing but uneven records, to boot. In all, it's a far better record than any objective Veruca Salt fan could have hoped for. [The Japanese release includes a bonus track, "Back and Blonde."]
Customer Reviews
Veruca Salt's superior songwriter does not disappoint
Nina Gordon was always the better songwriter in Veruca Salt, and this album proves it. This album's got everything from full-on rockin' songs ("Badway") to songs with a country-ish vibe ("Horses in the City"). There are no weak songs on this album, but if you're looking for a place to start, try "Now I Can Die," "New Year's Eve," "Badway," "2003" and the title track that's been in eight thousand movie trailers. Nina has an amazing voice and she's a very talented songwriter.
One of my favorite all time albums
Every song on this album is great! Whether it's on in your car, in your shower, while you're writing a paper...WHATEVER this album will only add to the ambiance and not detract. Meaningful lyrics and an upbeat eclectic sound. I wish she would come out with another album....
I'll meet you here my darling...
This record is entertaining enough. If you're looking for something that sounds like Veruca Salt of the '90's, you may want to stick with Post's version of the band instead of this. This is a pretty well polished pop/rock album. Lyrically it's a bit cheesy at times, but Gordon's always had kinda cheesy lyrics. The best thing about this album is definately the catchy melodies and hooks. It's been 6 years since I bought this album and I STILL cannot get "2003" out of my head. Probably one of the best pop songs EVER! "Too Slow to ride"=gorgeous bittersweet pop song...and of course, the album ends with a beautiful verson of Nina singing "The end of the world." Overall though, it's worth owning the entire album. If you want light hearted breezy pop, this is what you're looking for. I can't wait to hear her new record!
Biography
Born: November 14, 1967
Genre: Pop
Years Active: '90s, '00s, '10s
Top Albums and Songs By Nina Gordon
| Name | Album | Time | Price | ||
|---|---|---|---|---|---|
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1 |
Tonight and the Rest of My Life | Tonight and the Rest of My Life (Bonus Track) | 5:14 | $0.99 | View In iTunes |
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2 |
The Time Comes | Bleeding Heart Graffiti | 4:19 | $0.99 | View In iTunes |
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3 |
Kiss Me 'Til It Bleeds | Bleeding Heart Graffiti | 4:09 | $0.99 | View In iTunes |
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4 |
Christmas Lights | Bleeding Heart Graffiti | 5:13 | $0.99 | View In iTunes |
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5 |
When You Don't Want Me Anymore | Bleeding Heart Graffiti | 4:03 | $0.99 | View In iTunes |
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6 |
Kiss Me 'Til It Bleeds (Album Version) | Kiss Me 'Til It Bleeds - Single | 4:09 | $0.99 | View In iTunes |
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7 |
Suffragette | Bleeding Heart Graffiti | 3:37 | $0.99 | View In iTunes |
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8 |
Hold On to Me | Tonight and the Rest of My Life (Bonus Track) | 4:05 | $0.99 | View In iTunes |
|
9 |
Don't Let Me Down | Bleeding Heart Graffiti | 4:15 | $0.99 | View In iTunes |
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10 |
Bleeding Heart Graffiti | Bleeding Heart Graffiti | 0:42 | $0.99 | View In iTunes |

- $10.99
- Genres: Rock, Music, Pop, Hard Rock, Adult Alternative, Singer/Songwriter
- Released: Jun 27, 2000
- ℗ 2000 Warner Bros Records Inc. for the U.S. and WEA International Inc. for the world outside the U.S.








