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Trials of Van Occupanther

Midlake

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Album Review

Midlake's second album is a departure from their lo-fi, psychedelic pop-influenced debut. The Trials of Van Occupanther jumps with both feet into the '70s of Laurel Canyon troubadours and soft rock balladeers. It jumps like Bob Beamon right past any other current bands treading similar ground and jumps back into time, becoming one of the best examples of the sound and style you'll ever hear, date of release notwithstanding. The first thing you notice on the album is the stunning vocal harmonies; you might think you dropped in an America disc by mistake. (The best record America ever did, that is.) Tim Smith has the kind of voice you know could be a glass-shattering instrument on par with that of Buckley or Wainwright, but he keeps it dialed down to an intimate scale, which is a wise decision. His vocals bleed melancholy honesty, and the way it combines with Eric Pulido's voice will raise goose bumps. The arrangements provide a perfect bed for the vocals, with cottony layers of acoustic guitars and strings, gentle horns, restrained drums, and lyrical piano combining beautifully. The occasional surprises are effective, especially when they use some of the corniest synth sounds heard since Jan Hammer unstrapped his keytar for the last time, on "We Gathered in Spring" and "It Covers the Hillside." All of which is nice but isn't worth much without songs. Fortunately, Midlake writes unerringly tuneful melodies and thoughtful lyrics about topics other than love and introspection, and lays down plenty of gentle hooks. Nothing that you'll be singing in the shower for days at a time, but each song goes down smoothly and they add up to make The Trials of Van Occupanther a very pleasant, maybe even exciting in a restrained way, listening experience. You'll certainly find yourself reaching for it more often than you might expect; indeed, it has lasting power that many records that sound so good on first listen lack. Midlake might be stuck in the '70s, but they make it sound like the best place on earth. [A Japanese version included bonus tracks.]

Customer Reviews

WTF

How could this not be reviewed? Must be a mistake with the new Itunes because is simply one of the best rock records ever made. A fantastic update to 70s am radio rock. Very cool, sort of mysterious, with a definite vibe from beginning to end, no filler.

Put it on loop....

I often stumble upon new music and get very enthusiastic about a band, but only once in a while do I encounter an album that stays in my rotation on a daily basis for weeks on end. Trials of Van Occupanther is one of these albums. I cannot stop listening to this album, beginning to end.

You can tell that these guys are absolutely no joke in the studio, and lots of sweat is behind this production. The result is a cohesive album with consistent distinct sound...the upcoming new release sounds great, but do not snooze on this album...buy the whole thing. My personal favorites are "Roscoe" and "Young Bride", but every song is good on this LP.

WOW.

Where's the New Album Already?

Haven't been this excited about an American band since REM. Classic album feel--songs are all part of a tapestry of sounds and emotions that ebb and flow. Unbelievable. Didn't think that they made this type of music anymore--with story and thought.

Biography

Formed: 2000 in Denton, TX

Genre: Alternative

Years Active: '90s, '00s, '10s

The lo-fi rock quintet Midlake were formed in Denton, Texas, in 2000 by a group of musicians who had attended the North Texas School of Music together: Paul Alexander (bass, keyboards), Eric Nichelson (keyboards, guitar), Eric Pulido (guitar, keyboards, background vocals), Tim Smith (vocals, keyboards, guitar), and Mckenzie Smith (drums). They issued their own EP, Milkmaid Grand Army, in 2001, and sold 1,000 copies at their Texas gigs. They attracted the attention of Simon Raymonde, who signed them...
Full Bio

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