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We All Raise Our Voices to the Air (Live Songs 04.11-08.11)

The Decemberists

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iTunes Review

This epic-length live concert recording, taken from 12 different shows and mixed to sound like one, stands as a summary of The Decemberists' achievements as of 2012, when they're said to be taking a sabbatical. It features songs from throughout their career, proving again that Colin Meloy's unusual lyrical approach is matched by an unerring sense of melody, no matter how pretentious the surroundings become. The straightforward, crystalline beauty of "Leslie Ann Levine" (from the band's debut album, Castaways and Cutouts) is forever enduring. The country- to R.E.M.-influenced material ("Calamity Song," "Rise to Me," "Rox in the Box," "All Arise!," "June Hymn," "This Is Why We Fight" "Down by the Water") from 2011's excellent The King Is Dead resonates with energy far beyond the stripped-down acoustic approach. 2006's The Crane Wife has its title cut's three parts finally put together into one 16-minute rock opera. For laughs, Meloy presents a snippet of the "the very worst song I ever wrote in my entire life" ("Dracula's Daughter") before slipping into the much better "O Valencia!"

Customer Reviews

Duh.

This is just purely awesome.

Great band, great songs, but dull recording

Live records are really tough for any band. You're working with less-than-ideal mics for recording, often-minimalized arrangements with no possibility for overdubs, and minor flaws that can't be heard live but rear their ugly head when recorded. However, there are ways to smooth it over while still maintaining the spontaneous energy of the show. I hate to say it, but I've seen The Decemberists live twice and this record just doesn't do their shows justice. It honestly sounds more like a soundboard bootleg than an officially-released live record. Colin's vocals are totally dry without any natural room ambience. At the very least, it would've made a huge difference to set up stereo condensers in the back of the room and mix them in a little to capture the cavernous concert hall ambience (especially for the drums). To truly make it a professional-sounding live record, a touch of pitch correction and compression would've made a night-and-day difference on the vocals. I know that purists are against unnatural reverb, compression, and Auto-Tune, but people really need to get over it. They're just tools that make a record more listenable and are used a LOT more than you think. We already know that these guys can already play, so the whole "authenticity" argument is irrelevant.

Amazing

Picaresque has always been my favorite album by them. But this may just take its place. It is fantastic and makes me want to see them live even more. Note: Keith Urban fans you're in the wrong place ;)

Biography

Formed: 2000 in Portland, OR

Genre: Alternative

Years Active: '00s, '10s

Led by Montana native Colin Meloy, the Decemberists craft theatrical, hyper-literate pop songs that draw heavily from late-'60s British folk acts like Fairport Convention and Pentangle and the early-'80s college rock grandeur of the Waterboys and R.E.M. The band's initial lineup also included drummer Ezra Holbrook, bassist Nate Query, keyboardist/accordionist Jenny Conlee, and multi-instrumentalist Chris Funk. Frontman Meloy had previously devoted some time to an alternative country group before...
Full Bio
We All Raise Our Voices to the Air (Live Songs 04.11-08.11), The Decemberists
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  • $15.99
  • Genres: Alternative, Music, Rock, Adult Alternative, Pop, Pop/Rock, Indie Rock
  • Released: Mar 09, 2012

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