Wourinen: Ashberyana, Fenton Songs I and II, Josquiniana
Leon Williams, Da Camera of Houston, Sarah Rothenberg, Lucy Shelton, Mark Steinberg, Nina Maria Lee, Alan Feinberg & Brentano String Quartet
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| Name | Artist | Time | Price | ||
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1 |
Ashberyana: I. Introduction and Recitative: Outside My Window the Japanese… | Leon Williams & Da Camera of Houston | 8:36 | $0.99 | View In iTunes |
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2 |
Ashberyana: IIa. Scherzo: Laughing Gravy | Leon Williams & Da Camera of Houston | 2:16 | $0.99 | View In iTunes |
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3 |
Ashberyana: IIb. Scherzo: Dear Sir or Madam | Leon Williams & Da Camera of Houston | 2:55 | $0.99 | View In iTunes |
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4 |
Ashberyana: III. the Laughter of Dead Men | Leon Williams & Da Camera of Houston | 5:15 | $0.99 | View In iTunes |
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5 |
Praegustatum | Sarah Rothenberg | 2:52 | $0.99 | View In iTunes |
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6 |
Fenton Songs, I: No. 1. Beauty, Danger and Dismay | Lucy Shelton, Mark Steinberg, Nina Maria Lee & Sarah Rothenberg | 1:51 | $0.99 | View In iTunes |
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7 |
Fenton Songs, I: No. 2. Out of Danger | Lucy Shelton, Mark Steinberg, Nina Maria Lee & Sarah Rothenberg | 2:50 | $0.99 | View In iTunes |
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Fenton Songs, I: No. 3. Serious | Lucy Shelton, Mark Steinberg, Nina Maria Lee & Sarah Rothenberg | 1:24 | $0.99 | View In iTunes |
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9 |
Fenton Songs, I: No. 4. Hinterhof | Lucy Shelton, Mark Steinberg, Nina Maria Lee & Sarah Rothenberg | 3:20 | $0.99 | View In iTunes |
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10 |
Fenton Songs II: No. 1. Blood and Lead | Alan Feinberg, Lucy Shelton, Mark Steinberg & Nina Maria Lee | 1:29 | $0.99 | View In iTunes |
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11 |
Fenton Songs II: No. 2. Tiananmen | Alan Feinberg, Lucy Shelton, Mark Steinberg & Nina Maria Lee | 2:34 | $0.99 | View In iTunes |
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Fenton Songs II: No. 3. the Ballad of the Shrieking Man | Alan Feinberg, Lucy Shelton, Mark Steinberg & Nina Maria Lee | 7:13 | $0.99 | View In iTunes |
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13 |
Fenton Songs II: No. 4. Fireflies of the Sea | Alan Feinberg, Lucy Shelton, Mark Steinberg & Nina Maria Lee | 4:20 | $0.99 | View In iTunes |
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14 |
Ave Christe | Sarah Rothenberg | 5:05 | $0.99 | View In iTunes |
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15 |
Josquiniana: I. Helas Madame | Brentano String Quartet | 3:16 | $0.99 | View In iTunes |
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16 |
Josquiniana: II. Faulte D'argent | Brentano String Quartet | 1:29 | $0.99 | View In iTunes |
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17 |
Josquiniana: III. Cela Sans Plus | Brentano String Quartet | 1:23 | $0.99 | View In iTunes |
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18 |
Josquiniana: IV. Comment Peult | Brentano String Quartet | 1:07 | $0.99 | View In iTunes |
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19 |
Josquiniana: V. Vive Le Roy | Brentano String Quartet | 0:43 | $0.99 | View In iTunes |
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20 |
Josquiniana: VI. el Grillo, "Josquin A'Ascanio" | Brentano String Quartet | 1:19 | $0.99 | View In iTunes |
| Total: 20 Songs |
Customer Reviews
Lyrical Rigor
Insanely prolific, difficult to categorize, defiantly uncompromising, endlessly fascinating—composer Charles Wuorinen is all of these things and more. The melodic and rhythmic complexity of Wuorinen’s vast output (more than 240 compositions and counting) can be intimidating at first contact, but once one grasps the fact that all of his music is founded upon a concern with narrative, it becomes surprisingly much more accessible. This seems especially true of his vocal music, which is heard to great advantage on this Naxos recording. “Ashberyana” is a setting of four poems by John Ashbery, scored for baritone, string quartet, trombone and piano. The strings and piano provide a harmonic foundation that is by turns impressionistic and discordant; the baritone gives eloquent expression to Ashbery’s highly idiosyncratic verse, while the trombone functions as a kind of secondary voice in sympathetic and at times sardonic counterpoint. The melodic progression is marked by a disjunctive quality, though not to the extremes of his more complex works. Wuorinen has set two further pieces to the poems of James Fenton, appropriately titled “Fenton Songs I” and “Fenton Songs II.” These proceed along similar lines, but with somewhat less severe and angular contours. The soprano voice also contributes to a softer, more rounded musical texture, but one that is still marked by dramatic contrasts of tone and intensity. The solo piano pieces “Praegustatum” and “Ave Christe of Josquin” are sequenced in between the vocal works, and provide brief tonal respites from the prevailing dissonance. Further contrast is proffered in “Josquiniana,” a string quartet arrangement of vocal music by the Renaissance composer Josquin des Prez. The six movements of this piece are distinguished by gorgeous harmonies and lush sonorities, and demonstrate that Wuorinen is no ivory tower elitist, but a composer who can, when the mood strikes him, articulate his musical aesthetic with striking warmth and clarity.







