Colin Stetson

Woodwind player Colin Stetson can play powerfully while circularly breathing for long periods, can draw multiphonics out of a sax with great skill, and can command an audience's attention with his focus and melodic improvisations. Stetson was born and raised in Ann Arbor, MI, where he became proficient on assorted saxophones, clarinet, and flute. He earned a degree in music from his hometown school the University of Michigan in 1997, studying with Roscoe Mitchell, Donald Sinta, and Christopher Creviston; afterward, he went on to study with Steve Adams and Henry Threadgill as well. While still in college, he co-founded Transmission (which later became Transmission Trio), and in 1998 he played with progressive Detroit-area jazz-rockers Larval on their Knitting Factory album Larval 2. He moved to the San Francisco Bay Area that summer along with the rest of Transmission, who released their first album in 1999. Stetson also branched out to play with the People's Bizarre, a chamber jazz group influenced by Eastern European folk, and Connector, which blended acoustic and electronic instrumentation. In the meantime, he also played live with the likes of Fred Frith, Peter Kowald, Ned Rothenberg, and Kenny Wollesen, and kept up his Detroit/Ann Arbor connections as well. Before moving west, he had played on his friend Recloose's debut EP for Planet E, and their collaborations continued over the years, culminating in the DJ's acclaimed full-length Cardiology in 2002. Also that year, Tom Waits tapped Stetson for reed work on his Alice and Blood Money albums, which led to significant exposure and a live performance on The Late Show with David Letterman. Stetson had a limited-edition 3" CD release of a 2002 performance at the Artship in Oakland, and his full-length debut as a leader came in the summer of 2003 with the quintet recording Slow Descent. He also has his own website at www.colinstetson.com. In 2008, Stetson delivered the primarily solo saxophone album New History of Warfare, Vol. 1. He returned in 2011 with New History of Warfare, Vol. 2: Judges, which featured spoken word sections from avant-garde singer Laurie Anderson.