Say Hello, Wave Goodbye: The Fleeting Fame & Lasting Legacy of Soft Cell Say Hello, Wave Goodbye: The Fleeting Fame & Lasting Legacy of Soft Cell

Say Hello, Wave Goodbye: The Fleeting Fame & Lasting Legacy of Soft Cell

    • 4.7 • 9 Ratings
    • $1.99
    • $1.99

Publisher Description

Non-Stop Erotic Cabaret, the 1981 debut album by British duo Soft Cell. A ten-track carnival of sleaze and squalor... and a pop phenomenon. In two years, Soft Cell racked up five UK Top Ten hits, including the best-selling British single of 1981, "Tainted Love." That cover of an obscure '60s soul song went #1 in seventeen countries, landing in the Guinness Book of World Records. Coupling the electronic grooves of Dave Ball with Marc Almond's over-the-top vocals, Soft Cell ushered in a wave of synth-pop acts: Eurythmics, Yazoo, Pet Shop Boys. Writhing suggestively in black leather and bangle bracelets, the effeminate Almond was beamed into suburbia courtesy of The Merv Griffin Show. For young misfits weaned on jiggle TV, The National Enquirer, and daily abuse dished out by classmates, the duo's black humor and genuine pathos came as a godsend. And the band's lives mirrored their art. While working in New York City, Soft Cell ran rampant through the underground club scene; their EP Non-Stop Ecstatic Dancing was mixed entirely under the influence of ecstasy, and their dealer even rapped on it! Far more than mere "one-hit wonders," Soft Cell fashioned a musical last gasp of pre-AIDS nightlife culture, influencing a generation of artists and fans that followed.

Includes new interviews with Dave Ball, producer Mike Thorne, Antony Hegarty, Stephin Merritt (The Magnetic Fields), David Gray, and more.

GENRE
Arts & Entertainment
RELEASED
2012
June 27
LANGUAGE
EN
English
LENGTH
30
Pages
PUBLISHER
Rhino Entertainment
SELLER
Warner Music, Inc.
SIZE
1.2
MB

Customer Reviews

CKTC 2017 ,

Period around Top 5 Singles

Really appreciated content about the period just up until the single “What?” was recorded. I would have liked it even better if it had also included the same level of detail of the ban’s experiences surrounding the development and release of The Art of Falling Apart and Last Night in Sodom albums.

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