My One Good Nerve
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- $22.99
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- $22.99
Publisher Description
Intimate reflections on loving and living from an American treasure.
"My One Good Nerve draws me back into my sweetest past . . . a work of memory and art."--Maya Angelou.
My One Good Nerve is an exuberant collection of writings in the down-home tradition by that incomparable icon of the human spirit, Ruby Dee. Married for 50 years to fellow actor Ossie Davis, Dee has led an astonishingly full life. But she has never forgotten where she comes from as an African American woman. Fans who have admired and drawn strength over the years from Dee's outspoken human rights advocacy and unforgettable characters are rewarded here with many glimpses into her memories and convictions. Based on her long-running one-woman show, this book is an inspiration and a blessing.
Ruby Dee (New Rochelle, NY) grew up in Harlem and graduated from Hunter College in New York City. Inducted into the Theater Hall of Fame in 1989, she was an original cast member of Broadway classics such as A Raisin in the Sun and South Pacific and appeared in Spike Lee's Do the Right Thing and the landmark adaptation of Alex Haley's Roots. She performs her one-woman show, My One Good Nerve, in theatres across the country.
PUBLISHERS WEEKLY
In December the co-authors will mark their 50th wedding anniversary, an almost unheard of milestone for two stars of the performing arts this century. Even before their marriage, according to Davis, "we were in love, head over heels, and stuck with each other forever!" Rather than just telling the story of a successful marriage, however, their book (related in alternate voices) provides a panorama of the 20th-century African American experience, or, as they label it, The Struggle. Both socialists and militant battlers for African American rights, Davis and Dee have known, and worked with, such leaders as W.E.B. DuBois, Paul Robeson, Martin Luther King and Malcom X. And they haven't shied away from the consequences of taking a public stand: during the flowering of McCarthyism, Dee was called a Communist sympathizer in the press. Still, with refreshing honesty, they steer clear of self-congratulation, as when Davis tells how, as a little boy, in exchange for a few pieces of peanut brittle, he acquiesced as some racist local cops mistreated him. Of course, Dee and Davis also chronicle their careers as pioneers on stage, film and television, from their involvement with New York's African American theater scene during the Depression to their work alongside stars like Sidney Poitier and Lena Horne. From Davis's youth as a "Negro boy surrounded by white hoods, burning crosses, and stories that brought the smell of burning flesh," to Dee's concern for the future of African American theater, this is a compelling read, effectively evoking the challenges and rewards that have attended the authors' roles as black leaders over the past 60 years. Photos not seen by PW. Appendix, index.
