Bookmark Now
Writing in Unreaderly Times: A Collection of All Original Essays from Today's (and Tomorrow's) Young Authors on the State of the Art -- and the Art of the Hustle -- in the Age of Information Overload
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- $11.99
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- $11.99
Publisher Description
An anthology of original essays from our most intriguing young writers, Bookmark Now boldly addresses the significance of the production of literature in the twenty-first century. Or simply, "How do we talk about writing and reading in an age where they both seem almost quaint?"The book features authors in their twenties and thirties -- those raised when TV, video games, and then the Internet supplanted books as dominant cultural mediums -- and their intent is to examine: (1) how this generation came to writing as a calling, (2) what they see as literature's relevance when media consumption and competition have reached unprecedented levels, and (3) how writing and reading fit in with the rest of our rapid, multitasking world. The result will offer a voyeuristic peek into the private, creative lives of today's writers and shed light on what their work means at a time when the book business is changing, yet -- almost paradoxically -- a time when storytelling as a means of both self-realization and community building (be it via e-mail, weblogs, or "This American Life") seems more relevant than ever before. Edited by Kevin Smokler, a Bay Area entrepreneur who has devoted himself to fostering literary culture and cultivating fresh talent, Bookmark Now is a collection that both captures the state of the art and provides inspiration to aspiring writers at all levels.
PUBLISHERS WEEKLY
The goal of this collection of essays from some of America's younger or emerging novelists is to disprove the dire warnings regarding the disappearance of a reading public. Smokler, a book critic and commentator, passionately sets the tone when he assails the sense of impending catastrophe that has gripped the literati since the 2004 publication of the NEA report Reading at Risk, which he accuses of double-talk. He brings together writers who, faced with other choices careers in film, video production, the vast landscape of Internet possibilities still opted to pursue writing as a career. This is a varied bunch, from Christian Bauman, who tells of discovering Hemingway as a soldier in Somalia untutored in literature, to Paul Flores, a Latino spoken-word artist who began writing in response to California's Proposition 187, which denied public education to immigrants. These writers have used all available avenues MFA programs, stints as journalists, blogs, exposure to other countries and cultures to find their subject matter and voices, whether lyrical, such as bestselling author Tracy Chevalier, or satirical, as in Robert Lanham's The Hipster Handbook. In addition to showcasing individual talents, the book illustrates a generational posture: these writers are relaxed and confident in their audience. Most write with ease and immediacy, as if the space between writer and reader has grown measurably closer.
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