Vida
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3.0 • 2 Ratings
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- $9.99
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- $9.99
Publisher Description
A New York Times Notable Book, an NPR Best Debut of the Year, and a PEN/Hemingway finalist.
These linked stories follow Sabina as she navigates her shifting identity as a daughter of the Colombian diaspora, and struggles to find her place within and beyond the net of her strong, protective, but embattled family.
In “Lucho,” Sabina’s family—already “foreigners in a town of blancos”—is shunned by the community when a relative commits an unspeakable act of violence, but she is in turn befriended by the town bad boy, who has a secret of his own. In “Desaliento,” Sabina surrounds herself with other young drifters who spend their time looking for love and then fleeing from it—until reality catches up with one of them. And in “Vida,” the urgency of Sabina’s self-imposed exile in Miami fades when she meets an enigmatic Colombian woman with a tragic past.
“Vida calls to mind some of the best fiction from recent years. Like Elizabeth Strout’s Olive Kitteridge, Engel uses stories about connected characters to illuminate her main subject, in this case Sabina, who moves with her family from Bogotá, Colombia, to New Jersey. Engel brings Sabina’s family and culture to life with a narrative style reminiscent of Junot Díaz’s The Brief Wondrous Life of Oscar Wao . . . Vivid, memorable . . . An exceptionally promising debut.” —The Plain Dealer
PUBLISHERS WEEKLY
Engel navigates issues of class, ethnicity, and identity with finesse in her debut collection, linked stories about Sabina, a child of Colombian immigrants who grows up in New Jersey before heading off to find work and love in Miami. "Diego was this guy that I met on Washington Avenue at three in the morning the summer I quit my job at the art gallery," the 23-year-old Sabina says in her typically understated voice in "Desaliento," a story about how dallying with the handsome Argentinean hustler seems glamorous and subversive. In "Lucho," Sabina, still in high school where her family is considered "spics, in a town of blancos," a neighbor boy with a rough past is the only one who pays attention to her. In the title story, Sabina, working in Miami, befriends an illegal Colombian immigrant who reveals a tale of being sold to a Miami brothel owner and later being "rescued" by the brothel's guard, now her boyfriend. Engel's prose is refreshingly devoid of pomp and puts a hard focus on the stiff compromises Sabina and her family have had to accept; there's a striking perspective to these stories.
