Freeman's: Home
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- $11.99
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- $11.99
Publisher Description
“A superb anthology” on the theme of sanctuary with original work by Viet Thanh Nguyen, Edwidge Danticat, Aleksandar Hemon and more (Kirkus Reviews).
The third literary anthology in the series that has been called “ambitious” (O Magazine) and “strikingly international” (Boston Globe), Freeman’s: Home, continues to push boundaries in diversity and scope, with stunning new pieces from emerging writers and literary luminaries alike, including in this edition Leila Aboulela, Barry Lopez, Amira Hass, Emily Raboteau, Kjell Askildsen, and many others.
“This edition of Freeman’s manages to do what the world off the page cannot: provide a place where diversity can safely reside. A sanctuary for stories…Home is often the stories of others. Let these poems, shorts and stories guide you to what is your home.”—Literary Hub
PUBLISHERS WEEKLY
The latest installment in a series of themed anthologies from Freeman (How to Read a Novelist) explores, as his introduction notes, multiple "vectors of power," and not simply the "flagrant and breathtaking abuses of power ongoing right now." The selections range from prose nonfiction to poetry and graphic essay, and come from such long-established authors as Margaret Atwood and Julia Alvarez, as well as newer voices like Nicole Im and Edouard Louis. In "A Note on Penelope' & Rereading the Classics,' " Alvarez recalls breaking with the domination of the literary canon by "works mostly by white male writers." In "On Sharks and Suicide," Im writes intimately about powerlessness in relation to suicidal thoughts. Some pieces are searing in their search for answers. For example, in "Captive," Nimmi Gowrinathan finds the Stockholm syndrome framework inadequate for understanding female kidnapping victims who seem to identify with their captors, because "it is in fact a lifetime of oppressive moments the dark molecular makeup of her politics that matters." From the abstract to the literal, there is no shortage of provocative, thoughtful pieces here.
