Brief Encounters with the Enemy
Fiction
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- $4.99
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- $4.99
Publisher Description
The first short story collection from a writer who calls to mind such luminaries as Denis Johnson, George Saunders, and Nathan Englander
FINALIST FOR THE PEN/ROBERT W. BINGHAM PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BOOKPAGE AND BOOKISH
When The New Yorker published a short story by Saïd Sayrafiezadeh in 2010, it marked the emergence of a startling new voice in fiction. In this astonishing book, Sayrafiezadeh conjures up a nameless American city and its unmoored denizens: a call-center employee jealous of the attention lavished on a co-worker newly returned from a foreign war; a history teacher dealing with a classroom of maliciously indifferent students; a grocery store janitor caught up in a romantic relationship with a kleptomaniac customer. These men’s struggles and fleeting triumphs—with women, with cruel bosses, with the morning commute—are transformed into storytelling that is both universally resonant and wonderfully strange. Sometimes the effect is hilarious, as when a would-be suitor tries to take his sheltered, religious date on a tunnel of love carnival ride. Other times it’s devastating, as in the unforgettable story that gives the book its title: A soldier on his last routine patrol on a deserted mountain path finally encounters “the enemy” he’s long sought a glimpse of.
Upon giving the author the Whiting Writers’ Award for his memoir, When Skateboards Will Be Free, the judges hailed his writing as “intelligent, funny, utterly unsmug and unpreening.” These fiercely original stories show their author employing his considerable gifts to offer a lens on our collective dreams and anxieties, casting them in a revelatory new light.
Praise for Brief Encounters with the Enemy
“With impressive guile and design, Mr. Sayrafiezadeh uses the arrival and escalation of that war as the through-line connecting each personal drama. . . . These calculated echoes work to unify [his] haunting book in a way that story collections rarely manage.”—Sam Sacks, The Wall Street Journal
“In his memoir, Sayrafiezadeh told the remarkable tale of a childhood steeped in doomed dogma. His stories . . . offer something more: a searing vision of his wayward homeland, delivered not in the clamoring rhetoric of a revolutionary, but in the droll monologues of young men who kill because they lack the moral imagination to do otherwise.”—Steve Almond, The New York Times Book Review (Editors’ Choice)
“Sayrafiezadeh’s eight interlinked stories are just as fulfilling as any novel you’re likely to read this summer.”—The Boston Globe
“A tantalizing fiction debut . . . [that] menaces and mesmerizes.”—Elle
“The recurring motifs include 99-cent American flags, putting in a word with the boss, idealistic Army recruitment brochures and unseasonable temperatures. Each time they recur they are more potent, and poignant. The collection is readable, and real, and hopefully a harbinger of more fiction to come from Sayrafiezadeh.”—Minneapolis Star Tribune
“Funny and surprising . . . Sayrafiezadeh’s simple style can fool you into thinking that his struggling narrators are plain and unassuming. They are anything but. . . . Each story compels you to read the next, and no character escapes unscathed.”—The Daily Beast
PUBLISHERS WEEKLY
A young American soldier combats boredom in the title entry of this collection of eight bleak stories about life during wartime. In "Victory," a disabled supermarket cashier woos a kleptomaniac high school student from a wealthy family and watches as his coworkers get called off to fight. Jealous of the attention given to a friend returning from military service, a miserable call center employee takes out his dissatisfaction on his customers in "Operators." "Enchantment" shows a man trying to readjust to his former life as a prep school teacher and his relationship with a married woman after coming back from his tour of duty. Set during an unnamed conflict and in unnamed cities, these stories revolve around the way war affects middle- and working-class Americans, whether they are leaving to fight or staying behind. Sayrafiezadeh portrays the repetitive monotony of depression and stagnation in his character's lives with skill, and though this repetition can be hard-going, the collection as a whole illuminates the wide range of motivations that drive people to go to war. Often beautiful, sometimes lifeless, and almost entirely without hope, these stories reflect the listlessness of our times.