It's Too Late to Leave Early It's Too Late to Leave Early

It's Too Late to Leave Early

An Aerospace Fable

    • 4.0 • 1 Rating
    • $9.99
    • $9.99

Publisher Description

It’s lighter than air!!!  Joseph Heller's remarkable novel, Catch-22, used black humor to illustrate the trials and tribulations of men at war. This humorous spoof of the modern U.S. aerospace industry employs plain vanilla humor to satirize the idiocies and frustrations afflicting individuals employed in a business the author, a former engineer, knew all too well. You will encounter a plethora of outrageous characters, and some entirely lacking in character — a one time porn queen who’s into blackmail; the wealthy great-grandson of a Russian aviation pioneer obsessed with re-acquiring the giant aerospace corporation he insists was “stolen” from his family; an ex-Air Force lieutenant colonel who reinvents himself as a totally inept management favorite; a wannabe Western film actor who's never been within fifty yards of a horse; an ultra-paranoid executive vice president; a nymphomaniacal lady manager and sundry others, all of whom are embroiled in pluperfectly Quixotic situations ranging from the ridiculous to the sublime, and beyond. Enjoy!

GENRE
Fiction & Literature
RELEASED
2002
April 13
LANGUAGE
EN
English
LENGTH
565
Pages
PUBLISHER
Virtualbookworm.com, Inc.
SELLER
William H. Walling
SIZE
691.2
KB

Customer Reviews

Waldteufel ,

Rebecca Cramer, Kirkus Media, LLC

Walling’s wild novel details the inner workings, corporate politics, government regulations and a potential hostile takeover creating turmoil at a large aerospace plant as it struggles to survive the vagaries of government funding and the underhanded machinations of a casino owner determined to take over the company. In his winning premise, the main characters’ various story lines parallel and intersect each other in the direction of a dark comedy. Characters of various ethnicities allow for some tongue-in-cheek stylistic choices, clunky phrases appear throughout. some tongue-in-cheek stylistic choices. Casino owner Alexander Kurile does not simply put on a pair of designer sunglasses; he slips “the horns over his dirigible ears.” Executive Blair Sorenson’s every step is counted in paces-per-minute, presumably to reinforce his military background. Walling's description of a secretary may best sum up a delightful, insightful comedy of errors in the unique setting of corporate engineering: “she picked it to pieces syllable by syllable in order to unearth the kernels of meaning nestled within the convoluted, elliptical phraseology.”

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