The Pregnant Widow
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3.8 • 6 Ratings
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- $6.99
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- $6.99
Publisher Description
NATIONAL BESTSELLER • A riotous, bitingly funny, and supremely clever novel of a twenty-year-old literature student in 1970 who’s about to discover the liberating possibilities and haunting consequences of social change.
"A nearly perfect comic novel.” —New York Magazine
The year is 1970, and Keith Nearing, a twenty-year-old literature student, is spending his summer vacation in a castle on a mountainside in Italy. The Sexual Revolution is in full-swing—a historical moment of unprecedented opportunity—and Keith and his friends are immediately caught up in its chaotic, ecstatic throes. Yet they soon discover a disturbing truth: between the death of one social order and the birth of another, there exists a state of liminal purgatory, once described by the Russian thinker Alexander Herzen as “a pregnant widow.”
As Amis deftly explores the repercussions and consequences of that one summer, he presents us with a precise and poignant portrait of change. Expertly written and full of wit and pathos, The Pregnant Widow is Amis at his fearless best.
PUBLISHERS WEEKLY
Amis revisits themes from his early novels sex, class resentment, lust, humiliation, obsession with the grim perceptiveness of experience in this fascinating return to form. It's 1970, and 20-year-old Keith Nearing is spending the summer in Italy with a small group of friends, primary among them on-again/off-again girlfriend Lily and her gorgeous, unfortunately named friend, Scheherazade. The easiness between Keith and Lily begins to crumble as Lily picks up on Keith's perhaps requited attraction to Scheherazade. As Lily torments Keith at first playfully, and later cruelly and Keith inches closer to pulling off an all-consuming sexual coup, Amis milks a surprising amount of tension from a fairly wispy plot: will Keith get Scheherazade into the sack? The second half, with its unexpected turns and brutal developments (it is never a good thing to be named Keith in an Amis novel), could enjoy an easier conjunction with the first half, but the prose is as brilliant as ever, and the cast is amazingly well done. After the disappointment of Yellow Dog and the relative slimness of The House of Meetings, this smart, meaty novel is a revelation.
