The Picture of Dorian Gray
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4.3 • 6 Ratings
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- $5.99
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- $5.99
Publisher Description
The novel that scandalized Victorian England
In a London studio, two men contemplate the portrait of another—younger and more beautiful—man. Despite Lord Henry Wotton’s urging, Basil Hallward refuses to show his painting in public—there is too much of his true feeling for the subject in it. “I will not bare my soul to their shallow, prying eyes,” he declares. “My heart shall never be put under their microscope.”
Instead, it is Dorian Gray’s soul put under the microscope of this unforgettable novel. Influenced by the cynical, hedonistic Lord Henry, Dorian becomes infatuated with his own youth and beauty and wishes that his portrait would grow old instead of him. His wish comes true, but it is not just the passage of time that mars the painting—the wages of sin are recorded there as well. Freed from the physical toll of his debauchery, Dorian devotes himself to the pursuit of pleasure above all else. He turns on his friends, drives his lover to suicide, and engages in every vice known to man. To society, he remains as handsome and youthful as Prince Charming. In the painting, he is hideous. Too late, Dorian realizes that only one of these two images can be real, and a reckoning deferred is not a reckoning absolved.
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PUBLISHERS WEEKLY
First published in 1890 in Lippincott's Monthly Magazine and the following year in novel form, The Picture of Dorian Gray categorically changed Victorian Britain and the landscape of literature. An ostentatious, self-confessed aesthete, known for his wit and intellect, Wilde not only had to endure his prose being labeled "poisonous" and "vulgar," but also suffer its use as evidence in the ensuing trial, resulting in his eventual imprisonment for crimes of "gross indecency." Frankel's introduction provides a deft preliminary analysis of the novel itself exploring etymology and extensive editorial alterations (both accidental and deliberate) and offers valuable insight into the socio-cultural juxtaposition of aristocratic Victorian society and the London underworld. The original typescript provides the unique opportunity to examine what was considered acceptable in both the US and UK at the time. Intriguing annotations allude to Wilde's influences and enterprising range of reference, incorporating art, poetry, literature, Greek mythology, philosophy, and fashion (certain to inspire further reading; an appendix is provided). Comparisons are drawn between Dorian Gray and Wilde's other literary output, as well as to the work of Walter Pater. Numerous illustrations subtly compliment Frankel s inferences. A fine contextualization of a major work of fiction profoundly interpreted, ultimately riveting.
