The Mad Man
Or, The Mysteries of Manhattan
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5.0 • 1 Rating
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- $11.99
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- $11.99
Publisher Description
A philosophy student’s research draws him into the sexual underground of 1980s and early nineties New York
John Marr is surprised he doesn’t have AIDS. He has been having near-daily sexual encounters with strange men since before the dawn of HIV, but he remains healthy. His initiation began in the bathroom of the Staten Island Ferry Terminal, and since then he has found himself at home in the darkest corners of Manhattan’s culture of anonymous gay sex. During the day, it is a different story, as Marr works on his graduate thesis—an analysis of the work of a brilliant 1970s philosopher who died mysteriously in one of the gay bars of Hell’s Kitchen. As his research and his sex life begin to converge, Marr senses that if AIDS doesn’t get him, something darker will.
The Mad Man, which the author dubbed a “pornotopic fantasy,” is more than a powerful work of philosophical erotica; it is a snapshot of a vanished moment in New York City’s gay history, when fear and lust commingled in a single powerful force.
PUBLISHERS WEEKLY
The latest novel from Hugo- and Nebula-winning science-fiction writer and critic Delany ( They Fly at Ciron ) reads like a pornographic reflection of Peter Ackroyd's Chatterton or A.S. Byatt's Possession. Precocious philosophy graduate student John Marr becomes increasingly interested in the short life and mysterious death of Timothy Hasler, a brilliant young philosopher murdered years before in New York. As Marr investigates Hasler through the 1980s and early '90s, the details of his life begin to parallel Hasler's, and as his sexual behavior grows more outlandish and extreme, it seems he's on a track that will inevitably follow the philosopher's descent into primal perversion and death. Marr muses on Hasler's life and thought, and on his own sexual habits and interests (including the lengthening shadow of AIDS), but the novel is dominated by graphic depictions of the graduate student's grungy sexual adventures (frequently involving excrement). The pornographic element, while overwhelming, becomes more than simple shock or titillation, though, as Delany develops an insightful dichotomy between Marr's two worlds: the one of cerebral philosophy and dry academia, the other of heedless, ``impersonal'' obsessive sexual extremism. When these worlds finally collide and Marr emerges more balanced and content, the novel achieves a surprisingly satisfying resolution--though the faint of heart or stomach will have fled long before.
