Every Force Evolves a Form
Twenty Essays
-
- $11.99
-
- $11.99
Publisher Description
Guy Davenport demonstrates his unparalleled critical vision as he interprets art, literature, and culture
In this collection of 20 essays, Guy Davenport applies his insightful gaze and critical wisdom to topics including modern art and the effects of the automobile on contemporary society. His work ranges from “What Are Those Monkeys Doing?” in which he links the paintings of Rousseau to the writings of Rimbaud and Flaubert, to “Imaginary Americas,” a survey of the different roles America has filled in the imagination of Europeans. Davenport, 1 of the foremost American critics and intellectuals of the 20th century, brings his piercing intellect, encyclopedic references, and careful eye for detail to each piece in Every Force Evolves a Form.
Whether writing on the philosophy behind modernism or a study of table manners, the paintings of Henri Rousseau or the design of Shaker handicrafts, Davenport always devotes his full attention and multi-angled analysis to the subject at hand. To read this thought-provoking collection is to see the inner-workings of Davenport’s brilliant mind, with its varied fascinations and unparalleled insights.
PUBLISHERS WEEKLY
Davenport boldly speculates that W. H. Auden chose to live in New York "to insure that he was among humanity at its worst in this century.'' He compares the essayist Montaigne to a modern tourist; he praises E. E. Cummings as a transcendental satyr and the purest American poet since Emily Dickinson. This collection of 20 essays by the author of The Geography of the Imagination is a pleasure to read. Whether he is teaching us how to enter Henri Rousseau's imaginary worlds or grappling with Noah Webster (``patriot, cultural hero . . . crank''), Davenport approaches each subject from many different angles, peering in, around and through it. His concerns range from the impact of Shaker handicrafts on modern design to how the automobile and real estate interests have obliterated the city as community. He is original even when he is scanning familiar texts by Joyce, Beckett, Nabokov and Pound.
