Last Friends
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3.8 • 8 Ratings
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- $11.99
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- $11.99
Publisher Description
“The satisfying conclusion to Gardam’s Old Filth trilogy offers exquisite prose, wry humor, and keen insights into aging and death” (The New Yorker).
While Old Filth introduced readers to Sir Edward Feathers, his dreadful childhood, and his decades-long marriage, The Man in the Wooden Hat was his wife Betty’s story. Last Friends is Terence Veneering’s turn. His beginnings were not those of the usual establishment grandee. Filth’s hated rival in court and in love is the son of a Russian acrobat marooned in the English midlands and a local girl. He escapes the war and later emerges in the Far East as a man of panache and fame. The Bar treats his success with suspicion: Where did this handsome, brilliant Slav come from? This exquisite story of Veneering, Filth, and their circle tells a bittersweet tale of friendship and grace and of the disappointments and consolations of age. They are all, finally, each other’s last friend as this magnificent series ends with the deep and abiding satisfaction that only great literature provides.
“[Gardam’s] prose sparkles with wit, compassion and humor. She keeps us entertained, and she keeps us guessing. Be thankful for her books. Be thankful for this trilogy, which is ultimately an elegy, created with deep affection.” —The Washington Post
“Restores us to an era rich in spectacle and bristling with insinuation and intrigue. Vivid, spacious, superbly witty, and refreshingly brisk . . . the story (and the author) will endure.” —The Boston Globe
“All three Gardam books are beautifully written but it’s a pleasure to note that Last Friends is the most enjoyable, the funniest and the most touching.” —National Post
PUBLISHERS WEEKLY
Completing the trilogy begun by Old Filth and The Man in the Wooden Hat, Gardam's impeccable finale revisits the triad of Edward "Old Filth" Feathers; his wife, Betty; and his rival (and Betty's lover), Terry Veneering. Although this third installation is ostensibly about Veneering, it is just as much about the minor characters these three have left in their wake. The novel begins at Old Filth's memorial service as Dulcie, widow of Judge William Willy, and Fred Fiscal-Smith, the perpetual hanger-on, share hazy reminiscences of their departed friends. As the two witness the last traces of the British Empire fade away, Gardam juxtaposes scenes from Veneering's impoverished childhood, describing the pains he took in order to escape class restrictions and become a respected lawyer. Though familiarity with the prior two installments of the trilogy is not necessary, readers entering the story at this late entry will miss much of the richness and depth of Gardam's narrative. They see themselves moving out of sync with the world around them, as one of the numerous geriatrics who populate this novel muses "Perhaps fiction was a mistake, it has rather fizzled out." But here Gardam proves that, even in its twilight, there is still life in the traditional English novel.
