Mr. Wilder and Me
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5.0 • 4 Ratings
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- $12.99
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- $12.99
Publisher Description
A NEW YORK TIMES EDITORS’ CHOICE
FROM THE AWARD-WINNING AUTHOR OF THE ROTTERS’ CLUB AND MIDDLE ENGLAND
In the heady summer of 1977, a naïve young woman called Calista sets out from Athens to venture into the wider world. On a Greek island that has been turned into a film set, she finds herself working for the famed Hollywood director Billy Wilder, about whom she knows almost nothing. But the time she spends in this glamorous, unfamiliar new life will change her for good.
While Calista is thrilled with her new adventure, Wilder himself is living with the realization that his star may be on the wane. Rebuffed by Hollywood, he has financed his new film with German money, and when Calista follows him to Munich for the shooting of further scenes, she finds herself joining him on a journey of memory into the dark heart of his family history.
In a novel that is at once a tender coming-of-age story and an intimate portrait of one of cinema’s most intriguing figures, Jonathan Coe turns his gaze on the nature of time and fame, of family and the treacherous lure of nostalgia. When the world is catapulting towards change, do you hold on for dear life or decide it's time to let go?
“Outstanding... In a sense, the novel toward which Coe’s fiction has always been heading.”—Los Angeles Review of Books
PUBLISHERS WEEKLY
English author Coe (Middle England) offers a witty elegy for the last gasp of old Hollywood. While backpacking across America in 1976, 21-year-old Greek musician Calista Frangopoulou has a chance encounter with real-life 70-year-old film director Billy Wilder at a Beverly Hills restaurant. So charmed is Wilder with Calista that he invites her to work as his interpreter on the production of his next movie, Fedora, on Corfu. After proving herself invaluable to the director, Calista travels with Wilder to Munich for further filming. There, Wilder, a Viennese Jew who fled Germany before WWII, is forced once again to confront his country's Nazi past. Meanwhile, Calista stumbles into a romance with a young English film student. A lengthy flashback to Wilder's life as a German émigré is affectingly rendered in screenplay format. Coe's fictionalized account of the real-life filming of Fedora—which Wilder's inability to finance in Hollywood his writing partner incisively attributes to the business's youth-obsessed preference for "kids with beards," such as Spielberg and Scorsese—is filled with hilarious anecdotes and some hard-won wisdom. As Wilder embarks on what will turn out to be his penultimate picture, Coe brings great sympathy to his touching depiction of an older artist fighting to remain relevant. Coe's fans will fall for this one.
