2010 Pop Conference Audio - Presentations
by EMP Museum
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Description
"The Pop Machine: Music + Technology" April 15-18, 2010 Experience Music Project, Seattle, WA The 2010 Pop Conference examined how pop’s contraptions have reflected, inflected and mediated musical history, exploring the conference theme of The Pop Machine: Music and Technology. The Pop Conference, launched in 2002, joins academics, critics, performers and dedicated fans in a rare common discussion. The conference was sponsored by the American Music Partnership of Seattle (EMP Museum, the University of Washington and the Simpson Center for the Humanities, and KEXP 90.3 FM), through a grant from the Paul G. Allen Family Foundation.
| Name | Description | Released | Price | ||
|---|---|---|---|---|---|
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1 |
ABCs and C-D-E-Fs: High School Music Programs and the Cultivation of Jazz in Jim Crow Houston | -- | 2/7/11 | Free | View In iTunes |
|
2 |
Analog Acoustics: Echoes of the Subject from Rin on the Rox to Glee | -- | 2/7/11 | Free | View In iTunes |
|
3 |
Analog Circuits, Digital Community: Boutique Effects Pedals as Convergence Culture | -- | 2/7/11 | Free | View In iTunes |
|
4 |
The Analogue Sound of Digital Production: Dr. Dre's G-Funk in Post-Rebellion L.A. | -- | 2/10/11 | Free | View In iTunes |
|
5 |
Art and Social After(life): Jimi Hendrix and Hélio Oiticica | -- | 2/7/11 | Free | View In iTunes |
|
6 |
Arthur Alexander, FAME Recording Studio, and a Blow Against Racism in Early-'60s Alabama | -- | 2/7/11 | Free | View In iTunes |
|
7 |
Auto-Tune, No Homo: Music Technology and the Construction of Sexuality in Hip-hop | -- | 2/9/11 | Free | View In iTunes |
|
8 |
Bandung Holograms: Paul Robeson on Tape | -- | 2/9/11 | Free | View In iTunes |
|
9 |
The Beat Says It All: Jimmy Jam, Terry Lewis and the Technological Development of a Sexual Identity in Janet Jackson's Control | -- | 2/10/11 | Free | View In iTunes |
|
10 |
Beyond the Celestial Jukebox: The Future of Listening to Music | -- | 2/9/11 | Free | View In iTunes |
|
11 |
Big Wave Rider: Cassette Tapes, Inverted Nostalgia, and the Creation of glo-fi | -- | 2/9/11 | Free | View In iTunes |
|
12 |
Black and White and Red Lipstick: The Problem With A Cappella - EXCERPT | -- | 2/9/11 | Free | View In iTunes |
|
13 |
Black Sonic Revivals: Cassidy and the Strange Samplin' of Nina Simone | -- | 2/9/11 | Free | View In iTunes |
|
14 |
The Blackberry Incident | -- | 2/10/11 | Free | View In iTunes |
|
15 |
Curtis Jackson and the Jeweled Skull: Money, Murder and Upwards Mobility in 50 Cent's Penny Arcade | -- | 2/9/11 | Free | View In iTunes |
|
16 |
'Dark Spaces and Empty Places': Ambient Reverb and the Meanings of British Post-Punk | -- | 2/9/11 | Free | View In iTunes |
|
17 |
The Devil's Trombones: How the Hunger for Louder, Bigger and Heavier Tone Influenced Instrument Design and Function, from Berli | -- | 2/10/11 | Free | View In iTunes |
|
18 |
Diggin' in Mama and Baba's Crates: Records and the Diasporic Archive | -- | 2/9/11 | Free | View In iTunes |
|
19 |
Digital Before Digital: The Player-Piano and Its Analog Legacies | -- | 2/9/11 | Free | View In iTunes |
|
20 |
The Digital Glossolalia of Todd Edwards and DJ Koze | -- | 2/10/11 | Free | View In iTunes |
|
21 |
Dime Piece | -- | 2/9/11 | Free | View In iTunes |
|
22 |
'Don't Ever Buy Nothin' You Don't Dig': The Warner/Reprise Radio Spots, 1968-1972 | -- | 2/9/11 | Free | View In iTunes |
|
23 |
Duplicating the Singular: An Aura For the Digital Age | -- | 2/9/11 | Free | View In iTunes |
|
24 |
Embrace the Martian': Hip Hop, Outer Space, and Post-Gangster Subjectivity | -- | 2/9/11 | Free | View In iTunes |
|
25 |
Following Harry's Footsteps: Contemporary Strategies of Reissue and Reassessment of American | -- | 2/9/11 | Free | View In iTunes |
|
26 |
The Glass: Technology as Embodied Discourse in Hip Hop Engineering | -- | 2/14/11 | Free | View In iTunes |
|
27 |
Good Golly, Why Mali? Solving the Mystery of the Dominance of Malian Popular Music | -- | 2/9/11 | Free | View In iTunes |
|
28 |
Hearing (Thinking) Digital People | -- | 2/10/11 | Free | View In iTunes |
|
29 |
Hipster Values: High Art Discourses and White Masculine Mastery in the Music of the Dirty Projectors | -- | 2/9/11 | Free | View In iTunes |
|
30 |
How Girls' Rock Camps use Music as a Tool for Empowerment, and why it Sometimes Doesn't Work | -- | 2/10/11 | Free | View In iTunes |
|
31 |
I Know It’s Not All Y’all: Technology, Transmission, and Ron Artest's Rap Career | -- | 2/24/11 | Free | View In iTunes |
|
32 |
The Imaginarium of Doctor Pikasso: Pat Metheny's Quest for the Perfect Machine | -- | 2/14/11 | Free | View In iTunes |
|
33 |
Jazz and the Politics of Recording | -- | 2/10/11 | Free | View In iTunes |
|
34 |
The Jive Technologies of Jazz-Fusion: Charles Mingus's Use of Technology | -- | 2/14/11 | Free | View In iTunes |
|
35 |
Know Your Dancehall Grammar: From Deejaying to Dance | -- | 2/10/11 | Free | View In iTunes |
|
36 |
Karaoke and Authenticity | -- | 2/10/11 | Free | View In iTunes |
|
37 |
The Listener as Electronic Librarian | -- | 2/14/11 | Free | View In iTunes |
|
38 |
Living In a Sonic Alterity: Exploring Black Identity with Auto-tune While Subverting Racialized Vocal Timbre | -- | 2/10/11 | Free | View In iTunes |
|
39 |
Log Cabin Songs in the Age of Mechanical Reproduction | -- | 2/10/11 | Free | View In iTunes |
|
40 |
Looking at Down from Up: Blues from Blackface to Whiteface (or: All the Blues You Could Play By Now if Stanley Crouch was Your | -- | 2/10/11 | Free | View In iTunes |
|
41 |
Mapping the Translocal Taqwacore Social Networks via Digital Humanities | -- | 2/10/11 | Free | View In iTunes |
|
42 |
'The Microphone Has No Footlights': Al Jolson's Radio Days | -- | 2/14/11 | Free | View In iTunes |
|
43 |
Microwave DJs: Digital Technology and Contemporary Disc Jockey Practice | -- | 2/10/11 | Free | View In iTunes |
|
44 |
Mix Tape: The Culture of Compilation | -- | 2/10/11 | Free | View In iTunes |
|
45 |
Música Brasileira 2.0: Independent Brazilian Music Thriving Through New Social Technologies | -- | 2/10/11 | Free | View In iTunes |
|
46 |
The New Parlor Piano: Home Recording and the Return of the Amateur | -- | 2/14/11 | Free | View In iTunes |
|
47 |
The New Scarcity | -- | 2/24/11 | Free | View In iTunes |
|
48 |
Nirvana and the Rise of the Northwest Underground | -- | 2/16/11 | Free | View In iTunes |
|
49 |
Not Your Daddy's Rumba Anymore: African Pop Melds into the American Musical Landscape | -- | 2/10/11 | Free | View In iTunes |
|
50 |
Open Tuning: Blind Tom, Human Phonography & Black (Metaphysical) Noise in the Age of Slavery | -- | 2/10/11 | Free | View In iTunes |
|
51 |
Pandora.com, pop genres, and the question of "musical DNA" | -- | 2/10/11 | Free | View In iTunes |
|
52 |
Performing Vinyl | -- | 2/10/11 | Free | View In iTunes |
|
53 |
Phoning It In: A Digitized Lecture-Performance On the History of Music and the Telephone, by The Killer Apps | -- | 2/10/11 | Free | View In iTunes |
|
54 |
Phonographic Memories: Technologies of Listening in Filipino America | -- | 2/14/11 | Free | View In iTunes |
|
55 |
Producing the Gender Gap: Male-Dominance in the Recording Studio | -- | 2/10/11 | Free | View In iTunes |
|
56 |
The Quiet Revolution: From the Walkman to the iPod, How Portability and Infinite Storage Have Changed the Way We Listen, and Wh | -- | 2/14/11 | Free | View In iTunes |
|
57 |
Radio and the 'Mexican Regional' Audience | -- | 2/10/11 | Free | View In iTunes |
|
58 |
The Radio As Instrument: Shortwave Sound at the Roots of Sampling | -- | 2/14/11 | Free | View In iTunes |
|
59 |
Sarah Vaughan, Crossover and the Technology of Race | -- | 2/10/11 | Free | View In iTunes |
|
60 |
The Song May Be the Same But the Audience Isn't: The Impact of Mobile Communication Devices on Audiences at Live Music Performa | -- | 2/14/11 | Free | View In iTunes |
|
61 |
Selections from History's Jukebox: Rebuilding and Remixing the Berlin Wall | -- | 2/10/11 | Free | View In iTunes |
|
62 |
Soul Vibrations | -- | 2/10/11 | Free | View In iTunes |
|
63 |
A Tale of Two Countries: The Impact of Smartphones and Online Radio on Listener Behavior and Corporate Strategies in the United | -- | 2/7/11 | Free | View In iTunes |
|
64 |
The Techniques and Technology of Postwar Pop: Black Gospel Music on Main Street, U.S.A. in Sam Cooke's 'That's Heaven to Me' | -- | 2/14/11 | Free | View In iTunes |
|
65 |
There's No Other Superstar: On Lady Gaga, Disability, and the Technology of Stardom | -- | 2/14/11 | Free | View In iTunes |
|
66 |
'To Be Black is To Be Funny': White Female 'Coon Shouters,' Comedic Song, and the Technological Production of the New Woman | -- | 2/14/11 | Free | View In iTunes |
|
67 |
Total Sonic Annihilation: The Loudest Sounds in New York and the Technoaesthetics of DIY | -- | 2/7/11 | Free | View In iTunes |
|
68 |
The Transformation of Kraftwerk: From 'Autobahn' to 'The Man-Machine' | -- | 2/14/11 | Free | View In iTunes |
|
69 |
Trappin' in the "Best Place to Live": Rap and Resistance in the Gilded College Town | -- | 2/14/11 | Free | View In iTunes |
|
70 |
Try It Once More, With Feeling This Time': Cinematic Depictions of the Recording Studio | -- | 2/14/11 | Free | View In iTunes |
|
71 |
Turn Your Radio On: How the Rural Electrification Act Changed Popular Music | -- | 2/14/11 | Free | View In iTunes |
|
72 |
The Violence of Publicity in the Age of Surveillance | -- | 2/14/11 | Free | View In iTunes |
|
73 |
Warhol as Recording Artist | -- | 2/14/11 | Free | View In iTunes |
| Total: 73 Episodes |
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