2011 EMP Pop Conference at UCLA Audio - Presentations
by EMP Pop Conference at UCLA
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Description
"Cash Rules Everything Around Me: Music and Money" Feb 25-27, 2011 UCLA The 2011 EMP Pop Conference, the tenth annual meeting and first outside of Seattle, featured presentations on a matter Los Angeles knows well: the relationship between song and paycheck ---or, to invoke the O'Jays hit "For the Love of Money," bass line and bottom line. A record number of presenters were on hand, including a KISS panel with best-selling author Chuck Klosterman, just one of many leading music critics to be appearing (Greil Marcus, Robert Christgau, Simon Reynolds, Ann Powers, Jody Rosen, and Jon Caramanica, e.g.) EMP Pop Conference, launched in 2002, joins academics, critics, performers, and dedicated fans in a rare common discussion. The conference is jointly sponsored in 2011 by the Department of Musicology at the UCLA Herb Alpert School of Music and by Experience Music Project. Additional support is provided by The University of Alabama College of Arts and Sciences, on behalf of the American Studies department.
| Name | Description | Released | Price | ||
|---|---|---|---|---|---|
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1 |
'California Lullaby': Sheet Music and the Musical Marketing of Southern California | SoCal Polyphony | 5/4/11 | Free | View In iTunes |
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2 |
'I Gotta Have Bread or Respect': Touring Improvised Music | The Cost of Free Jazz | 5/4/11 | Free | View In iTunes |
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3 |
'In the Past There Was Tarab, Today There Is Technique': Egyptian Violinists Between Market Forces and Nostalgia | Working Musicians | 5/4/11 | Free | View In iTunes |
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4 |
3 Bucks a Head: The Backyard Gig, Class Struggle, and the East Los Angeles Community | SoCal Polyphony | 5/4/11 | Free | View In iTunes |
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5 |
A Newly Emerging Subculture in Turkey: 'Apaches' Dancing to the Fusion of Progressive Trance and Arabesk | Regional Models and Strategies | 5/4/11 | Free | View In iTunes |
|
6 |
Animals, Cannibals, and Blah, Blah, Blah: Ke$ha and her Native Style | Reality Bites | 5/4/11 | Free | View In iTunes |
|
7 |
Bejeweled Blues: Performances of Value on the Tent Show Stage | Minstrel Bling | 5/4/11 | Free | View In iTunes |
|
8 |
Beleza Tropical: The Monetary and Artistic Reverberations of a Brazilian Music Compilation | Look Who's Coming to Town | 5/4/11 | Free | View In iTunes |
|
9 |
Big Business: Neoliberal economics, social conservatism, and the club culture experience in New York, 1980-84 | Whatever Happened to Capitalism? | 5/4/11 | Free | View In iTunes |
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10 |
Blue Monday: The Class Origins of '50s Rock and Roll | Listening to Labor | 5/4/11 | Free | View In iTunes |
|
11 |
Budweiser Bought My Baby: When and Why Did Licensing Music to Brands Stop Seeming So Evil? | Paid in Full — How Artists Make Money Making Music (Past, Present and Future) | 5/4/11 | Free | View In iTunes |
|
12 |
C.R.E.W. (Cash Rules Everything Wu) | Cash Rules of Hip-Hop | 5/4/11 | Free | View In iTunes |
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13 |
Copyright Trolling: How to Rip Off George Clinton and Ruin Hip Hop for Fun and Profit | The Rich Rapper's Burden | 5/4/11 | Free | View In iTunes |
|
14 |
Death's Angels | Death's Kingdoms | 5/4/11 | Free | View In iTunes |
|
15 |
DJ Academies: Selling Out or Getting Paid? | Working Musicians | 5/4/11 | Free | View In iTunes |
|
16 |
Do Girls Want More Than Just Fun?: Style vs. Substance during MTV's Formative Years | Music Video Then and Now | 5/4/11 | Free | View In iTunes |
|
17 |
Ebay, Light Of My Life, Fire Of My Loins, My Sin, My Soul – The Confessions of a Record Dealer, The New Vinyl Renaissance, th | Hunting for Records | 5/4/11 | Free | View In iTunes |
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18 |
First I Look At The Purse: The Contamination of Popular Music Studies by Agoraphobia | Selling No Sell Out | 5/4/11 | Free | View In iTunes |
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19 |
Flogging A Dead Genre: Resuscitating New Age | Tales From The Crypt | 5/4/11 | Free | View In iTunes |
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20 |
Forget It, Seymour Stein – It's the Chinatown Punk Wars | Scenes, Screens, and Schemes: The Multifarious Politics of Pop in Los Angeles | 5/4/11 | Free | View In iTunes |
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21 |
Hair, Hunger and Hollywood: Hear N' Aid and the Story of How Los Angeles Almost Saved Ethiopia | Scenes, Screens, and Schemes: The Multifarious Politics of Pop in Los Angeles | 5/4/11 | Free | View In iTunes |
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22 |
How TEAC Invented Home Recording and Transformed What It Meant to be a Musician | Selling the Electronic Sizzle | 5/4/11 | Free | View In iTunes |
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23 |
Let's Get Fiscal: The 'Olivia Newton-John Problem' and the Transformation of US Recording Contracts, 1979-1987 | Facing New Deals | 5/4/11 | Free | View In iTunes |
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24 |
Love Among the Ruins: The Couplets of Lewis Klahr | Music About Money | 5/4/11 | Free | View In iTunes |
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25 |
Lunch Interview: Caleb Quaye: A Conversation | Lunch Interview: "Caleb Quaye: A Conversation" | 5/4/11 | Free | View In iTunes |
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26 |
Major Lazer, Major Money? Dancehall's Relationship between Yard and Foreign | Selling Jamaica | 5/4/11 | Free | View In iTunes |
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27 |
Misty Mountain Pop | Look Who's Coming to Town | 5/4/11 | Free | View In iTunes |
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28 |
Music and Advertising in Seventeen magazine, 1944-1981 | Sentimental Productions | 5/4/11 | Free | View In iTunes |
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29 |
No Cash, No Credit: Cashless Society's Critique of Bling | The Rich Rapper's Burden | 5/4/11 | Free | View In iTunes |
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30 |
No One Man Should Have All That Power: Opulence, Guilt, and the Emergence of the 'Rich Rapper's Burden' | The Rich Rapper's Burden | 5/4/11 | Free | View In iTunes |
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31 |
Object of Desire | Music About Money | 5/4/11 | Free | View In iTunes |
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32 |
Pay Me My Money Down: Dan Zanes, They Might Be Giants, and the (Un)Surprising Resurgence of Family Music | My Music Business | 5/4/11 | Free | View In iTunes |
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33 |
Pressed Down, Shaken Together, Running Over: Contemporary Black Music and the Prosperity Gospel | Selling No Sell Out | 5/4/11 | Free | View In iTunes |
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34 |
Respondent | The Cost of Free Jazz | 5/4/11 | Free | View In iTunes |
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35 |
Rethinking the Merch Table | Paid in Full — How Artists Make Money Making Music (Past, Present and Future) | 5/4/11 | Free | View In iTunes |
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36 |
Selling Out or Buying In? Shifting from the Local to the National Commercial Music Scene | Working Musicians | 5/4/11 | Free | View In iTunes |
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37 |
So Special, So Special, So Special: The Dubplate Economy in the Age of Digital Reproduction | Selling Jamaica | 5/4/11 | Free | View In iTunes |
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38 |
The Community Market: The Development of Free Jazz in Los Angeles | The Cost of Free Jazz | 5/4/11 | Free | View In iTunes |
|
39 |
The Comparative Aesthetics of the Music Video in the Recession Age | Music Video Then and Now | 5/4/11 | Free | View In iTunes |
|
40 |
The Death of Hi-Fi, or How 40 Years of Technical Innovation Convinced Us That Sound Quality Doesn't Matter | Selling the Electronic Sizzle | 5/4/11 | Free | View In iTunes |
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41 |
The Ephemeral Forums of South East Los Angeles | SoCal Polyphony | 5/4/11 | Free | View In iTunes |
|
42 |
The Hackberry Ramblers, The Hot Biscuits Recording Company, and Octogenarians On Tour: Life as a One-Man Record Label and Drumm | My Music Business | 5/4/11 | Free | View In iTunes |
|
43 |
The Highly Improbable (But Utterly True) Saga Of Tupper Saussy: 'LearnTo Pronounce It; You May Need To' | Tales From The Crypt | 5/4/11 | Free | View In iTunes |
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44 |
The Inheritance Sessions | Music About Money | 5/4/11 | Free | View In iTunes |
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45 |
The Jonas Brothers Are Dorky and Miley Cyrus Is a S**t: Gender, Power, and Money in the Disney Ghetto | Reality Bites | 5/4/11 | Free | View In iTunes |
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46 |
The Only Black Man at the Party: Joni Mitchell and the Race and Gender Codes of Musical Property | Rockonomics | 5/4/11 | Free | View In iTunes |
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47 |
The Power Ballad and the 'Unfinished Business' of Sentimentality | Sentimental Productions | 5/4/11 | Free | View In iTunes |
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48 |
The Vivian Girls' 'Tell the World': Exhaustion, Repetition, and the Scuzzed-up Musical Commodity of Late-Capitalist, Gendered H | Whatever Happened to Capitalism? | 5/4/11 | Free | View In iTunes |
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49 |
To Be Poor Is A Crime: Jamaican Music's Competing Economic Rhetoric | Selling Jamaica | 5/4/11 | Free | View In iTunes |
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50 |
Too Cool For School: The Black Lips in Chennai | Look Who's Coming to Town | 5/4/11 | Free | View In iTunes |
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51 |
'Treme' Second Line | Look Who's Coming to Town | 5/4/11 | Free | View In iTunes |
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52 |
Trying to Buy Back a Little Piece of Me: Consumer Culture, Nostalgia, and Political Activism | Selling No Sell Out | 5/4/11 | Free | View In iTunes |
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53 |
Tune Thieving on the Popular Front | Hunting for Records | 5/4/11 | Free | View In iTunes |
|
54 |
Vs.: Pearl Jam's Quixotic Attempt to Save the Nation from Ticketmaster | Rockonomics | 5/4/11 | Free | View In iTunes |
|
55 |
We Are All Workers, This is Our Song: What Counts as Labor (and Song) in 21st Century Music Promotion | Listening to Labor | 5/4/11 | Free | View In iTunes |
|
56 |
What a Convenient World: Russian Music in the Era of Big Money | Regional Models and Strategies | 5/4/11 | Free | View In iTunes |
|
57 |
Working Girls and Working Musicians: Musical Prostitution | Working Musicians | 5/4/11 | Free | View In iTunes |
| Total: 57 Episodes |
Customer Reviews
RUDE AND USELESS!
This is highly offending to me and more than likely Miley and the Jonas Brothers. I truly HATE THIS AND IT SHOULD BE TAKEN OFF ITUNES! This is the rudest thing I have EVER seen on Itunes. If you have a heart dont buy this.
