Serpentine

Peaches (Merrill Nisker) burst into transcontinental favor with her very particular brand of cocksure rapping and groovebox beats. Indeed, this vulgar Canadian temptress may have come from an underground womb of acoustic folk (Mermaid Café), avant-garde jazz (Fancypants Hoodlum), and deconstructed noise swarms (the S**t), but it wasn't until 2000's new guise that her fearless, apolitical gender play truly raised heads. European trawls unearthed new admirers, and collaborations with the equally lewd...