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Michael Penn's Playlist

Michael Penn

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  • "In a Mist" (Track 16): ""
    "When I Get to the Border" (Track 17): ""
    "Waiting for a Train," "Always Late (With Your Kisses)," "Mud," and "Nothin' 'Bout Love Makes Sense" On Tracks 18 - 21: "I don't know s**t about modern country music. I mean, most of what I hear or stumble across is just manufactured, empty, glossy Pop like everything else on the radio . . . except that a lack of irony and the right kind of accent and twang might let you know which part of the dial you landed on. Then I heard these songs on the radio and I thought that thought . . . the one that gives me hope. Every once in a while something good gets past 'em.
    Who doesn't love an English eccentric? Am I right, people?"

    "South Africa" (Track 22): ""
    "Sea Song" (Track 23): ""
    "Any Old Time of Day" and "Wichita Lineman" (Tracks 24 – 25): " "
    "Lodi" (Track 26): "
    "Back of a Car" (Track 27): ""

    • 2. "I Drink" by Mary Gauthier: "You know it's coming but it doesn't matter. The lyric perfectly captures it, with sadness and resignation and the humor of mundane truth."
    • 3. "The Great Nations of Europe" by Randy Newman: "Why this album didn't set the world on fire is hard for me to understand. There are a lot of things about this world that are hard for me to understand, and that is one of 'em."
    • 4. "Between the Bars" by Elliott Smith: "Just when you thought it couldn't get any sadder . . ."
    • 5. "Does He Love You?" by Rilo Kiley: "I love that these guys are from my neighborhood. I feel civic pride."
    • 6. "Can't Let Go" by Lucinda Williams: "Everyone knows what a great writer Lucinda is so I thought I would include her Randy Weeks song. This has got to be one of the most seductive anthems of codependence ever."
    • 7. "A Worm Is At Work" by Slapp Happy & Henry Cow: "Slapp Happy was an odd and wonderful mid-'70s Pop group consisting of an Englishman (Anthony Moore), an American (Peter Blegvad), and a German (Dagmar Kraus). On Desperate Straights they merged with the Avant-Garde band Henry Cow to produce one of the most unique Pop records I know of. Kraus's voice is an admittedly — acquired taste. Suffice it to say, she has gone on to become a well respected interpreter of Brecht in Germany and that may clue you in to what these guys were doing."
    • 8. "Suite bergamasque: Clair de lune" by Francois-Joël Thiollier: "Several things just make me cry. Even my foreknowledge of this fact is not enough to ward off the waterworks. I think it's important to always make a note of the things that 'just make you cry.' The film City Lights for example. I think I understand what's going on there for me. It's a bit harder to get to the psychology of a piece of instrumental music. And all the more magical for it."
    • 11. "Pleasures of the Harbor" by Phil Ochs: "Oh man, Phil Ochs. Why his story hasn't been made into a heartbreaking movie is yet one more thing I don't understand."
    • 13. "When I Get to the Border" by Linda Thompson & Richard Thompson: "This was the song that made Richard Thompson my favorite living guitarist. It's as if, merely by plugging a guitar into an amp, he created an entirely new instrument. Move over, Krummhorn."
    • 15. "South Africa" by Roy Harper: "I spent a lot of time listening to Roy Harper's albums growing up. I know I've ripped him off more than once."
    • 16. "Any Old Time of Day" by Dionne Warwick: "The thing that amazes me most about Burt Bacharach and Jimmy Webb is that despite my young perception of them as relatively 'square' hipsters from the swinging '60s,"
    • 18. "Moral Kiosk" by R.E.M.: "I have absolutely no idea what Stipe is talking about. But it didn't matter. I had been a musician. I had a band in High School. I had written some music. Out of school, I was in a working indie band. But not until somewhere between Costello's Imperial Bedroom and R.E.M.'s Murmur did I finally decide that it's really what I wanted to do.""
    $18.72

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