Five Mountain Zen Order Podcasts
By Five Mountain Zen Order
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Podcast Description
Teachings from the Five Mountain Zen Order
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Kwanseum Bosal Chanting | na-mu bul-ta bu-jung gwang-nim bop-he na-mu dal-ma bu-jung gwang-nim bop-he na-mu sung-ga bu-jung gwang-nim bop-he na-mu bo-mun shi-hyon wol-lyok hong-shim dae-ja dae-bi kwan-se-um bo-sal kwan-se-um bo-sal.....(Repeat) kwan-se-um bo-sal myol-op -jang jin-on om a-ro-ruk-gye sa-ba-ha om a-ro-ruk-gye sa-ba-ha om a-ro-ruk-gye sa-ba-ha won song-chwi jin-on om a-mot-ka sal-ba-da-ra sa-da-ya shi-bye-hum om a-mot-ka sal-ba-da-ra sa-da-ya shi-bye-hum om a-mot-ka sal-ba-da-ra sa-da-ya shi-bye-hum bu-sol so-jae gil-sang da-ra-ni na-mu sa-man-da mot-ta-nam a-ba-ra-ji ha-da-sa sa-na-nam da-nya-ta om ka-ka ka-hye ka-hye hum-hum a-ba-ra a-ba-ra ba-ra-a-ba-ra ba-ra-a-ba-ra ji-tta ji-tta ji-ri ji-ri ppa-da ppa-da son-ji-ga shi-ri-e sa-ba-ha na-mu sa-man-da mot-ta-nam a-ba-ra-ji ha-da-sa sa-na-nam da-nya-ta om ka-ka ka-hye ka-hye hum-hum a-ba-ra a-ba-ra ba-ra-a-ba-ra ba-ra-a-ba-ra ji-tta ji-tta ji-ri ji-ri ppa-da ppa-da son-ji-ga shi-ri-e sa-ba-ha na-mu sa-man-da mot-ta-nam a-ba-ra-ji ha-da-sa sa-na-nam da-nya-ta om ka-ka ka-hye ka-hye hum-hum a-ba-ra a-ba-ra ba-ra-a-ba-ra ba-ra-a-ba-ra ji-tta ji-tta ji-ri ji-ri ppa-da ppa-da son-ji-ga shi-ri-e sa-ba-ha bo gwol jin-on om ho-ro ho-ro sa-ya mo-ke sa-ba-ha om ho-ro ho-ro sa-ya mo-ke sa-ba-ha om ho-ro ho-ro sa-ya mo-ke sa-ba-ha bo-ho-hyang jin-on om sam-ma-ra sam-ma-ra mi-ma-na sa-ra-ma ja-ga-ra ba-ra-hum om sam-ma-ra sam-ma-ra mi-ma-na sa-ra-ma ja-ga-ra ba-ra-hum om sam-ma-ra sam-ma-ra mi-ma-na sa-ra-ma ja-ga-ra ba-ra-hum chal-chin shim-nyom ga-su-ji dae-he jung-su ka-um-jin ho-gong ga-ryang pung ga gye mu-nung jin-sol bul gong-dok | 9/6/11 | Free | View In iTunes |
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Thousand Hands and Eyes Sutra | a-gum il-shim-jung juk-kyon mu-jin-shin byon-je gwan-um dae-song-jon il-il mu-su-re om ba-a-ra mil om ba-a-ra mil om ba-a-ra mil jong gu-op jin-on su-ri-su-ri ma-ha-su-ri su-su-ri sa-ba-ha su-ri-su-ri ma-ha-su-ri su-su-ri sa-ba-ha su-ri-su-ri ma-ha-su-ri su-su-ri sa-ba-ha o-bang-nae-we an-wi-je-shin-jin-on na-mu sa-man-da mot-ta-nam om do-ro do-ro ji-mi sa-ba-ha na-mu sa-man-da mot-ta-nam om do-ro do-ro ji-mi sa-ba-ha na-mu sa-man-da mot-ta-nam om do-ro do-ro ji-mi sa-ba-ha gae-gyong-ye mu-sang shim-shim mi-myo-bop baek-chon man-gop nan-jo-u a-gum mun-gyon duk-su-ji won-hae yo-rae jin-shil-wi gae bop-jang jin-on om a-ra-nam a-ra-da om a-ra-nam a-ra-da om a-ra-nam a-ra-da chon-su chon-an gwan-ja-jae bo-sal gwang dae-won man mu-ae dae-bi-shim dae da-ra-ni gye-chong gye-su gwan-um dae-bi-ju wol-lyok hong-shim sang-ho-shin chon-bi jang-om bo-ho-ji chon-an gwan-myong byon-gwan-jo jin-shil-o-jung son-mil-o mu-wi shim-nae gi-bi-shim song-nyong man-jok je-hwi-gu yong-sa myol-je je-je-op chol-lyong jung-song dong-ja-ho baek-chon sam-mae don-hun-su su-ji shin-shi gwang-myong-dang su-ji shim-shi shin-tong-jang se-chok jil-lo won-je-hae cho-jung bo-ri bang-pyon-mun a-gum ching-song so-gwi-e so-won jong-shim shil-won-man na-mu dae-bi kwan-se-um won-a sok-ji il-che-bop na-mu dae-bi kwan-se-um won-a jo-duk ji-hye-an na-mu dae-bi kwan-se-um won-a sok-do il-che-jung na-mu dae-bi kwan-se-um won-a jo-duk son-bang-pyon na-mu dae-bi kwan-se-um won-a sok-sung ban-ya-son na-mu dae-bi kwan-se-um won-a jo-duk wol-go-hae na-mu dae-bi kwan-se-um won-a sok-duk gye-jong-do na-mu dae-bi kwan-se-um won-a jo-dung won-jok-san na-mu dae-bi kwan-se-um won-a sok-he mu-wi-sa na-mu dae-bi kwan-se-um won-a jo-dong bop-song-shin a-yak hyang-do-san do-san ja-che-jol a-yak hyang-hwa-tang hwa-tang ja-so-myol a-yak hyang-ji-ok ji-ok ja-go-gal a-yak hyang-a-gwi a-gwi ja-po-man a-yak hyang-su-ra ak-shim ja-jo-bok a-yak hyang-chuk-saeng ja-duk-dae-ji-hye na-mu kwan-se-um bo-sal ma-ha-sal na-mu dae-se-ji bo-sal ma-ha-sal na-mu chan-su bo-sal ma-ha-sal na-mu yo-ui-ryun bo-sal ma-ha-sal na-mu dae-ryun bo-sal ma-ha-sal na-mu kwan ja-jae bo-sal ma-ha-sal na-mu jong-chi bo-sal ma-ha-sal na-mu man-wol bo-sal ma-ha-sal na-mu su-wol bo-sal ma-ha-sal na-mu gun-da-ri bo-sal ma-ha-sal na-mu ship-il-myon bo-sal ma-ha-sal na-mu je-dae bo-sal ma-ha-sal na-mu bon-sa a-mi-ta bul na-mu bon-sa a-mi-ta bul na-mu bon-sa a-mi-ta bul shin-myo jang-gu dae-da-ra-ni na-mo-ra da-na da-ra ya-ya na-mak al-ya ba-ro-gi-je sae-ba-ra-ya mo-ji sa-da-ba-ya ma-ha sa-da-ba-ya ma-ha ga-ro-ni-ga-ya om sa-ba-ba-ye su da-ra-na ga-ra-ya da-sa-myong na-mak-ka-ra-da-ba i-mam al-ya ba-ro-gi-je sae-ba-ra da-ba ni-ra-gan-ta na-mak ha-ri-na-ya ma-bal-ta i-sa-mi sal-bal-ta sa-da-nam su-ban a-ye-yom sal-ba bo-da-nam ba-ba-mal-a mi-su-da-gam da-nya-ta om a-ro-gye a-ro-ga ma-ji-ro-ga ji-ga-ran-je hye-hye-ha-rye ma-ha mo-ji sa-da-ba sa-ma-ra sa-ma-ra ha-ri-na-ya gu-ro-gu-ro gal-ma sa-da-ya sa-da-ya do-ro-do-ro mi-yon-je ma-ha mi-yon-je da-ra da-ra da-rin na-rye sae-ba-ra ja-ra-ja-ra ma-ra-mi-ma-ra a-ma-ra mol-je-ye hye-hye ro-gye sae-ba-ra ra-a mi-sa-mi na-sa-ya na-be sa-mi sa-mi na-sa-ya mo-ha-ja-ra mi-sa-mi na-sa-ya ho-ro-ho-ro ma-ra-ho-ro ha-rye ba na-ma-na-ba sa-ra sa-ra shi-ri shi-ri so-ro so-ro mot-cha mot-cha mo-da-ya mo-da-ya mae-da-ri-ya ni-ra gan-ta mae-da-ri-ya nal-sa-nam ba-ra-ha-ra-na-ya ma-nak-sa-ba-ha shi-ta-ya sa-ba-ha ma-ha-shi-ta-ya sa-ba-ha shi-ta-yu-ye sae-ba-ra-ya sa-ba-ha ni-ra-gan-ta-ya sa-ba-ha ba-ra-ha mok-ka shing-ha mok-ka-ya sa-ba-ha ba-na-ma ha-da-ya sa-ba-ha ja-ga-ra-yok-ta-ya sa-ba-ha song-ka som-na-nye mo-da-na-ya sa-ba-ha ma-ha-ra gu-ta da-ra-ya sa-ba-ha ba-ma-sa gan-ta i-sa-shi che-da ga-rin-na i-na-ya sa-ba-ha mya-ga-ra jal-ma ni-ba sa-na-ya sa-ba-ha na-mo-ra da-na-da-ra ya-ya na-mak al-ya ba-ro gi-je sae-ba-ra-ya sa-ba-ha | 9/6/11 | Free | View In iTunes |
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2011 Founders Day Poem | My Dharma brother Thom Kwanjok Pastor, JDPSN delivered this Founders Day Poem at Providence Zen Center on July 30, 2011. | 8/17/11 | Free | View In iTunes |
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March 2011 Precepts Dharma Talk | Dharma talk given at the end of our Spring Retreat Precepts Ceremony. The first talk is given by Rev. Sokan LeBlanc, followed by Rev. Jiun Foster and finally Rev. Yuanzhi Daoqing ends the lineup. | 6/18/11 | Free | View In iTunes |
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Second Life Zen Discussion Group 11-27-2010 | This is a recording of the weekly Dharma Discussion Group at Kannon-ji Zen Retreat at Snow Lion Mountain in SecondLife on November 27, 2010. The discussion was led by Rev. Paul Dochong Lynch who answered the questions posed to him by visitors to the Buddhist Sim in SecondLife. In this session we discussed mostly Wei Wu Wei (the Daoist concept of 'doing not doing') and what that means to our practice | 11/28/10 | Free | View In iTunes |
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Second Life Zen Discussion Group 10-16-2010 | This is a recording of the weekly Dharma Discussion Group at Kannon-ji Zen Retreat at Snow Lion Mountain in SecondLife on October 16, 2010. The discussion was led by Rev. Paul Dochong Lynch who answered the questions posed to him by visitors to the Buddhist Sim in SecondLife. Some of the topics discussed were the four noble truths, sunyata, dukkha, practice and integratiing meditation into daily life | 10/17/10 | Free | View In iTunes |
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Pure Heart – Zen Poems & Music | Here is a sample from a recent release from a friend of mine. Twenty-nine modern Zen poems from a group of Jazz influenced practitioners who fuse their deep love of Jazz with a whimsical approach to 21st Century Zen Poetry. These poems come right out of the day-to-day lives of three serious musicians and Zen practitioners. Steeped in the heritage of Han Shan and Ryokan these fresh renditions of our modern world are grounded in the traditions of the ancient east. These gifts of the Dharma are blended with the talents of three highly skilled and practiced Jazz musicians who manage to merge the words and the music into a seamless experience. This CD is a must have for all Zen practitioners, and echos of the original Beat poets like Keroac, Ginsburg and Snyder are sure to come through. http://www.lulu.com/product/cd/pure-heart-%E2%80%93-zen-poems-music/12472801 | 9/20/10 | Free | View In iTunes |
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Spiritual Materialism-Rev. Dochong-7-17-10 | This talk was given at Kannon-ji Zen Retreat at Snow Lion Mountain in SecondLife on July 17, 2010. The talk was given by Rev. Dochong and due to technical problems the audio on the questions was not picked up. Because the questions were typed out and available in a log file I was able to re-insert them in the talk, although I am asking the questions I give credit to the individual who was asking the question. Spiritual materialism or spiritual narcissism are terms used to describe mistakes spiritual seekers commit which turn the pursuit of spiritualism into an ego building and confusion creating endeavor. This is based on the idea that ego development is counter to spiritual progress. Chögyam Trungpa coined the term spiritual materialism with his book Cutting Through Spiritual Materialism | 7/18/10 | Free | View In iTunes |
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LeBlanc, SDPS & Lynch, JDPSN Dharma Talk 3/20/05 | Greg LeBlanc, SDPS and Paul Lynch, JDPSN Dharma Talk in Long Beach at Golden Wind Zen Center March 20, 2005. Some additional comments at the end of the talk were given by Bridgette Duff, SDPS regarding bowing practice. | 7/7/10 | Free | View In iTunes |
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Paul Lynch, JDPSN Inka Speech | In April of 2006 Zen Master Jibong hosted an Inka Ceremony for Jeff Tipp and Paul Lynch at the Golden Wind Zen Center in Long Beach, CA. The ceremony had many components and the first is known as Dharma Exchange. The term Dharma Exchange, (一拶 [py]: yī zan, いっさつ[jap]: shosan) can be literally translated as “challenge” and is a term in some schools of Buddhism referring to an intense exchange between student and teacher, and sometimes between teachers, as an occasion for one or both to demonstrate his or her understanding of the Dharma and Buddhist tenets. It is used by both students and teachers to test and sharpen their understanding. Practice is primarily seen in Zen traditions, particularly Sōtō Zen and the Kwan Um School of Zen. In both, it is a key component in the Dharma transmission process | 7/4/10 | Free | View In iTunes |
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Jeff Tipp, JDPSN Inka Speech | In April of 2006 Zen Master Jibong hosted an Inka Ceremony for Jeff Tipp and Paul Lynch at the Golden Wind Zen Center in Long Beach, CA. The ceremony had many components and the first is known as Dharma Exchange. The term Dharma Exchange, (一拶 [py]: yī zan, いっさつ[jap]: shosan) can be literally translated as “challenge” and is a term in some schools of Buddhism referring to an intense exchange between student and teacher, and sometimes between teachers, as an occasion for one or both to demonstrate his or her understanding of the Dharma and Buddhist tenets. It is used by both students and teachers to test and sharpen their understanding. Practice is primarily seen in Zen traditions, particularly Sōtō Zen and the Kwan Um School of Zen. In both, it is a key component in the Dharma transmission process | 7/4/10 | Free | View In iTunes |
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Zen Master Jibong Inka Transmission Poem 2006 | It is traditional for the Guiding Teacher to recite a poem written for the occasion of Inka. In this Zen Master Jibong reads his poem and explains his meaning. He then tells a few stories about the two new Jidoposa-nims. | 7/3/10 | Free | View In iTunes |
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Transmission of Inka - Tipp & Lynch 2006 | The Inka Certification Assembly is a ceremony of verification for students who have received their Guiding Teacher’s official sanction to teach Koan practice. The act of giving this approval is known in Korea as inka, which can be translated as mind seal. In Asia, each person has their own seal and they use it as a foolproof method of identifying a decree they send out. They stamp so that half the stamp appears on the original document and half appears on the copy. When there is a question about the authenticity of a document, the seal on the document is tested to see how it matches up with that on the original. If the two halves match exactly producing an individual's personal seal, then everyone understands without a doubt that the copy is true to the original. Inga is simply recognition of the veracity of the student's practice. Students, who receive Inka, have the title of Jidōpŏpsa. Ji means to point to and dō means correct path, so Jidōpŏpsa translated means Dharma Master. When addressing a Jidōpŏpsa in conversation you should use the honorific pŏpsa–nim. The ceremony in Korean is Jidō pŏpsa jŭng jyŏng sōcham or Jidōpŏpsa Certification Assembly. Once the candidate has received, Inka may teach Koan Practice | 7/3/10 | Free | View In iTunes |
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Inka Dharma Exchange 2006 - Paul Lynch, JDPSN | In April of 2006 Zen Master Jibong hosted an Inka Ceremony for Jeff Tipp and Paul Lynch at the Golden Wind Zen Center in Long Beach, CA. The ceremony had many components and the first is known as Dharma Exchange. The term Dharma Exchange, (一拶 [py]: yī zan, いっさつ [jap]: shosan) can be literally translated as “challenge” and is a term in some schools of Buddhism referring to an intense exchange between student and teacher, and sometimes between teachers, as an occasion for one or both to demonstrate his or her understanding of the Dharma and Buddhist tenets. It is used by both students and teachers to test and sharpen their understanding. Practice is primarily seen in Zen traditions, particularly Sōtō Zen and the Kwan Um School of Zen. In both, it is a key component in the Dharma transmission process | 7/3/10 | Free | View In iTunes |
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Inka Dharma Exchange 2006 - Jeff Tipp, JDPSN | In April of 2006 Zen Master Jibong hosted an Inka Ceremony for Jeff Tipp and Paul Lynch at the Golden Wind Zen Center in Long Beach, CA. The ceremony had many components and the first is known as Dharma Exchange. The term Dharma Exchange, (一拶 [py]: yī zan, いっさつ [jap]: shosan) can be literally translated as “challenge” and is a term in some schools of Buddhism referring to an intense exchange between student and teacher, and sometimes between teachers, as an occasion for one or both to demonstrate his or her understanding of the Dharma and Buddhist tenets. It is used by both students and teachers to test and sharpen their understanding. Practice is primarily seen in Zen traditions, particularly Sōtō Zen and the Kwan Um School of Zen. In both, it is a key component in the Dharma transmission process | 7/3/10 | Free | View In iTunes |
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Dharma Play | This recording was made at Ocean Eyes Zen Center in early 1994 and was presented by Musang Sunim who is the Senior Monk in the Kwan Um School of Zen and is one of the few who practiced many of the esoteric forms that Zen Master Seung Sahn brought with him to the West. Musang Sunim, who spent fourteen years as Zen Master Seung Sahn's private secretary received these teachings and is one of the few remaining students who still actively practices these esoteric forms. We are greatful to have him prsent these teachings to us in such a concise and undiluted form. Some of these practices have been used by former students and lie at the base of some of the mindfulness and personal control methods used by Psychologists and Therapists today. An Explanation of Buddhist Theology and Guided Meditation Buddhist Theology teaches us that each person has eight levels of human consciousness. The first five levels of consciousness are connected directly to the senses of sight, sound, smell, taste, touch and thought. The sixth level which describes our human thought process is usually defined as our intellect, and it is through our intellect then, that we create an illusory self that functions separate from the universe it perceives, and this separate self we call ‘I.’ The separate self is therefore held apart from the objective and perceived outside world, which causes our sixth level of consciousness (thinking and intellect,) to not be aware of this persistent habit of constantly creating a separate self. In terms of the Buddhist theory of mind, this type of guided meditation functions in the following manner. Buddha teaches that the sixth level of consciousness controls our body and our will mind, the seventh level of consciousness controls our emotional (or our like and dislike discriminating consciousness) and the eighth level of consciousness is referred to as our storehouse consciousness, and controls our memory. During the first stage and the second stage of this guided meditation, we use the sixth, seventh and eighth levels of consciousness to bring stillness to the sixth level of consciousness. After this has been done, then in stage three we use the seventh and eighth levels of consciousness and bring all three of them together. Then in stage four, we still the seventh level of consciousness. At this point we are usually ready when we get to stage five to accept seeds of change (changing karma) into our eighth consciousness; and finally, at stage six we connect the sixth, seventh and eighth levels of consciousness so that they begin to function in harmony as a single unified consciousness. Many individuals have problems in focusing their consciousness and especially in controlling their thinking. Sŭngsan Daesŏnsa would often teach that these kind of people were suffering from a broken consciousness. What he meant was that the person’s eight levels of consciousnesses were all functioning independently and were constantly involved in separate actions. He was especially referring to the affected individual’s lack of integration between their sixth, seventh, and eighth levels of consciousness, which ultimately caused the person to become somewhat schizophrenic. Buddhist theory espouses that each person’s mind is only one mind, and Sŭngsan Daesŏnsa realized that some of his students were not able to control their minds, and therefore could also not fully control their bodies. Achieving this Buddhist ‘one mind’ means that our sixth, seventh, and eighth levels of consciousnesses all become unified. In the Heart Sutra Buddha said, “Avalokitesvara Bodhisattva when practicing deeply the Prajna Paramita perceives that all five skandhas are empty.” Buddha concluded that it is only in the seventh level of consciousness, (Sanskrit: manas) that the awareness of a discreet construct of a separate ‘I” can become constant. The seventh level of consciousness also acts as the communication vehicle of our | 6/2/10 | Free | View In iTunes |
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Kwanseum Bosal Chanting | na-mu bul-ta bu-jung gwang-nim bop-he na-mu dal-ma bu-jung gwang-nim bop-he na-mu sung-ga bu-jung gwang-nim bop-he na-mu bo-mun shi-hyon wol-lyok hong-shim dae-ja dae-bi kwan-se-um bo-sal kwan-se-um bo-sal.....(Repeat) kwan-se-um bo-sal myol-op -jang jin-on om a-ro-ruk-gye sa-ba-ha om a-ro-ruk-gye sa-ba-ha om a-ro-ruk-gye sa-ba-ha won song-chwi jin-on om a-mot-ka sal-ba-da-ra sa-da-ya shi-bye-hum om a-mot-ka sal-ba-da-ra sa-da-ya shi-bye-hum om a-mot-ka sal-ba-da-ra sa-da-ya shi-bye-hum bu-sol so-jae gil-sang da-ra-ni na-mu sa-man-da mot-ta-nam a-ba-ra-ji ha-da-sa sa-na-nam da-nya-ta om ka-ka ka-hye ka-hye hum-hum a-ba-ra a-ba-ra ba-ra-a-ba-ra ba-ra-a-ba-ra ji-tta ji-tta ji-ri ji-ri ppa-da ppa-da son-ji-ga shi-ri-e sa-ba-ha na-mu sa-man-da mot-ta-nam a-ba-ra-ji ha-da-sa sa-na-nam da-nya-ta om ka-ka ka-hye ka-hye hum-hum a-ba-ra a-ba-ra ba-ra-a-ba-ra ba-ra-a-ba-ra ji-tta ji-tta ji-ri ji-ri ppa-da ppa-da son-ji-ga shi-ri-e sa-ba-ha na-mu sa-man-da mot-ta-nam a-ba-ra-ji ha-da-sa sa-na-nam da-nya-ta om ka-ka ka-hye ka-hye hum-hum a-ba-ra a-ba-ra ba-ra-a-ba-ra ba-ra-a-ba-ra ji-tta ji-tta ji-ri ji-ri ppa-da ppa-da son-ji-ga shi-ri-e sa-ba-ha bo gwol jin-on om ho-ro ho-ro sa-ya mo-ke sa-ba-ha om ho-ro ho-ro sa-ya mo-ke sa-ba-ha om ho-ro ho-ro sa-ya mo-ke sa-ba-ha bo-ho-hyang jin-on om sam-ma-ra sam-ma-ra mi-ma-na sa-ra-ma ja-ga-ra ba-ra-hum om sam-ma-ra sam-ma-ra mi-ma-na sa-ra-ma ja-ga-ra ba-ra-hum om sam-ma-ra sam-ma-ra mi-ma-na sa-ra-ma ja-ga-ra ba-ra-hum chal-chin shim-nyom ga-su-ji dae-he jung-su ka-um-jin ho-gong ga-ryang pung ga gye mu-nung jin-sol bul gong-dok | 6/2/10 | Free | View In iTunes |
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Thousand Hands and Eyes Sutra | a-gum il-shim-jung juk-kyon mu-jin-shin byon-je gwan-um dae-song-jon il-il mu-su-re om ba-a-ra mil om ba-a-ra mil om ba-a-ra mil jong gu-op jin-on su-ri-su-ri ma-ha-su-ri su-su-ri sa-ba-ha su-ri-su-ri ma-ha-su-ri su-su-ri sa-ba-ha su-ri-su-ri ma-ha-su-ri su-su-ri sa-ba-ha o-bang-nae-we an-wi-je-shin-jin-on na-mu sa-man-da mot-ta-nam om do-ro do-ro ji-mi sa-ba-ha na-mu sa-man-da mot-ta-nam om do-ro do-ro ji-mi sa-ba-ha na-mu sa-man-da mot-ta-nam om do-ro do-ro ji-mi sa-ba-ha gae-gyong-ye mu-sang shim-shim mi-myo-bop baek-chon man-gop nan-jo-u a-gum mun-gyon duk-su-ji won-hae yo-rae jin-shil-wi gae bop-jang jin-on om a-ra-nam a-ra-da om a-ra-nam a-ra-da om a-ra-nam a-ra-da chon-su chon-an gwan-ja-jae bo-sal gwang dae-won man mu-ae dae-bi-shim dae da-ra-ni gye-chong gye-su gwan-um dae-bi-ju wol-lyok hong-shim sang-ho-shin chon-bi jang-om bo-ho-ji chon-an gwan-myong byon-gwan-jo jin-shil-o-jung son-mil-o mu-wi shim-nae gi-bi-shim song-nyong man-jok je-hwi-gu yong-sa myol-je je-je-op chol-lyong jung-song dong-ja-ho baek-chon sam-mae don-hun-su su-ji shin-shi gwang-myong-dang su-ji shim-shi shin-tong-jang se-chok jil-lo won-je-hae cho-jung bo-ri bang-pyon-mun a-gum ching-song so-gwi-e so-won jong-shim shil-won-man na-mu dae-bi kwan-se-um won-a sok-ji il-che-bop na-mu dae-bi kwan-se-um won-a jo-duk ji-hye-an na-mu dae-bi kwan-se-um won-a sok-do il-che-jung na-mu dae-bi kwan-se-um won-a jo-duk son-bang-pyon na-mu dae-bi kwan-se-um won-a sok-sung ban-ya-son na-mu dae-bi kwan-se-um won-a jo-duk wol-go-hae na-mu dae-bi kwan-se-um won-a sok-duk gye-jong-do na-mu dae-bi kwan-se-um won-a jo-dung won-jok-san na-mu dae-bi kwan-se-um won-a sok-he mu-wi-sa na-mu dae-bi kwan-se-um won-a jo-dong bop-song-shin a-yak hyang-do-san do-san ja-che-jol a-yak hyang-hwa-tang hwa-tang ja-so-myol a-yak hyang-ji-ok ji-ok ja-go-gal a-yak hyang-a-gwi a-gwi ja-po-man a-yak hyang-su-ra ak-shim ja-jo-bok a-yak hyang-chuk-saeng ja-duk-dae-ji-hye na-mu kwan-se-um bo-sal ma-ha-sal na-mu dae-se-ji bo-sal ma-ha-sal na-mu chan-su bo-sal ma-ha-sal na-mu yo-ui-ryun bo-sal ma-ha-sal na-mu dae-ryun bo-sal ma-ha-sal na-mu kwan ja-jae bo-sal ma-ha-sal na-mu jong-chi bo-sal ma-ha-sal na-mu man-wol bo-sal ma-ha-sal na-mu su-wol bo-sal ma-ha-sal na-mu gun-da-ri bo-sal ma-ha-sal na-mu ship-il-myon bo-sal ma-ha-sal na-mu je-dae bo-sal ma-ha-sal na-mu bon-sa a-mi-ta bul na-mu bon-sa a-mi-ta bul na-mu bon-sa a-mi-ta bul na-mo-ra da-na da-ra ya-ya na-mak al-ya ba-ro-gi-je sae-ba-ra-ya mo-ji sa-da-ba-ya ma-ha sa-da-ba-ya ma-ha ga-ro-ni-ga-ya om sa-ba-ba-ye su da-ra-na ga-ra-ya da-sa-myong na-mak-ka-ra-da-ba i-mam al-ya ba-ro-gi-je sae-ba-ra da-ba ni-ra-gan-ta na-mak ha-ri-na-ya ma-bal-ta i-sa-mi sal-bal-ta sa-da-nam su-ban a-ye-yom sal-ba bo-da-nam ba-ba-mal-a mi-su-da-gam da-nya-ta om a-ro-gye a-ro-ga ma-ji-ro-ga ji-ga-ran-je hye-hye-ha-rye ma-ha mo-ji sa-da-ba sa-ma-ra sa-ma-ra ha-ri-na-ya gu-ro-gu-ro gal-ma sa-da-ya sa-da-ya do-ro-do-ro mi-yon-je ma-ha mi-yon-je da-ra da-ra da-rin na-rye sae-ba-ra ja-ra-ja-ra ma-ra-mi-ma-ra a-ma-ra mol-je-ye hye-hye ro-gye sae-ba-ra ra-a mi-sa-mi na-sa-ya na-be sa-mi sa-mi na-sa-ya mo-ha-ja-ra mi-sa-mi na-sa-ya ho-ro-ho-ro ma-ra-ho-ro ha-rye ba na-ma-na-ba sa-ra sa-ra shi-ri shi-ri so-ro so-ro mot-cha mot-cha mo-da-ya mo-da-ya mae-da-ri-ya ni-ra gan-ta mae-da-ri-ya nal-sa-nam ba-ra-ha-ra-na-ya ma-nak-sa-ba-ha shi-ta-ya sa-ba-ha ma-ha-shi-ta-ya sa-ba-ha shi-ta-yu-ye sae-ba-ra-ya sa-ba-ha ni-ra-gan-ta-ya sa-ba-ha ba-ra-ha mok-ka shing-ha mok-ka-ya sa-ba-ha ba-na-ma ha-da-ya sa-ba-ha ja-ga-ra-yok-ta-ya sa-ba-ha song-ka som-na-nye mo-da-na-ya sa-ba-ha ma-ha-ra gu-ta da-ra-ya sa-ba-ha ba-ma-sa gan-ta i-sa-shi che-da ga-rin-na i-na-ya sa-ba-ha mya-ga-ra jal-ma ni-ba sa-na-ya sa-ba-ha na-mo-ra da-na-da-ra ya-ya na-mak a | 6/2/10 | Free | View In iTunes |
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Great Dharani | shin-myo jang-gu dae-da-ra-ni na-mo-ra da-na da-ra ya-ya na-mak al-ya ba-ro-gi-je sae-ba-ra-ya mo-ji sa-da-ba-ya ma-ha sa-da-ba-ya ma-ha ga-ro-ni-ga-ya om sa-ba-ba-ye su da-ra-na ga-ra-ya da-sa-myong na-mak-ka-ri-da-ba i-mam al-ya ba-ro-gi-je sae-ba-ra da-ba ni-ra-gan-ta na-mak ha-ri-na-ya ma-bal-ta i-sa-mi sal-bal-ta sa-da-nam su-ban a-ye-yom sal-ba bo-da-nam ba-ba-mal-a mi-su-da-gam da-nya-ta om a-ro-gye a-ro-ga ma-ji-ro-ga ji-ga-ran-je hye-hye-ha-rye ma-ha mo-ji sa-da-ba sa-ma-ra sa-ma-ra ha-ri-na-ya gu-ro-gu-ro gal-ma sa-da-ya sa-da-ya do-ro-do-ro mi-yon-je ma-ha mi-yon-je da-ra da-ra da-rin na-rye sae-ba-ra ja-ra-ja-ra ma-ra-mi-ma-ra a-ma-ra mol-je-ye hye-hye ro-gye sae-ba-ra ra-a mi-sa-mi na-sa-ya na-be sa-mi sa-mi na-sa-ya mo-ha-ja-ra mi-sa-mi na-sa-ya ho-ro-ho-ro ma-ra-ho-ro ha-rye ba na-ma-na-ba sa-ra sa-ra shi-ri shi-ri so-ro so-ro mot-cha mot-cha mo-da-ya mo-da-ya mae-da-ri-ya ni-ra gan-ta ga-ma-sa nal-sa-nam ba-ra-ha-ra-na-ya ma-nak-sa-ba-ha shi-ta-ya sa-ba-ha ma-ha-shi-ta-ya sa-ba-ha shi-ta-yu-ye sae-ba-ra-ya sa-ba-ha ni-ra-gan-ta-ya sa-ba-ha ba-ra-ha mok-ka shing-ha mok-ka-ya sa-ba-ha ba-na-ma ha-da-ya sa-ba-ha ja-ga-ra-yok-ta-ya sa-ba-ha sang-ka som-na-nye mo-da-na-ya sa-ba-ha ma-ha-ra gu-ta da-ra-ya sa-ba-ha ba-ma-sa gan-ta i-sa-shi che-da ga-rin-na i-na-ya sa-ba-ha mya-ga-ra jal-ma ni-ba sa-na-ya sa-ba-ha na-mo-ra da-na-da-ra ya-ya na-mak al-ya ba-ro gi-je sae-ba-ra-ya sa-ba-h | 6/2/10 | Free | View In iTunes |
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Heart Sutra in English | The Maha Prajna Paramita Hrdaya Sutra Avalokitesvara Bodhisattva when practicing deeply the Prajna Paramita perceives that all five skandhas are empty and is saved from all suffering aod distress. Shariputra, form does not differ from emptiness, emptiness does not differ from form. That which is form is emptiness, that which is emptiness form. The same is true of feelings, perceptions, impulses, consciousness. Shariputra, all dharmas are marked with emptiness; they do not appear or disappear, are not tainted or pure, do not increase or decrease. Therefore, in emptiness no form, no feelings, perceptions, impulses, consciousness. No eyes, no ears, no nose, no tongue, no body, no mind; no color, no sound, no smell, no taste, no touch, no object of mind; no realm of eyes... and so forth until no realm of mind consciousness. No ignorance and also no extinction of it... and so forth until no old age and death and also no extinction of them. No suffering, no origination, no stopping, no path, no cognition, also no attainment with nothing to attain. The Bodhisattva depends on Prajna Paramita and the mind is no hindrance; without any hindrance no fears exist. Far apart from every perverted view one dwells in Nirvana. In the three worlds all Buddhas depend on Prajna Paramita and attain Anuttara Samyak Sambodhi. Therefore know that Prajna Paramita is the great transcendent mantra, is the great bright mantra, is the utmost mantra, is the supreme mantra which is able to relieve all suffering and is true, not false. So proclaim the Prajna Paramita mantra, proclaim the mantra which says: gate gate paragate parasamgate bodhi svaha gate gate paragate parasamgate bodhi svaha gate gate paragate parasamgate bodhi svah | 6/2/10 | Free | View In iTunes |
| Total: 20 Episodes |
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