MoMA Talks: Conversations
By MoMA, The Museum of Modern Art
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Podcast Description
Curators, scholars, and artists discuss modern and contemporary art. To view images of these artworks, please visit the Online Collection at moma.org/collection. MoMA Audio is available free of charge courtesy of Bloomberg.
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Conversations with Contemporary Artists: Art and the Changing Middle East: Negar Azimi and William Wells | Wednesday, December 7, 2011 6:00 p.m. Negar Azimi, Senior Editor, Bidoun Projects (a not-for-profit publishing, curatorial, and educational initiative), and William Wells, Director, Townhouse Gallery of Contemporary Art, Cairo, discuss how artists and institutions in the Middle East are engaging with and activating their local communities. | 12/20/11 | Free | View In iTunes |
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Yoko Ono and Kara Walker in Conversation | March 08, 2011 6:30 PM Artists Yoko Ono and Kara Walker, whose work is represented in the exhibition Contemporary Art from the Collection, will engage in a dialogue about their respective practices and share their perspectives on how social, political, and gender issues inform their work. Moderated by MoMA director Glenn D. Lowry. NOTE: Audio has been edited to include only Kara Walker's presentation. | 8/30/11 | Free | View In iTunes |
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Conversations with Contemporary Artists: Social Practice: Paul Ramírez Jonas | Thursday, April 28, 2011 6:00 PM New York–based artist Paul Ramírez Jonas, whose work examines the interaction between artist and audience, discusses his artistic practice with Carol Becker, Professor of the Arts and Dean of Columbia University School of the Arts. Moderated by MoMA Director Glenn D. Lowry. Paul Ramírez Jonas' selected solo exhibitions include The Aldrich Contemporary Art Museum, Ridgefield, Connecticut; the Jack S. Blanton Museum of Art, Austin, Texas; Alexander Gray Associates, New York; Björkholmen Gallery, Stockholm; Postmasters Gallery, New York; and surveys at Ikon Gallery and Cornerhouse in the United Kingdom. Ramírez Jonas' work was featured in numerous group exhibitions since the early 1990s, including the Gallery for Contemporary Art Leipzig; MoMA PS1; Whitechapel, London; Irish Museum of Modern Art, Dublin; Künstlerhaus, Vienna; The New Museum, New York; and Kunsthaus Zurich. He has participated in the Johannesburg Biennale; the Seoul Biennial, the Shanghai Biennial; the 28th Sao Paulo Biennial; 7th Bienal do Mercosul; and the 53rd Venice Biennial. He has built permanent public art projects in Cambridge, Massachusetts and for the Hudson River Park, New York, New York. In 2010 his Key to the City project was presented by Creative Time in cooperation with the City of New York. He has received numerous grants and awards, including fellowships from the Joan Mitchell Foundation, Art Matters, and the Howard Foundation. He holds a B.A. from Brown University and an M.F.A. from the Rhode Island School of Design. He is a Professor of Art at Hunter College, New York, NY. Carol Becker is Professor of the Arts and Dean of Columbia University School of the Arts. Prior to this appointment she was Dean of Faculty and Senior Vice-President for Academic Affairs at the School of the Art Institute of Chicago. She is the author of numerous articles and several books including: The Invisible Drama: Women and the Anxiety of Change (with multiple foreign editions); Zones of Contention: Essays on Art, Institutions, Gender, and Anxiety; Surpassing the Spectacle: Global Transformations and the Changing Politics of Art; The Subversive Imagination: Artists, Society, and Social Responsibility—an edited edition; and most recently, Thinking in Place: Art, Action, and Cultural Production. | 6/10/11 | Free | View In iTunes |
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Contemporary Art Forum: Art Speech—A Symposium on Symposia, Day 2 | Saturday, May 21, 2011 9:30 AM This two-day program brings together artists, art historians, scholars, critics, writers, and speech and performance studies experts to discuss possible frameworks for better understanding issues surrounding art speech and methods for being direct and achieving clarity in spoken public presentations in the visual arts. The spoken public presentation is central in the field of the visual arts, particularly in the area of adult learning. Public program departments in museums operate based on a set of conventions regarding the way they present lectures or discussions about art involving artists, art historians, and/or theorists. Yet very little qualitative analysis has been conducted on the effectiveness of these presentations. Often times, public presentations are deemed impenetrable or obscure. What is communicated in writing cannot always be easily grasped when presented on stage. Using a variety of strategies, this year’s forum will seek to anatomize art historians' and artists' habits at the podium. Sessions will include reenactments of famous acts of criticism, critiques of the academic slide show, an investigation of the effects of apparently authoritative presentations, experiments in the effects of stage presence, and analyses of the academic introduction and of the performative. Program Schedule 9:30–10:00 a.m. Coffee and snacks 10:00 a.m.–12:30 p.m. Session 1 10:00–10:15 James Elkins discusses the philosophical and rhetorical problems with art speech 10:15–10:45 Christophe Cherix, Chief Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, presents a film of Robert Morris's early performance work 21.3 (1964) 10:45–11:45 Donald Preziosi, Professor of Art History, University of California, Los Angeles, deconstructs one of his previous talks, followed by a conversation with James Elkins 11:45–12:30 Anna Kryczka, PhD candidate, Visual Studies, University of California, Irvine, talks about “Our Literal Speed,” with a response by Abbey Shane Dubin on behalf of “Our Literal Speed.” A conversation follows 12:30–12:45 p.m. Coffee break 12:45–1:20 p.m. Respondent's panel discussion Respondents: Charles Altieri, Professor of English, University of California, Berkley; Alexander Alberro, Virginia Bloedel Wright Professor of Art History, Barnard, Columbia University, New York; Pablo Helguera; and James Elkins 1:20–2:00 p.m. Q&A | 5/27/11 | Free | View In iTunes |
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Contemporary Art Forum: Art Speech—A Symposium on Symposia, Day 1 | Friday, May 20, 2011 1:00 PM This two-day program brings together artists, art historians, scholars, critics, writers, and speech and performance studies experts to discuss possible frameworks for better understanding issues surrounding art speech and methods for being direct and achieving clarity in spoken public presentations in the visual arts. The spoken public presentation is central in the field of the visual arts, particularly in the area of adult learning. Public program departments in museums operate based on a set of conventions regarding the way they present lectures or discussions about art involving artists, art historians, and/or theorists. Yet very little qualitative analysis has been conducted on the effectiveness of these presentations. Often times, public presentations are deemed impenetrable or obscure. What is communicated in writing cannot always be easily grasped when presented on stage. Using a variety of strategies, this year’s forum will seek to anatomize art historians' and artists' habits at the podium. Sessions will include reenactments of famous acts of criticism, critiques of the academic slide show, an investigation of the effects of apparently authoritative presentations, experiments in the effects of stage presence, and analyses of the academic introduction and of the performative. Program Schedule 1:00–1:15 p.m. Opening Remarks Pablo Helguera, Director of Adult and Academic Programs, Department of Education, The Museum of Modern Art; and James Elkins, E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism, School of the Art Institute of Chicago 1:15–2:30 p.m. Session 1: The Slide Talk and Museum Talk Dissected 1:15–1:25 Introduction by Pablo Helguera 1:25–1:40 Carey Young, artist, on her recent work Speechcraft, a mass participative event involving the public-speaking club Toastmasters 1:40–1:55 Monika Szewczyk, Head of Publications, Witte de With Center for Contemporary Art, Rotterdam, on modes of visual presentation 1:55–2:10 Jonathan Gilmore, Assistant Professor, Department of Philosophy, Yale University, New Haven, examines the slide lecture 2:10–2:30 Discussion and Q&A 2:30–2:45 p.m. Coffee Break 2:45–4:00 p.m. Session 2: The Art Historical Lecture 2:45–3:00 Introduction by James Elkins 3:00–3:10 Video excerpt of lecture by T. J. Clark 3:10–3:30 Claus Noppeney, Professor, Bern University of the Arts, Bern, Switzerland, discusses video excerpt 3:30–3:45 Ellen Levy, artist and Associate Professor, Pratt Institute, New York, analyzes video excerpt 3:45–4:00 Conclusions 4:00–5:00 p.m. Panel discussion and Q&A Respondents: Marjorie Perloff, Professor Emerita of Humanities, Stanford University; Benjamin Binstock, Adjunct Assistant Professor, Cooper Union, New York; Pablo Helguera; and James Elkins | 5/27/11 | Free | View In iTunes |
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Artists Present at Noon Part 5 | Discussion with Peter Eleey Monday, May 09, 2011 12:00 PM Join us for Artists Present at Noon, the second in a special two-part series of talks by contemporary artists. In sessions consisting of short and dynamic presentations of 20 images, 25 seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, creative process, and other issues in contemporary art, followed by a moderated discussion. This session will focus on artists who create and present work that moves beyond the object, from publications and events to public talks and writing. | 5/13/11 | Free | View In iTunes |
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Artists Present at Noon Part 4 | Alexandre Singh Monday, May 09, 2011 12:00 PM Join us for Artists Present at Noon, the second in a special two-part series of talks by contemporary artists. In sessions consisting of short and dynamic presentations of 20 images, 25 seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, creative process, and other issues in contemporary art, followed by a moderated discussion. This session will focus on artists who create and present work that moves beyond the object, from publications and events to public talks and writing. | 5/13/11 | Free | View In iTunes |
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Artists Present at Noon Part 3 | Matt Keeganr Monday, May 09, 2011 12:00 PM Join us for Artists Present at Noon, the second in a special two-part series of talks by contemporary artists. In sessions consisting of short and dynamic presentations of 20 images, 25 seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, creative process, and other issues in contemporary art, followed by a moderated discussion. This session will focus on artists who create and present work that moves beyond the object, from publications and events to public talks and writing. | 5/13/11 | Free | View In iTunes |
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Artists Present at Noon Part 2 | Angie Keefer Monday, May 09, 2011 12:00 PM Join us for Artists Present at Noon, the second in a special two-part series of talks by contemporary artists. In sessions consisting of short and dynamic presentations of 20 images, 25 seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, creative process, and other issues in contemporary art, followed by a moderated discussion. This session will focus on artists who create and present work that moves beyond the object, from publications and events to public talks and writing. | 5/13/11 | Free | View In iTunes |
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Artists Present at Noon Part 1 | Introduction and Alejandro Cesarco Monday, May 09, 2011 12:00 PM Join us for Artists Present at Noon, the second in a special two-part series of talks by contemporary artists. In sessions consisting of short and dynamic presentations of 20 images, 25 seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, creative process, and other issues in contemporary art, followed by a moderated discussion. This session will focus on artists who create and present work that moves beyond the object, from publications and events to public talks and writing. | 5/13/11 | Free | View In iTunes |
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Disseminating Expressionism: The Role of Prints, 1905–1924 | Friday, May 6, 2011 1:00–5:00 PM This half-day symposium centers on the potential of the print as a medium for the dissemination of art and ideas. We will address the print’s ability to represent formal innovations and aesthetic goals, to communicate issues of war and national pride, and to appear alongside news, commentary, and literature in publications and periodicals. Moderated by exhibition curator, Starr Figura, Associate Curator, Prints & Illustrated Books, MoMA. Held in conjunction with the exhibition German Expressionism: The Graphic Impulse. Program Schedule 1:05–1:20 p.m. Welcome and introduction, Starr Figura 1:20–1:45 p.m. Meike Hoffmann, Kunsthistorisches Institut, Freie Universität Berlin, "Early Expressionism between the Artist and the Audience" 1:45–2:10 p.m. Christian Weikop, Visiting Lecturer, University of Edinburgh, "‘Arboreal Expressionism:’ The Wood Culture of the Brücke Artists" 2:10–2:35 p.m. Timothy O. Benson, Curator, The Robert Gore Rifkind Center for German Expressionist Studies, Los Angeles County Museum of Art, "Expressionist Periodicals and the Intersection of Literature, Prints, and Politics" 2:35–2:50 p.m. Coffee break, Education and Research Building, mezzanine 2:50–3:15 p.m. Shulamith Behr, Senior Lecturer in German 20th-Century Art, The Courtauld Institute of Art, "Between Authenticity and the Multiple: Käthe Kollwitz, Graphic Dissemination, and Dealership" 3:15–3:40 p.m. Peter Jelavich, Professor of History, Johns Hopkins University, "Graphic War" 3:40–4:05 p.m. Rose-Carol Washton Long, Professor of 19th- and 20th-Century European Art, Department of Art History, The CUNY Graduate Center, "Prints and Politics in the Immediate Postwar Era" 4:05–4:40 p.m. Moderated discussion 4:40–5:00 p.m. Q&A 5:00–6:00 p.m. Reception, Education and Research Building, mezzanine | 5/13/11 | Free | View In iTunes |
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Artists Present at Noon | April 04, 2011 12:00 PM Join us for Artists Present at Noon, a special two-part series of talks by 10 artists. In sessions consisting of short and dynamic presentations of 20 images, 25 seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, creative process, and other issues in contemporary art, followed by a moderated discussion. This session will focus on contemporary abstract painters. Presenting artists on April 4 include Keltie Ferris, Jaya Howey, Jacob Kassay, Zak Prekop, and Patricia Treib. Moderated by Peter Eleey, Curator, MoMA PS1. | 4/29/11 | Free | View In iTunes |
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Warhol, On Screen, Off Screen | March 03, 2011 06:00 PM Writer John Giorno, who conceived of the Giorno Poetry Systems, will read his own poetic works inspired by the life and times of Andy Warhol, followed by artist Conrad Ventur screening his contemporary screen test films. John Giorno was a subject of Warhol’s original screen tests. A conversation to follow moderated by director of MoMA PS1 and exhibition curator Klaus Biesenbach. | 4/29/11 | Free | View In iTunes |
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New Perspectives on Abstract Expressionism: A Young Scholars’ Panel | February 25, 2011 01:00 PM In conjunction with the exhibition Abstract Expressionist New York, MoMA presents New Perspectives on Abstract Expressionism: A Young Scholars’ Panel. The following four international graduate students have been selected to present their papers which uncover new scholarship, interpretations, approaches, and analysis of Abstract Expressionism: Leanne Carroll, University of Toronto “From Motherwell’s Tragedy, Newman’s Alienation, and Reinhardt’s Isolation to the Minimalist’s Renown: On the Reception of Artist-Writers” Eileen Costello, The University of Texas at Austin “Beyond the Easel: The Dissolution of Abstract Expressionist Painting into the Realm of Architecture” Michelle DuBois, Boston University “New Demarcations for Old: Refining and Redefining Abstract Expressionism Vis-à-vis a Consideration of the Willard Gallery Artists” Valerie Hellstein, Stony Brook University “Abstract Expressionism’s Countercultures: The Club, the Cold War, and the New Sensibility” The panel’s selection committee members, David Anfam, Michael Leja, Katy Siegel, and Ann Temkin, will serve as respondents and moderate a discussion among the four selected scholars. | 4/29/11 | Free | View In iTunes |
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Abstract Expressionism Reconsidered: A Roundtable Discussion | Abstract Expressionism Reconsidered: A Roundtable Discussion Thursday, March 10, 2011, 6:30 p.m. Theater 3 The work of the Abstract Expressionists during the postwar period in New York was characterized by the deep conviction that contemporary painting could be not only a vehicle for personal expression, but also a form of spiritual experience. Artists Brice Marden and Tauba Auerbach and anthropologist Michael Taussig discuss the continuing relevance and implications of this viewpoint. Laura Hoptman, curator in the Department of Painting and Sculpture, moderates the discussion. | 4/29/11 | Free | View In iTunes |
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From Tenements to the Taylor Homes: The High Rise and Decline of Low-Income Housing in America | Housing crises repeatedly plagued poor, often minority Americans during the twentieth century, from overcrowded, unsanitary speculative tenement buildings to crime-ridden high-rise public housing projects. The architectural failings of much low-income housing, such as inadequate ventilation, deficient plumbing, shoddy construction, and insensitive site planning, were usually accompanied by even more spectacular social failings—racism, sexism, and xenophobia are all written into the history of public housing, even if inadvertently. For example, the design of modern "tower in a park" housing projects ostensibly provided more light, air, and open space to the urban poor, but the oversized, monotonous buildings and surrounding vacant land also stigmatized the residents by identifying their economic status and isolating them from "normal" society. This lecture investigates the successes and failures of various low-income housing types—from row houses to tenements to high-rise towers—and suggests ways in which their architectural design, tenant selection processes, and associated legislation like slum clearance institutionalized and perpetuated certain social values and prejudices. Lecturer Jennifer Gray (Ph.D. Candidate, Columbia University) is writing her dissertation on the relationship between socio-political reform and the architecture of Chicago designer Dwight Perkins from 1893 to 1918. She has been a lecturer at The Museum of Modern Art since 2004. | 3/17/11 | Free | View In iTunes |
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Modern Poets: The Political Line | Wednesday, February 2, 2011, 6:00 p.m. Theater 3 (The Celeste Bartos Theater), mezzanine, The Lewis B. and Dorothy Cullman Education and Research Building Revitalizing Frank O'Hara's legacy and MoMA's historical commitment to poetry, this series invites poets and performers to bring the literary tradition to the Museum's collection. They read historical works and their own work that reflects on modern and contemporary art. Artists throughout the last century have pushed line across the plane and into real space, thus questioning the relation between the art object and the world. The exhibition On Line: Drawing Through the Twentieth Century addresses the transformation of drawing, mark making, and gesture, as well as the role of the political line in art and everyday life. On this special evening, Cecilia Vicuña selects international poets to read their own works about the political line, a theme explored in On Line: Drawing Through the Twentieth Century. In addition to Vicuña, participants include poets Will Alexander, Luljeta Lleshanaku, and Dunya Mikhail, and translator Henry Israeli. In conjunction with the exhibition On Line: Drawing Through the Twentieth Century | 2/17/11 | Free | View In iTunes |
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Dorothy Miller and Frank O’Hara: Championing Abstract Expressionism at MoMA | Wednesday, January 26, 2011, 6:00 p.m. Theater 3 (The Celeste Bartos Theater), mezzanine, The Lewis B. and Dorothy Cullman Education and Research Building Wendy Jeffers, curator, independent scholar and at work on a biography of Dorothy Miller titled Dorothy Miller and the Making of the Americans, and Brad Gooch, Professor of English at William Paterson University and author of City Poet: The Life and Times of Frank O’Hara (1994), explore the roles of two MoMA curators, Dorothy Miller, MoMA’s first curator (1934-1969) and Frank O’Hara, special assistant to the International Program (1955-1960) and curator of Painting and Sculpture (1960-66), who were great champions of the Abstract Expressionist artists. In conjunction with the exhibition Abstract Expressionist New York | 2/17/11 | Free | View In iTunes |
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Crossing the Line: Drawing and Its Extension (Part 2) | Part 2 of 2 This half-day symposium, held in conjunction with the exhibition On Line: Drawing Through the Twentieth Century, explores the extended field of drawing by analyzing the development of line throughout the century in two panel discussions. "From On Line to Online,” moderated by Catherine de Zegher, co-curator of the exhibition, features artists Anna Maria Maiolino, Julie Mehretu, Jean Fisher, Professor of Fine Art and Transcultural Studies, Middlesex University and writer on contemporary art, and Luis Camnitzer, Professor Emeritus at University of the State of New York. "The Performative Line,” moderated by Connie Butler, MoMA's Robert Lehman Foundation Chief Curator of Drawings and co-curator of the exhibition, includes Benjamin Buchloh, Andrew W. Mellon Professor of Modern Art, Harvard University; Ralph Lemon, artist and choreographer; Nick Kaye, Dean, College of Humanities & Chair in Performance Studies, College of Humanities, University of Exeter, England; and Janet Kraynak, Assistant Professor of Contemporary Art, New School University. In conjunction with the exhibition On Line: Drawing Through the Twentieth Century | 2/17/11 | Free | View In iTunes |
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Crossing the Line: Drawing and Its Extension (Part 1) | Part 1 of 2 This half-day symposium, held in conjunction with the exhibition On Line: Drawing Through the Twentieth Century, explores the extended field of drawing by analyzing the development of line throughout the century in two panel discussions. "From On Line to Online,” moderated by Catherine de Zegher, co-curator of the exhibition, features artists Anna Maria Maiolino, Julie Mehretu, Jean Fisher, Professor of Fine Art and Transcultural Studies, Middlesex University and writer on contemporary art, and Luis Camnitzer, Professor Emeritus at University of the State of New York. "The Performative Line,” moderated by Connie Butler, MoMA's Robert Lehman Foundation Chief Curator of Drawings and co-curator of the exhibition, includes Benjamin Buchloh, Andrew W. Mellon Professor of Modern Art, Harvard University; Ralph Lemon, artist and choreographer; Nick Kaye, Dean, College of Humanities & Chair in Performance Studies, College of Humanities, University of Exeter, England; and Janet Kraynak, Assistant Professor of Contemporary Art, New School University. In conjunction with the exhibition On Line: Drawing Through the Twentieth Century | 2/17/11 | Free | View In iTunes |
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Conversations with Contemporary Artists: Reinventing Artist Communities (Andrea Zittel with Peter Reed) | Wednesday, November 17, 2010, 6:00 p.m. Theater 3 (The Celeste Bartos Theater), mezzanine, The Lewis B. and Dorothy Cullman Education and Research Building Join leading contemporary artists as they discuss their work, the creative process, and issues in contemporary art. Andrea Zittel and Lisa Anne Auerbach discuss High Desert Test Sites and other alternative spaces for experimental works by both emerging and established artists. Moderated by Peter Reed, Senior Deputy Director for Curatorial Affairs. | 2/17/11 | Free | View In iTunes |
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From the Earth Up: Architecture as a Social Catalyst | Thursday, November 11, 2010, 6:00 p.m. Theater 3 (The Celeste Bartos Theater), mezzanine, The Lewis B. and Dorothy Cullman Education and Research Building Architect Francis Kéré’s design for a school in Gando, Burkina Faso, and artist Harun Farocki’s documentary film In Comparison (2009), are featured in the exhibition Small Scale, Big Change: New Architectures of Social Engagement (October 3, 2010-January 3, 2011). Both projects address traditions of brick production. In this evening’s program, Kéré and Farocki discuss the social issues surrounding the construction—with local materials and human labor—of Kéré’s school and a Burkina Faso-based clinic that Farocki filmed. Architect Toshiko Mori moderates the discussion. In conjunction with the exhibition Small Scale, Big Change: New Architectures of Social Engagement | 2/10/11 | Free | View In iTunes |
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Oliver Sacks: The Island of Rota | Tuesday, January 11, 2011, 6:00 p.m. Theater 1 (The Roy and Niuta Titus Theater 1), T1 Neurologist and writer Oliver Sacks reads from his book The Island of the Colorblind, elaborating on oceanic islands, evolution, and plant life, and the illustrated publications that first shaped his passion for plants and science. The reading coincides with the publication of The Island of Rota, a limited-edition book published by the Library Council of The Museum of Modern Art to benefit MoMA's Library and Museum Archives. Coming out in late fall 2010, The Island of Rota unites a chapter of Sacks's The Island of the Colorblind that is focused on the ancient ferns and cycads found on a geographically isolated Micronesian Island with original photographs by Abelardo Morell and design by Ted Muehling. | 2/10/11 | Free | View In iTunes |
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Conversations with Contemporary Artists: Reinventing Artist Communities | Monday, November 8, 2010, 6:00 p.m. Theater 3 (The Celeste Bartos Theater), mezzanine, The Lewis B. and Dorothy Cullman Education and Research Building Join leading contemporary artists as they discuss their work, the creative process, and issues in contemporary art. Mark Dion and J. Morgan Puett invite writer and critic Alastair Gordon to discuss Mildred’s Lane, a long-term experiment in large-scale project-, research-, and event-based practices with a living museum and an educational institution. Moderated by MoMA Director Glenn D. Lowry. | 2/10/11 | Free | View In iTunes |
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Visual Descriptions: Alberto Giacometti. The Chariot. 1950 | Painted bronze on wooden base, 57 x 26 x 26 1/8" (144.8 x 65.8 x 66.2 cm), base 9 3/4 x 4 1/2 x 9 1/4" (24.8 x 11.5 x 23.5 cm). Purchase. © 2005 Artists Rights Society (ARS), New York / ADAGP, Paris Audio courtesy of Acoustiguide | 1/27/11 | Free | View In iTunes |
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Henri Matisse in the Twenty-first Century | Wednesday, September 15, 2010, 6:00 p.m. Matisse's art continues to be popular, but also to be misunderstood as an art of hedonistic pleasure. This lecture, presented by John Elderfield, Chief Curator Emeritus, Department of Painting and Sculpture, and organizer of the exhibition Matisse: Radical Invention, 1913–1917, explores the important lessons that Matisse's art, and his attitudes towards it, continue to teach us more than a century after he burst into public attention. In conjunction with the exhibition Matisse: Radical Invention, 1913–1917 | 12/3/10 | Free | View In iTunes |
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The Original Copy: A Panel Discussion on Photography and Sculpture | Tuesday, September 14, 2010, 6:00 p.m. This panel discussion is moderated by Roxana Marcoci, curator of the exhibition, The Original Copy: Photography of Sculpture, 1839 to Today. Panelists include George Baker, Associate Professor of Modern and Contemporary Art and Vice Chair, UCLA Department of Art History; Mark Godfrey, Curator, Tate Modern; Sarah Hamill, Assistant Professor of Modern and Contemporary Art, Oberlin College; and Rachel Harrison, artist. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: Q & A (7 of 7) | Part I of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include Xaviera Simmons, David Benjamin Sherry, Pinar Yolaçan, Erin Shirreff, and Michele Abeles. Moderated by Christopher Lew, Manager of Curatorial Affairs, Exhibition Funding Liaison, MoMA PS1. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: Erin Shirreff (5 of 7) | Part I of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include Xaviera Simmons, David Benjamin Sherry, Pinar Yolaçan, Erin Shirreff, and Michele Abeles. Moderated by Christopher Lew, Manager of Curatorial Affairs, Exhibition Funding Liaison, MoMA PS1. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: Michele Abeles (6 of 7) | Part I of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include Xaviera Simmons, David Benjamin Sherry, Pinar Yolaçan, Erin Shirreff, and Michele Abeles. Moderated by Christopher Lew, Manager of Curatorial Affairs, Exhibition Funding Liaison, MoMA PS1. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: David Benjamin Sherry (3 of 7) | Part I of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include Xaviera Simmons, David Benjamin Sherry, Pinar Yolaçan, Erin Shirreff, and Michele Abeles. Moderated by Christopher Lew, Manager of Curatorial Affairs, Exhibition Funding Liaison, MoMA PS1. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: Pinar Yolaçan (4 of 7) | Part I of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include Xaviera Simmons, David Benjamin Sherry, Pinar Yolaçan, Erin Shirreff, and Michele Abeles. Moderated by Christopher Lew, Manager of Curatorial Affairs, Exhibition Funding Liaison, MoMA PS1. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: Xaviera Simmons (2 of 7) | Part I of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include Xaviera Simmons, David Benjamin Sherry, Pinar Yolaçan, Erin Shirreff, and Michele Abeles. Moderated by Christopher Lew, Manager of Curatorial Affairs, Exhibition Funding Liaison, MoMA PS1. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: Amir Mogharabi (5 of 7) | Part II of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include David Brooks, Liz Magic Laser, Ryan McNamara, Amir Mogharabi, and A.L. Steiner. Moderated by Eva Respini, Associate Curator, Department of Photography, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: Ryan McNamara (4 of 7) | Part II of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include David Brooks, Liz Magic Laser, Ryan McNamara, Amir Mogharabi, and A.L. Steiner. Moderated by Eva Respini, Associate Curator, Department of Photography, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Conversations with Contemporary Artists: Artist's Choice I: Danh Vo and Julie Ault | Monday, May 10, 2010 6:30 PM Artist Danh Vo invites artist Julie Ault to join him in a conversation about his practice and the contexts he explores in his work, as well as various points of connection between both artists' creative practices. | 12/3/10 | Free | View In iTunes |
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The Scroll and the Story of the Three Gorges | December 07, 2009, 6:00 PM Almost every year, MoMA’s Library Council publishes a specially printed artist’s book to explore the genre and to benefit the Library and Museum Archives. This year, as an alternative form of artist’s book, the Council has cast a hand-printed and mounted scroll by artist Yun-Fei Ji. The scroll addresses the damaging impact of China’s Three Gorges Dam, the construction of which has had devastating effects on the Chinese landscape and displaced over one million people living in that area near the Yangtze River. On the occasion of the publication, MoMA presents this program exploring the artistic, social, and cultural meanings of and responses to this site. Jonathan Spence, Sterling Professor of History Emeritus, Yale University, addresses the history of both the river and the scroll form, and how reading and visualization may be understood as an extended spatial experience. Wu Hung, Professor, Department of Art History, and Director, Center for the Art of East Asia, University of Chicago, presents a brief overview of the art, history, and politics of the river and considers the work of several contemporary artists, including Yun-Fei Ji, who have documented or interpreted the social, environmental, and historical loss associated with the dam. Finally, Sarah Suzuki, The Sue and Eugene Mercy, Jr., Assistant Curator of Prints and Illustrated Books, The Museum of Modern Art, and Yun-Fei Ji engage in a discussion about his collaborations with a long-established Chinese woodblock printer and maker of scrolls. View works mentioned by Wu Hung on Smart Museum’s website: http://smartmuseum.uchicago.edu/exhibitions/displacement/index.shtml. | 12/3/10 | Free | View In iTunes |
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Conceptual Art and Photography: James Welling in Conversation with Jan Dibbets | October 5, 2009, 6:30 P.M. Many artists include photography in their work, but they very often do so using a non-traditional approach. Dutch artist Jan Dibbets does not consider himself a photographer, although he has used the process extensively in his conceptually based work since the 1960s. James Welling, on the contrary, manipulates many of the technical elements of the medium, like light filters, and turns others, such as screens and gelatin, into the subjects of his work. Following an introduction by Anne Rorimer, independent scholar and curator, the artists discuss their varying approaches to conceptual art and photography with Christophe Cherix, Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, and organizer of the exhibition In & Out of Amsterdam: Travels in Conceptual Art, 1960–1976. | 12/3/10 | Free | View In iTunes |
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Gabriel Orozco | Thursday, February 11, 2010 12:30 PM Gabriel Orozco (Mexican, b. 1962) emerged at the beginning of the 1990s as one of the most intriguing and original artists of his generation—and one of the last to come of age in the twentieth century. He resists confinement to a single medium and deliberately blurs the boundaries between the art object and the everyday environment. This talk addresses the current MoMA exhibition and the artist’s merging of "art" and "reality.” Paulina Pobocha is a curatorial assistant in the Department of Painting and Sculpture at MoMA. | 12/3/10 | Free | View In iTunes |
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Mobile Matrix and Other Experiments | Tuesday, February 9, 2010 6:30 PM Mobile Matrix, one of Gabriel Orozco's most ambitious projects, involved the retrieval and transformation of a whale skeleton now on view at MoMA. Marco Bassols, Mexico City–based curator and exhibition designer; Molly Nesbit, Professor of Art History at Vassar College and a contributing editor of Artforum; join the artist in discussing this as well as other site-specific and sculpture works. The discussion is moderated by Pablo Helguera, Director, Adult and Academic Programs, Department of Education, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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A Conversation between Briony Fer, Gabriel Orozco, and Ann Temkin | Tuesday, December 15, 2009 6:30 PM Briony Fer, Professor of History of Art, University College, London, and Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture and organizer of the exhibition Gabriel Orozco engage the artist in a conversation about his practice and exhibition. Special thanks to the Mexican Cultural Institute and the Mexico Tourism Board of New York. | 12/3/10 | Free | View In iTunes |
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Conversations With Contemporary Artists: Teresa Margolles | Thursday, July 9, 2009 6:30 P.M. Teresa Margolles, one of the foremost artists working in Mexico today, is representing her country at this year’s Venice Biennale. In this program, presented in collaboration with the Mexican Cultural Institute of New York, Margolles discusses how she explores death, and the relics and rituals that surround it, with her installations, objects, and other media. The evening is moderated by Pablo Helguera, Director, Adult and Academic Programs, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: Liz Magic Laser (3 of 7) | Part II of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include David Brooks, Liz Magic Laser, Ryan McNamara, Amir Mogharabi, and A.L. Steiner. Moderated by Eva Respini, Associate Curator, Department of Photography, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Who's a Filmmaker? Cinema beyond the Darkened Room | Wednesday, May 6, 2009. 6:30 PM This program examines the fluidity of boundaries in film. Art and film critics and museum curators address the idea of cinema in the art world, where attitudes toward the moving image seem to differ from those toward "movies." Eleanor Heartney, contributing editor to Art in America and Artpress, addresses how artists borrow and manipulate actual cinematic works for different ends and how they use and subvert cinematic techniques, and Amy Taubin, film critic, discusses the construction of the temporal and social experiences in both a traditional cinematic environment and in art installations. Laurence Kardish, Senior Curator, Department of Film, and organizer of the exhibition, moderates a conversation. | 12/3/10 | Free | View In iTunes |
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Knowing Kippenberger | Tuesday, April 14, 2009. 6:30 PM Martin Kippenberger's The Happy End of Franz Kafka's "Amerika" stages the scenario of America as the land of the job interview. In the spirit of this work, tonight's program takes the shape of a series of interviews between artists, art dealers, and friends of Kippenberger's. Together they help to form a collective portrait of this complicated figure. Participants include artists Rachel Harrison and Jeff Koons, art dealer Friedrich Petzel, and critic and art historian Jan Avgikos. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Myths of the West: Photographers, Filmmakers, and Writers | Tuesday, March 31, 2009. 6:30 PM In conjunction with Into the Sunset, which examines how photography has pictured the idea of the American West from 1850 to the present, this panel features photographers, a filmmaker, and a writer in a discussion of how their work elicits and contributes to our collective imagination and narratives of the West. Participants include photographer Katy Grannan, writer Annie Proulx, and photographer, filmmaker, and actor Dennis Hopper. Eva Respini, Assistant Curator, Department of Photography, and organizer of the exhibition moderates a discussion. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/21/2009; Part 6 of 6): Q&A | Part 6 of 6: Q&A A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/21/2009; Part 5 of 6): Stephen Sollins | Part 5 of 6: Stephen Sollins A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/21/2009; Part 3 of 6): Joan Banach | Part 3 of 6: Joan Banach A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/21/2009; Part 4 of 6): Simone Shubuck | Part 4 of 6: Simone Shubuck A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/21/2009; Part 2 of 6): James Siena | Part 2 of 6: James Siena A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/21/2009; Part 1 of 6): Jonathan Horowitz | Part 1 of 6: Jonathan Horowitz A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/18/2009; Part 7 of 7): Q&A | Part 7 of 7: Q&A A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/18/2009; Part 6 of 7): Randall Sellers | Part 6 of 7: Randall Sellers A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/18/2009; Part 4 of 7): Dave Muller | Part 4 of 7: Dave Muller A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/18/2009; Part 5 of 7): Gerry Hayes | Part 5 of 7: Gerry Hayes A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/18/2009; Part 3 of 7): Rachel Selekman | Part 3 of 7: Rachel Selekman A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/18/2009; Part 2 of 7): Tamara Gayer | Part 2 of 7: Tamara Gayer A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/14/2009; Part 7 of 7): Q&A | Part 7 of 7: Q&A A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/18/2009; Part 1 of 7): Intro and Kurt Kauper | Part 1 of 7: Intro and Kurt Kauper A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/14/2009; Part 6 of 7): Michael Rodriguez | Part 6 of 7: Michael Rodriguez A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/14/2009; Part 5 of 7): Robert Buck | Part 5 of 7: Robert Buck A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/14/2009; Part 4 of 7): Yuri Masnyj | Part 4 of 7: Yuri Masnyj A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/14/2009; Part 2 of 7): Marcia Hafif | Part 2 of 7: Marcia Hafif A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/14/2009; Part 3 of 7): David Opdyke | Part 3 of 7: David Opdyke A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/14/2009; Part 1 of 7): Katerina Lanfranco | Part 1 of 7: Katerina Lanfranco A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/11/2009; Part 7 of 7): Q&A | Part 7 of 7: Q&A A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/11/2009; Part 6 of 7): Chloe Piene | Part 6 of 7: Chloe Piene A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/11/2009; Part 5 of 7): Renato Orara | Part 5 of 7: Renato Orara A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/11/2009; Part 3 of 7): Marlene McCarty | Part 3 of 7: Marlene McCarty A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/11/2009; Part 4 of 7): Michael Scoggins | Part 4 of 7: Michael Scoggins A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/11/2009; Part 1 of 7): Intro | Part 1 of 7: Intro A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/11/2009; Part 2 of 7): Aaron Johnson | Part 2 of 7: Aaron Johnson A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/7/2009; Part 8 of 8): Q&A | Part 8 of 8: Q&A A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/7/2009; Part 7 of 8): Dana Schutz | Part 7 of 8: Dana Schutz A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/7/2009; Part 5 of 8): Elizabeth Simonson | Part 5 of 8: Elizabeth Simonson A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/7/2009; Part 6 of 8): Kim Jones | Part 6 of 8: Kim Jones A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/7/2009; Part 4 of 8): Dannielle Tegeder | Part 4 of 8: Dannielle Tegeder A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/7/2009; Part 3 of 8): Julian Hoeber | Part 3 of 8: Julian Hoeber A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/7/2009; Part 2 of 8): Christian Holstad | Part 2 of 8: Christian Holstad A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/7/2009; Part 1 of 8): Intro | Part 1 of 8: Intro A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/4/2009; Part 5 of 6): Jaime Davidovich | Part 5 of 6: Jaime Davidovich A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/4/2009; Part 6 of 6): Q&A | Part 6 of 6: Q&A A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/4/2009; Part 3 of 6): Amy Cutler | Part 3 of 6: Amy Cutler A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/4/2009; Part 4 of 6): Jeff Davis | Part 4 of 6: Jeff Davis A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/4/2009; Part 2 of 6): Tom Knechtel | Part 2 of 6: Tom Knechtel A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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5 x 20 x 20 (5/4/2009; Part 1 of 6): Ester Partegàs | Part 1 of 6: Ester Partegàs A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists. | 12/3/10 | Free | View In iTunes |
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Eat, Sleep, and Pray: Everyday Rituals and Contemporary Art | Ever closing the gap between art and life, many contemporary artists incorporate everyday rituals, from kissing to cooking to teaching and talking, into their performances. As a result, they transform the environments in which they situate their work—and the people whom they engage—into parts of the work itself. Join artists Tino Sehgal and Lee Mingwei as they discuss their practice. Glenn D. Lowry, director of The Museum of Modern Art, moderates a discussion. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: Introduction (1 of 7) | Part II of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include David Brooks, Liz Magic Laser, Ryan McNamara, Amir Mogharabi, and A.L. Steiner. Moderated by Eva Respini, Associate Curator, Department of Photography, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: David Brooks (2 of 7) | Part II of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include David Brooks, Liz Magic Laser, Ryan McNamara, Amir Mogharabi, and A.L. Steiner. Moderated by Eva Respini, Associate Curator, Department of Photography, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Conversations with Contemporary Artists: Andrea Geyer | Wednesday, March 31, 2010 6:30 PM Artist Andrea Geyer talks about the way she uses networks and systems to turn knowledge into works of art. MoMA director Glenn D. Lowry moderates the discussion. | 12/3/10 | Free | View In iTunes |
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Lost and Found: An Evening with Bern Porter | Kenneth Goldsmith, reads Bern Porter’s 1955 poem Clothes. Recorded April 22, 2010 at MoMA. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: Introduction (1 of 7) | Part I of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include Xaviera Simmons, David Benjamin Sherry, Pinar Yolaçan, Erin Shirreff, and Michele Abeles. Moderated by Christopher Lew, Manager of Curatorial Affairs, Exhibition Funding Liaison, MoMA PS1. | 12/3/10 | Free | View In iTunes |
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Sustainable Thinking: Building the Modern Community | April 06, 2009 06:30 PM This program examines how leading artists, scientists, and cultural theorists are responding to ecological issues. This panel discussion explores the ways in which contemporary artists and thinkers create utopian projects and embrace the distinct aspects of local environments and markets as a response to global homogenization. Participants debate what they have learned from projects that reclaim a connection to our environment and shift towards a low-tech approach to sustainable living. Participants include Raúl Cardenas Osuna from the collective Torolab and Fritz Haeg (www.fritzhaeg.com). Moderated by MoMA conservation scientist Chris McGlinchey. | 12/3/10 | Free | View In iTunes |
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Changing States of Memory: Dinh Q. Lê | April 02, 2009 06:30 PM Dinh Q. Lê was born in Ha-Tien, Vietnam in 1968. He received his BA in studio art at the University of California, Santa Barbara, in 1989 and his MFA in photography and related media at The School of Visual Arts in New York in 1992. In 1993 Lê returned to Vietnam for the first time, and in 1996 he decided to settle in Ho Chi Minh City. Lê's work has been exhibited worldwide in such solo and group exhibitions and biennials as the 2008 Singapore Biennale and The Gwangju Biennial 2006, Korea. Lê is the cofounder of the Vietnam Art Foundation (VNFA), a Los Angeles–based organization that supports Vietnamese artists and promotes artistic exchange between cultural workers from Vietnam and around the world. With funding from VNFA, Lê and three other artists cofounded San Art, the first not-for-profit gallery in Ho Chi Minh City. He is currently a member of the peer committee for Art Network Asia and a member of the Asia Society's international council. Sarah Suzuki, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, moderates a discussion. | 12/3/10 | Free | View In iTunes |
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Changing States of Memory | Wednesday, March 11, 6:30 p.m. The Celeste Bartos Theater (T3) Feng Mengbo was born in Beijing, China in 1966 and continues to live and work there. He started to create video games in 1992, such as Game Over: Long March and Taxi Taxi Mao Zedong (both 1994) and in 1997 he made his first interactive installation My Private Album. In 1999 he started to use the game engine of the computer video game Quake III to create a series of interactive installations, online projects and action painting projects and performances. In 2008 his video game installation Long March: Restart was shown at the Guangzhou Triennial. Mengbo is also a painter. Works that are part of the series Built to Order, include Mao, r drawworld 0, and Wrong Code: Shanshui. Feng Mengbo's works have been exhibited internationally, including Documenta X and XI, biennials in Venice, Johannesburg, Lyon, Shanghai, and Gwangju, ISEA, Ars Electronica and many others. The recipient of the Award of Distinction of Prix Ars Electronica (2004), Mengbo graduated from the Print Making Department at the Central Academy of Fine Arts (CAFA) in 1991 where he is now a guest professor in the Media Lab. Barbara London, curator, Department of Film, The Museum of Modern Art, moderates a discussion. | 12/3/10 | Free | View In iTunes |
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Vik Muniz on Artist’s Choice, Rebus | Taking on the role of curator in the Museum’s galleries, artist Vik Muniz speaks about the exhibition and presents his own work as it relates to objectivity. | 12/3/10 | Free | View In iTunes |
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Joan Miró's Influence on Graphic Design | Reflecting upon the recent exhibition Joan Miró: Painting and Anti-Painting 1927–1937, this lecture explores the profound influence that Miró's unconventional painting, collage, and assemblage techniques have had on graphic design in the twentieth and twenty-first centuries. Celebrated American graphic designer Paul Rand, for example, consistently utilized Miró's oeuvre as a point of departure for creative design assignments for students. Through a comparison of Miró's works with those of Rand and other designers, this lecture considers how Miró's revolutionary approach effectively altered the formal language of communication design. Lecturer Marianne Eggler, (MPhil, The Graduate Center, City University of New York) is a historian of art, architecture, and design. She is completing her doctorate at The Graduate Center and is currently a lecturer at Parsons The New School of Design, CUNY John Jay College, and The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Contemporary Wunderkammern: Collecting and Museums as Art | Whether we collect fire trucks, civil war items, or Flemish moths, the act of collecting can be an artistic gesture in and of itself. This lecture explores the work of artists who incorporate museum-like practices, such as collecting and creating museum narratives of their collections and turning spaces into literal or conceptual cabinets of curiosities, into their work. Artists and projects discussed in this lecture include Marcel Broodthaers' Museum of Modern Art (Department of Eagles); Herbert Distel's Museum of Drawers; The Museum of Jurassic Technology in Los Angeles; The Salon De Fleurus in New York; and City Reliquary in Brooklyn; among others. Lecturer Pablo Helguera is a visual artist and the Director of Adult and Academic Programs at MoMA. | 12/3/10 | Free | View In iTunes |
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Visual Arts Workspaces and Contemporary Art Making | Friday, October 2, 2009 1:00–5:00 P.M. The New York State Artist Workspace Consortium is an organization comprising ten leading contemporary art institutions across the state. Fostering the creative process, the workspaces provide artists with freedom, space, time, equipment, technical assistance, stipends, and other resources for experimentation and exploration. This half-day conference examines the evolving relationships between workspaces, artists, curators, funders, journalists, and communities through a series of panel discussions and breakout sessions. Conference speakers include artists Edgar Arceneaux, Mark Dion, and Byron Kim; Sina Najafi, Editor-in-Chief, Cabinet Magazine; Mina Takahashi, Editor, Hand Papermaking; Nancy Princenthal, Senior Editor, Art in America; Phong Bui, Publisher, Brooklyn Rail; Linda Earle, Executive Director, The New York Arts Program, Ohio Wesleyan University; Alyson Baker, Executive Director, Socrates Sculpture Park; Ruby Lerner, CEO/President, Creative Capital; Yvonne Force Villareal, Founder, Art Production Fund; Katy Siegel, Professor of Art History, Hunter College; Ian Berry, Curator and Associate Director of Curatorial Affairs, Tang Teaching Museum, Skidmore College; and Sarah Suzuki, The Sue and Eugene Mercy, Jr., Assistant Curator of Prints and Illustrated Books, The Museum of Modern Art.Photo by Paula Court | 12/3/10 | Free | View In iTunes |
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Women in Modernism: Making Places in Architecture | October 25, 2007 6:30 p.m. This program explores the role that architectural arbiters have had and continue to have in shaping the history and defining the legacy of modern architecture in the United States. Through a lecture and discussion, scholars, curators, and architects address the process of selection and the values that they employ each time they design a course or exhibition, or publish a book or an article. Participants include Sarah Herda, Director, The Graham Foundation for Advanced Studies in the Fine Arts, Chicago; Toshiko Mori, architect and Robert P. Hubbard Professor in the Practice of Architecture and Chair of the Department of Architecture, Harvard University; Karen Stein, former Editorial Director, Phaidon Press; and Gwendolyn Wright, architectural historian and Professor of Architecture, Planning, and Preservation, Columbia University. Barry Bergdoll, The Philip Johnson Chief Curator, Department of Architecture and Design, The Museum of Modern Art, moderates the discussion. The event is a collaboration between The Beverly Willis Architecture Foundation and The Museum of Modern Art. Funded in part by a grant from the Rockfeller Brothers Fund. | 12/3/10 | Free | View In iTunes |
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Philip Johnson: Portraits | Thursday, February 16, 2006 6:00 p.m. In honor of the modern architect and curator, Philip Johnson's powerful legacy is addressed through individual presentations, discussions, and a film screening. "Portrait of the Curator as a Young Man" Terence Riley, The Philip Johnson Chief Curator of Architecture and Design, The Museum of Modern Art "The Very Picture of Architecture" Jeffrey Kipnis, Professor of Architecture, Knowlton School of Architecture, The Ohio State University. | 12/3/10 | Free | View In iTunes |
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Swoon | March 2, 2007 6:30 p.m. Culling materials and subjects from the streets, Swoon creates paper cutouts and installations that re-envision the experience of urban life. Inspired by historical sources ranging from German Expressionist woodblock prints to Indonesian shadow puppets, this New York–based artist has covered the city streets with her work for over six years. She has exhibited most recently in P.S.1 Contemporary Art Center’s Greater New York 2005. In the summer of 2006, she participated in the “Miss Rockaway Armada” on the Mississippi River. | 12/3/10 | Free | View In iTunes |
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Joan Miró: New Approaches | January 10, 2009 10:00 a.m–4:45 p.m. To mark the close of the exhibition Joan Miró: Painting and Anti-Painting 1927–1937, MoMA hosts a daylong symposium to consider issues surrounding the artist's creative production during a transformative decade within his long career. A distinguished group of international scholars offer new approaches to this period of the artist's work, examining its relation to the crisis of painting in Surrealism, the specific nature of the French and Catalan avant-gardes of the time, and the broader sociopolitical situation that emerged in Europe as the 1920s came to an end and the political tensions that would lead to World War II became increasingly apparent. Participants include Dawn Ades, Professor of Art History and Theory at the University of Essex, and Co-Director of the Centre for Studies of Surrealism and its Legacies; Juan José Lahuerta, Professor, History of Art, Escola Técnica Superior d'Arquitectura, Barcelona; Susan Laxton, art historian (PhD, Columbia University); David Lomas, Reader in Art History, University of Manchester, England; Robert S. Lubar, Associate Professor, Institute of Fine Arts, New York University; Jordana Mendelson, Associate Professor, Spanish and Portuguese, New York University; and Charles Palermo, Associate Professor of Art History, Department of Art and Art History, The College of William and Mary. Anne Umland, Curator, Department of Painting and Sculpture, and organizer of the exhibition, introduces the day's presentations. The symposium closes with a roundtable discussion. 10:00–10:20 Welcome and Introduction, Anne Umland 10:20–10:50 "Miró's Challenge to Painting: A Dialogue with Picasso, 1924–1930," Robert S. Lubar 10:50–11:20 "Turning Bodies," Charles Palermo 11:20–11:50 "Anti-Painting and Espagnoles," Juan José Lahuerta 12:00–1:30 Lunch Break 1:30–2:00 "Joan Miró, Salvador Dalí, and the Catalan Avant-Garde c. 1928," Dawn Ades 2:00–2:30 "Telephone Game," Susan Laxton 2:30–3:00 "Grounds for Painting: Joan Miró's Object (Object of Sunset) (1936)," David Lomas 3:00–3:15 Afternoon Break 3:15–3:45 Response, Jordana Mendelson 3:45–4:45 Roundtable Discussion and Q&A Held in conjunction with the exhibition Joan Miró: Painting and Anti-Painting 1927–1937. | 12/3/10 | Free | View In iTunes |
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The Public Life of Drawing: Dan Perjovschi | April 25, 2007 6:30 p.m. Romanian artist Dan Perjovschi has expanded the medium of drawing to include both installation and performance. In the last decade, Perjovschi has conceived his political drawings spontaneously within museum spaces, allowing global events to inform the final result. Following an introduction by Roxana Marcoci, curator of Projects 85: Dan Perjovschi, the artist discusses his work. | 12/3/10 | Free | View In iTunes |
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Sze Tsung Leong | March 30, 2007 6:30 p.m. Sze Tsung Leong was born in Mexico City and now lives and works in New York. His photographs depict international urban landscapes and the creation and destruction of cities in China, while his paintings are drawn from historical photographs. Leong has received the John Simon Guggenheim Memorial Foundation Fellowship and holds degrees from the University of California, Berkeley, and Harvard University. | 12/3/10 | Free | View In iTunes |
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Open Source: Cory Arcangel and Rafael Lozano-Hemmer | Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry Open Source January 20, 2009 6:30 p.m. This program explores contemporary art in the age of YouTube, Facebook, and Wikipedia, online resources that connect people and information in countless ways and through immeasurable distances. Artists Cory Arcangel and Rafael Lozano-Hemmer discuss the ways in which they utilize electronic databases to create works of art. Glenn D. Lowry, director of The Museum of Modern Art, moderates a discussion. | 12/3/10 | Free | View In iTunes |
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Between Amsterdam, Los Angeles, and New York: A Roundtable Discussion with Ger van Elk, Allen Ruppersberg, and Lawrence Weiner | September 24, 2009 06:30 PM Theater 3 This conversation examines the international networks that developed among Conceptual artists in the 1960s and 1970s. Three such artists—Ger van Elk, Allen Ruppersberg, and Lawrence Weiner—focus the discussion on their respective cities of Amsterdam, Los Angeles, and New York, each of which served as a major center of artistic production at the time. Christophe Cherix, Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, and organizer of the exhibition In & Out of Amsterdam: Travels in Conceptual Art, 1960–1976, moderates the discussion. | 12/3/10 | Free | View In iTunes |
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Critical Dialogues in Venezuelan Art, 1912–1974 | To celebrate the MoMA's publication Alfredo Boulton and his Contemporaries: Critical Dialogues in Venezuelan Art, 1912–1974, on September 25, 2008, Luis Pérez-Oramas, The Estrellita Brodsky Curator of Latin American Art at MoMA, moderated a panel discussion on Venezuelan art and architecture of that time period. The panel brought together Hugo Achugar, poet, essayist and professor of Spanish at the University of Miami; Carlos Brillembourg, architect; Sofia Vollmer de Maduro of the Alberto Vollmer Foundation in Caracas; and Edward Sullivan, professor of Fine Arts at New York University, to provide an overview of Venezuelan art, architecture, and cultural history in relation to the period addressed by the publication and the writings of Alfredo Boulton and his contemporaries. | 12/3/10 | Free | View In iTunes |
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The Untimely Timeliness of Swedish Modernism | On October 30, 2008, to celebrate MoMA's publication of Modern Swedish Design: Three Founding Texts, Kenneth Frampton, Ware Professor of Architecture at Columbia University, moderated a panel discussion at MoMA on the intellectual background and influence of modern Swedish architecture and design and the critical role of manifestos in architectural discourse. Participants included the coeditors and coauthors of the new publication: Lucy Creagh, architect and PhD candidate at Columbia University; Helena Kåberg, curator at the National Museum of Fine Arts, Stockholm; and Barbara Miller Lane, Emeritus Professor at Bryn Mawr College. | 12/3/10 | Free | View In iTunes |
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Postwar Japanese Art: A Panel and Discussion | November 13, 2008 The Museum of Modern Art's Celeste Bartos Theater. The program, which presented a chronological overview of developments in postwar Japanese art, was organized as part of an exchange between MoMA curators and curators of modern and contemporary art in Japan. The first phase of the exchange saw MoMA curators Cornelia H. Butler, The Robert Lehman Foundation Chief Curator of Drawings, Roxana Marcoci, Curator, Department of Photography, and Sarah Suzuki, Assistant Curator, Department of Prints and Illustrated Books, travel to Japan on a research visit. The follow-up brought four Japanese curators to MoMA for two days of discussion and collection research. The program panelists included the visiting curators Michiko Kasahara, Chief Curator, Tokyo Metropolitan Museum of Photography; Dr. Midori Matsui, independent curator and scholar; Fumihiko Sumitomo, Senior Curator, Museum of Contemporary Art, Tokyo; and Akira Tatehata, Director, National Museum of Art, Osaka, in a discussion moderated by Cornelia H. Butler, The Robert Lehman Foundation Chief Curator of Drawings at MoMA. Participants explored the work of artists, collectives, and movements in Japan since the 1940s. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: Q & A (7 of 7) | Part II of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include David Brooks, Liz Magic Laser, Ryan McNamara, Amir Mogharabi, and A.L. Steiner. Moderated by Eva Respini, Associate Curator, Department of Photography, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Brown Bag Lunch Lectures: Homage to New York: Jean Tinguely's Destructive Art | November 20, 2008 12:30 p.m. This lecture presents an overview of the critical reception to Jean Tinguely's Homage to New York (1960). Measuring approximately 27 x 30 feet and made of recycled metal scraps taken from a Newark dump, Homage to New York was a machine rigged to perform for half an hour and ultimately self-destruct in The Museum of Modern Art's Sculpture Garden. Hailed by the press as a "gadget to end all gadgets," Tinguely's work evoked somber and amusing responses. Some critics considered the Homage a critical comment on the threat of nuclear catastrophe while others deemed it pure entertainment. How are we to understand Tinguely's willful performance of destruction today? The lecture also includes discussion of contemporary artists who have taken up the Swiss artist's legacy as a means to register the violence that continues to define our present. Lecturer Kaira Cabañas (PhD, Princeton University) is a Mellon Postdoctoral Fellow in the Department of Art History and Archaeology at Columbia University. | 12/3/10 | Free | View In iTunes |
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The Art Lending Service: Building an Audience for Modern Art | December 4, 2008 12:30 p.m. In 1948, the Junior Council of The Museum of Modern Art, led by Blanchette Rockefeller, met to discuss the creation of an art lending library that would function as a forum to educate young collectors about modern art and that would allow the public to rent works of art. This early conception of an art lending library became the Art Lending Service (ALS) in 1951. In addition to renting artworks in the lending library, the ALS organized temporary exhibitions in the Museum's Penthouse Restaurant. Many of the Penthouse Exhibitions included works by emerging artists who would later become well known. This lecture focuses on the history of the ALS and will include discussion of archival objects such as photographs, brochures, invitations to events, sales cards, lending cards, and other related objects. MacKenzie Bennett (MA, Courtauld Institute of Art) is an assistant archivist in the Museum Archives at MoMA. | 12/3/10 | Free | View In iTunes |
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Marlene Dumas: A Lecture with the Artist | December 8, 2008 6:30 p.m. Marlene Dumas's paintings often focus on the human figure, merging existential human themes with personal experience and art historical antecedents. In this lecture, the artist presents her work and the upcoming exhibition Marlene Dumas: Measuring Your Own Grave. | 12/3/10 | Free | View In iTunes |
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Mapping Nations: IRWIN | Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry November 17, 2008 6:30 p.m. IRWIN is an artist collective based in Ljubljana, Slovenia, best known for their ongoing projects NSK State and East Art Map. NSK State is a utopian state without a concrete territory, questioning notions of borders and nationhood. East Art Map is a work focusing on retracing the contemporary art and history of Eastern Europe. The Center for Land Use Interpretation (CLUI) is a research organization that explores how the United States' lands are apportioned, utilized, and perceived. Matt Coolidge of CLUI and Miran Mohar and Borut Vogelnik of IRWIN discuss how they engage in the specific and symbolic meaning of territoriality and how they use the tools of art, research, and collaboration to present their projects both in and outside of museum contexts. Moderated by Glenn D. Lowry, director of The Museum of Modern Art. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Antoni Muntadas and Marshall Reese | October 30, 2008 6:30 p.m. With every presidential election beginning in 1984, Antoni Muntadas and Marshall Reese have compiled and edited Political Advertisement, a historical survey of television campaign spots from 1952 to the present. This anthology, updated to include advertisements from the 2008 presidential campaign, documents the selling of the American presidency since the 1950s. As Muntadas and Reese trace the development of the TV "spot," a social and media history emerges revealing how campaign spots have become a political strategy and manipulative marketing technique. This evening, the artists debut the latest version of Political Advertisement in a premiere presentation followed by commentary by Laura Flanders, journalist, Air America host of Radio Nation, and author of Blue Grit. NOTE: The audio of the screening is not included in this recording. | 12/3/10 | Free | View In iTunes |
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Home Made: Five Perspectives on Prefabrication | October 15, 2008 6:30 p.m. Many architects throughout the twentieth century have focused their creative energies on the development of design for prefabricated structures. From domestic dwellings to imaginative prototypes, the possibilities for living in the modern world are vast. In this panel, five architects whose work is exhibited in Home Delivery make brief presentations on their vision and practice. They include James Timberlake FAIA (Fellow, American Institute of Architects), and Partner, KieranTimberlake Associates, Philadelphia; Lawrence Sass, Associate Professor, Massachusetts Institute of Technology; Oskar Leo Kaufmann, Oskar Leo Kaufmann & Albert Rüf; Douglas Gauthier & Jeremy Edmiston, New York; and Richard Horden, Horden Cherry Lee Architects, London. This event is held in conjunction with the exhibition Home Delivery: Fabricating the Modern Dwelling. | 12/3/10 | Free | View In iTunes |
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Art and Commerce: Alternative Economies: Christine Hill and Rirkrit Tiravanija | Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry Art and Commerce: Alternative Economies October 16, 2008 6:30 p.m. From F.T. Marinetti, the founder of the Italian Futurist movement in 1909, to Andy Warhol in the 1960s, many artists have reveled in the promotion of their own work, linking it to marketing and commerce. Others, however, resist or challenge this dynamic by instead addressing issues surrounding art and social exchange. In this program, artists Christine Hill and Rirkrit Tiravanija discuss how they create artworks for an alternative "economy." Moderated by Glenn D. Lowry, director of The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Open House: Larry Sass | September 25, 2008 3:30 p.m. To complement the wide variety of historical and contemporary models and designs for prefabricated architecture featured in MoMA's galleries, architect Larry Sass leads the public through Digitally Fabricated Housing for New Orleans, his full-scale project situated outside in the lot to the west of the Museum. This event is held in conjunction with the exhibition Home Delivery: Fabricating the Modern Dwelling. | 12/3/10 | Free | View In iTunes |
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Shelly Silver | September 24, 2008 12:30 p.m. Our social and political landscape has changed dramatically from 2001 to 2008. As a result, the November presidential election seems to be one of the most highly anticipated, eagerly awaited, and critically important in years. This fall's series invites artists working in film and photography who have their finger on the pulse, and are activating our perception of the relationship between politicians and our everyday lives. Shelly Silver, a New York–based artist who utilizes video, film, and photography, screens and discusses in complete world (2008), a feature-length documentary made up of street interviews done throughout New York City. Mixing political questions ("Are we responsible for the government we get?") with more broadly existential ones ("Do you feel you have control over your life?"), the film centers on the tension between individual and collective responsibility. in complete world can be seen as a user's manual for citizenship in the twenty-first century, as well as a glimpse into the opinions and self-perceptions of a diverse group of Americans. It is a testament to the people of New York City in this new millennium who freely offer thoughtful, provocative and at times tender revelations to a complete stranger, just because she asked. Silver currently teaches at the Cooper Union for the Advancement of Art and Sciences and in the MFA Department of Photography, Video and Related Media, School of Visual Arts. Sally Berger, Assistant Curator, Department of Film, The Museum of Modern Art, moderates a discussion. Note: Audio recordings of films shown during the program have been removed. | 12/3/10 | Free | View In iTunes |
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Anatomy of a Jazz Score: A Panel Discussion | September 17, 2008 6:30 p.m. As one of the concluding events in the Jazz Score exhibition, this panel of celebrated composers, artists, and scholars explores the process of writing jazz music for the cinema. Participants include the Academy Award-winning composers Johnny Mandel (I Want to Live!, The Sandpipers, M*A*S*H, and Being There) and David Shire (The Taking of Pelham One Two Three, All the President's Men, The Conversation, and Zodiac); the artist Stan Douglas, whose two-channel video installation Hors-champs (1992) examines the interplay and tension between free-jazz improvisation, film editing, and the construction of narrative; and moderator Gary Giddins, one of the leading jazz and film critics in America, who in 1998 received the National Book Critics Circle Award for his landmark work Visions of Jazz. This event is held in conjunction with the exhibition Jazz Score. | 12/3/10 | Free | View In iTunes |
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Dalí and New York: Callie Angell, Jack Bond, Jonas Mekas, Ingrid Schaffner | September 10, 2008 6:30 p.m. Salvador Dalí first arrived in New York in 1934 and immediately became a flamboyant part of the city's life and art scene. Engaging with the artists and celebrities who helped create the spirit of the city at the time, Dalí pursued his interests in art and commerce, the urban streets, and friendships with members of polite society and those in the rebellious underground. This program brings together scholars and filmmakers who address the impact of Dalí's diverse activities on his work and on the New York artistic community. Participants include Callie Angell, Adjunct Curator, The Andy Warhol Film Project, The Whitney Museum of American Art, who discusses the relationship between Dalí and Andy Warhol; filmmaker Jack Bond, who presents clips of his own film, Dalí in New York, and reflections on his friendship with the artist; Jonas Mekas, filmmaker and Director, Anthology Film Archives, who shares the films he made of Dalí; and Ingrid Schaffner, Senior Curator, Institute of Contemporary Art, University of Pennsylvania, who explores Dalí and the 1939 World's Fair. Anne Morra, Assistant Curator, Department of Film, and co-organizer of the exhibition Dalí: Painting and Film, moderates a discussion. This event is held in conjunction with the exhibition Dalí: Painting and Film. | 12/3/10 | Free | View In iTunes |
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Open House: Douglas Gauthier and Jeremy Edmiston | August 25, 2008 3:30 p.m. To complement the wide variety of historical and contemporary models and designs for prefabricated architecture featured in MoMA's galleries, Douglas Gauthier and Jeremy Edmiston lead the public through Burst *008, their own full-scale project situated outside in the lot to the west of the Museum. This event is held in conjunction with the exhibition Home Delivery: Fabricating the Modern Dwelling. | 12/3/10 | Free | View In iTunes |
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Icon Culture: Lingua Franca for a Global Culture: Matt Mullican | Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry Icon Culture: Lingua Franca for a Global Culture May 14, 2008 6:30 p.m. Icons are a language of their own in contemporary society, transcending linguistic boundaries with simple graphic imagery. In this program, Matt Mullican discusses how he uses iconic language as a means of communication. | 12/3/10 | Free | View In iTunes |
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Fiona Banner | April 25, 2008 6:30 p.m. Using feature films or real life experiences as a source, Fiona Banner creates text-based drawings, sculpture, and sound. She retells stories in her own words, revealing the ways people fictionalize or mythologize imagined or real events through their own accounts. Born in Liverpool, Fiona Banner studied fine art at Kingston Polytechnic, and completed an MA at Goldsmiths College in London. This conversation is moderated by Connie Butler, Robert Lehman Foundation Chief Curator, Department of Drawings, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Colors of the Brain | April 18, 2008 6:00 p.m. Presented by The Museum of Modern Art; the Graduate School of Architecture, Planning and Preservation (GSAAP) of Columbia University; and Studio Olafur Eliasson, this program reviews and critiques contemporary cultural theories of color that have emerged from artistic and scientific practices. Discussions and presentations seek to build a contemporary epistemology of color based on recent artistic and scientific experiments and on cognitive research into color perception, with an emphasis on the role that color plays in the physical environment. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Cinema Studies: History in Slow Motion: Matthew Buckingham and Eve Sussman | Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry Cinema Studies: History in Slow Motion April 14, 2008 6:30 p.m. Artists Matthew Buckingham and Eve Sussman discuss how they use history, history painting, and avant-garde cinema to create provocative multimedia installations about contemporary life. Note: Audio recordings of films shown during the program have been removed. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Conversations on Color: Chromophobia/Chromophilia | April 9, 2008 6:30 p.m. In conversations moderated by Ann Temkin, curator, Department of Painting and Sculpture, and organizer of the exhibition Color Chart: Reinventing Color, 1950 to Today, artists and scholars explore the ways in which artists use color, whether by chance, through systems, or in the context of everyday life. With David Batchelor, artist and the author of Chromophobia, and Chris McGlinchey, conservation scientist, Department of Conservation, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Art and Perception Series: Modalities of the Visible: Understanding and Sensing Images | Art and Perception Series Modalities of the Visible: Understanding and Sensing Images April 5, 2008 4:00 p.m. This multidisciplinary series of discussions features prominent artists, art historians, scientists, conservators, and others as they provide a variety of perspectives on the complex process of experiencing art. Discussions explore the ways in which the perception of a single artwork evolves over time, how artists adopt optical and perceptive strategies as a means of influencing a particular sensorial experience, and the impact of recent scientific research and color theory on art and architecture. Understanding and engaging the viewer's senses and the ways in which they relate to the intellect is a common concern in art making today. To what extent is a viewer's intellectual and sensorial response predictable and/or malleable? How have artists and other image makers used this knowledge to create works with lasting impact? In this panel, prominent scholars discuss the psychology of the artistic experience, the ways in which artists have utilized theories of perception throughout history, and how a viewer's visual literacy and artistic enjoyment can be enhanced. Participants include John Hyman, Fellow and Praelector in Philosophy and Editor, The British Journal of Aesthetics, The Queen's College, UK, and Mihály Csíkszentmihályi, psychologist and author of The Art of Seeing. This program is moderated by Leonard Lopate, host of The Leonard Lopate Show on WNYC. The Art and Perception Series is made possible by The Dana Foundation. | 12/3/10 | Free | View In iTunes |
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Martin Creed | March 21, 2008 6:30 p.m. Like many modern artists that have preceded him, Martin Creed makes installations, music, film, writings, and performances that question the value of objects and ideas commonly considered mundane. With modest materials he often takes a witty and subversive, minimalist approach. Creed, who attended the Slade School of Art in London, has exhibited his work internationally and was the recipient of the 2001 Turner Prize. This conversation is moderated by Pablo Helguera, Director, Adult and Academic Programs, The Museum of Modern Art. Note: Audio recordings of films shown during the program have been removed. | 12/3/10 | Free | View In iTunes |
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From the Specific to the General: The Publications of Seth Siegelaub | November 26, 2007 6:30 p.m. Beginning in the mid-1960s, former gallerist and publisher Seth Siegelaub supported the work of many artists, including Robert Barry and Lawrence Weiner. Exhibitions explored conceptual art, and books provided a new forum for artistic innovation outside of the museum or gallery. Alexander Alberro, Associate Professor of Art History, University of Florida, and Christophe Cherix, Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, join Siegelaub, Barry, and Weiner in a roundtable discussion about their collaborations. | 12/3/10 | Free | View In iTunes |
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Reconsidering Feminism: A Year in Review | November 20, 2007 6:00 p.m. Over the last year, a series of exhibitions and cultural initiatives in New York and elsewhere have sought to reconsider the feminist legacy in contemporary art and the new directions it has inspired in the work of emerging artists and collectives. This roundtable discussion with artists, critics, and historians will include a critical review and analysis of such events. It will also include an attempt to envision the steps to follow in the collective efforts to write recent feminist art history and implement the lessons learned from these initiatives. Participants include Janine Antoni, artist; Aruna D'Souza, Assistant Professor of Art History and Women's Studies, Binghamton University; Sharon Hayes, artist; and Molly Nesbit, Professor of Art History, Vassar College, contributing editor, Artforum, and (with Hans Ulrich Obrist and Rirkrit Tiravanija) organizer of the ongoing project Utopia Stations. Moderated by Connie Butler, The Robert Lehman Foundation Chief Curator of Drawings, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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Conversations on Color: Color and Conceptualism | March 13, 2008 6:30 p.m. In conversations moderated by Ann Temkin, curator, Department of Painting and Sculpture, and organizer of the exhibition Color Chart: Reinventing Color, 1950 to Today, artists and scholars explore the ways in which artists use color, whether by chance, through systems, or in the context of everyday life. With artists John Baldessari and Daniel Buren, and Bernard Marcadé, art critic, freelance curator, and professor of art history and aesthetics at the École nationale supérieure des beaux-arts of Paris-Cergy. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Lucian Freud Portrayed: An Evening with William Feaver | February 28, 2008 6:30 p.m. A lecture by art critic, curator, and Freud biographer William Feaver | 12/3/10 | Free | View In iTunes |
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The Old Becomes New: Urban Revitalization in New York: James Corner of and Elizabeth Diller | Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry The Old Becomes New: Urban Revitalization in New York November 1, 2007 12:30 p.m. From the Atlantic Yards to Red Hook in Brooklyn, from the High Line and Fresh Kills lifescape to the new Second Avenue subway, New York City is re-inventing itself through public projects and parks, greater accessibility and new technologies. James Corner of field operations and Elizabeth Diller and Ricardo Scofidio of Diller Scofidio + Renfro address issues surrounding urban transformation. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Roni Horn | October 19, 2007 6:30 p.m. Roni Horn produces sculpture, photography, drawings, essays, and books. She engages the senses of the viewer, while also investigating issues of identity and difference and the relationship between humans and nature. By using different mediums and setting her work in specific environments, Horn explores the dichotomy between the moment of visual perception and the power of memory. Horn received a BFA from the Rhode Island School of Design and an MFA from Yale University. | 12/3/10 | Free | View In iTunes |
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Gabriel Orozco | January 30, 2008 6:30 p.m. Gabriel Orozco's sculptures, photographs, drawings, installations, and videos weave the everyday with the philosophical; he explores how meaning is made from chance encounters and found objects. Numerous works by the artist are currently on view in the exhibition New Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions. This conversation is moderated by Glenn D. Lowry, Director, The Museum of Modern Art. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Ron Gilad | Conversations with Contemporary Artists: Ron Gilad October 12, 2007 6:30 p.m. Ron Gilad co-founded Designfenzider in 2001. Selected by Forbes as one of 2007's ten tastemakers in industrial design, Gilad creates hybrid objects that straddle the line between abstraction and function. His work—from candlesticks made with wine glasses to chandeliers constructed from task lamps—is simultaneously elegant and witty. Gilad attended the Industrial Design Department at Bezalel Academy of Art and Design in Jerusalem. | 12/3/10 | Free | View In iTunes |
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New Perspectives in Latin American Art, 1930-2006: Works of Art as Objects | Works of Art as Objects January 24, 2008 6:30 p.m. To complement the installation New Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions, scholars explore the ways in which selected seminal works and artists revolutionized the visual arts in their countries in a given period. Gabriel Pérez-Barreiro, curator of Latin American Art, Jack S. Blanton Museum of Art, The University of Texas at Austin, examines Gyula Kosice's Mobile Articulated Sculpture (1948); Juan Carlos Ledezma, independent curator, focuses on Alejandro Otero's Ortogonales (1951–52); Amy Rosenblum Martín, independent curator, examines Mira Schendel's Droguinha (1967); and Anna Indych-López, Assistant Professor of Art, The City College of New York, The City University of New York, discusses Victor Grippo's Life, Death, Resurrection (1980). Luis Pérez-Oramas, The Estrellita Brodsky Curator of Latin American Art at MoMA and organizer of the exhibition, moderates a discussion. The symposium is made possible by Kathy and Richard S. Fuld, Jr. | 12/3/10 | Free | View In iTunes |
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Martin Puryear Panel | Martin Puryear January 8, 2008 6:30 p.m. Through a series of presentations and a moderated discussion, David Levi Strauss, scholar, critic, and chair of the MFA Art Criticism and Writing Department, School of Visual Arts; Judith Russi Kirshner, professor of Art History and dean of the College of Architecture and the Arts, University of Illinois at Chicago; and artists Josiah McElheny and Terry Winters offer their perspectives on the work of Martin Puryear. John Elderfield, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, The Museum of Modern Art, and organizer of the exhibition, moderates the discussion. | 12/3/10 | Free | View In iTunes |
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Art/Nature: Mary Miss and Roxy Paine | Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry Art/Nature October 2, 2007 6:30 p.m. Inspired by the most recent pressing ecological concerns, this program aims to provide diverse perspectives on the changing relationships between modern and contemporary art and the environment. Artists Mary Miss and Roxy Paine discuss subjects such as the nature of their materials and how they engage with their physical surroundings. | 12/3/10 | Free | View In iTunes |
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Kerry James Marshall | September 14, 2007 6:30 p.m. Kerry James Marshall's mixed media works address the perspectives of African Americans through references to popular culture, history, and the civil rights movement. His work draws inspiration from art-historical sources from the Renaissance to black folk art. Born in Birmingham, Alabama, Marshall has a BFA and an honorary Doctorate from the Otis Art Institute, Los Angeles. He has exhibited in the United States, and at international exhibitions such as Documenta X. In 1997 Marshall was awarded a MacArthur Foundation grant. The program is moderated by Romi Crawford, Curator and Director of Education and Public Programs, The Studio Museum in Harlem, and introduced by Wendy Woon, The Edward John Noble Foundation Deputy Director for Education, The Museum of Modern Art. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Painting Process/Process Painting: Chuck Close and Carroll Dunham | August 8, 2007 6:30 p.m. Chuck Close and Carroll Dunham, artists featured in the exhibition What Is Painting? Contemporary Art from the Collection, discuss their work. The conversation is moderated by Anne Umland, Curator, Department of Painting and Sculpture, and organizer of the exhibition. This event is held in conjunction with the exhibition What Is Painting? Contemporary Art from the Collection. | 12/3/10 | Free | View In iTunes |
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New York—The Creative Catalyst | July 12, 2007 6:00 p.m. Through a series of individual presentations and a moderated discussion, artists and scholars explore the various ways in which New York has been a source of adventure, inspiration, and creativity. Participants include Douglas Crimp, art critic and professor of art history and visual and cultural studies, University of Rochester; Peter Eisenman, founder and principal, Eisenman Architects, New York; Meredith Monk, artist; and others. Moderated by David Joselit, professor and chair, history of art department, Yale University. This event is held in conjunction with the exhibition Richard Serra Sculpture: Forty Years. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Spotlight: Artists Set the Stage: William Kentridge | Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry Spotlight: Artists Set the Stage April 17, 2007 6:30 p.m. Artists break boundaries, working in a variety of mediums and blurring the lines between them. Since the early twentieth century, painters, sculptors, and filmmakers have gone beyond traditional visual art forms and taken their artistic process to the stage, collaborating as theater and opera directors and set designers. Through presentations and a conversation moderated by MoMA director Glenn D. Lowry, performance artist Laurie Anderson and William Kentridge—director and scene designer for BAM's spring production of Mozart's The Magic Flute—discuss how they bring their creative process to performance. Note: Laurie Anderson's comments are not included in the recording. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Playing Games, Reinventing Traditions: Arturo Herrera | May 9, 2007 6:30 p.m. Like the Venezuelan Armando Reverón, whose paintings and life-sized dolls were recently on view at the Museum, many contemporary artists invent games, toys, and characters. In this program, Venezuelan-born Arturo Herrera, who uses cartoon and fairy tale images, discusses with Luis Pérez-Oramas, The Estrellita Brodsky Curator of Latin American Art at MoMA, and Glenn D. Lowry how his work engages traditions in his country of origin and offers new understandings of contemporary art. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Jeff Koons | March 9, 2007 6:30 p.m. Jeff Koons uses unexpected models and everyday objects to create works of art. From his Hoover vacuum cleaners to his stainless steel Rabbit (1986), he challenges viewers’ perception and standards of “good taste,” addressing established hierarchies and aesthetic value systems. Koons, whose 1985 work Three Ball 50/50 Tank (Two Dr. J. Silver Series, Wilson Supershot) is included in Out of Time: A Contemporary View, has exhibited internationally and has received many awards and honors. | 12/3/10 | Free | View In iTunes |
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Artists and Models: Josiah McElheny and Joshua Siegel | March 12, 2007 6:00 p.m. For the exhibition Projects 84, Josiah McElheny creates a sculptural installation of crystalline glass, metal, and colored light that draws upon the visionary schemes of Paul Scheerbart, the Berlin poet and novelist, and Bruno Taut, the uncrowned leader of the circle of revolutionary architects that emerged in Berlin after World War I. McElheny’s model-scale landscape depicting two structures—an “Alpine Cathedral” and a “City-Crown”—is a critique of the utopian ideals embodied in twentieth-century modernism. This program, with McElheny and artist Chris Burden, focuses on the use of architecture in the sculptural model, through presentations and a discussion moderated by Joshua Siegel, organizer of the exhibition. Note: This recording only includes Joshua Siegel and Josiah McElheny's talks. | 12/3/10 | Free | View In iTunes |
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Comic Abstraction: An Artists Panel | March 5, 2007 6:00 p.m. In a panel discussion moderated by Roxana Marcoci, curator of the exhibition, artists Polly Apfelbaum, Inka Essenhigh, and Gary Simmons address the creative misalliance between abstraction and comic forms of representation in their work. The panel probes issues pertaining to humor in relation to a critical interpretation of war and global conflicts as well as gender and ethnic stereotyping. Held in conjunction with the exhibition Comic Abstraction: Image-Breaking, Image-Making. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Swoon: Music by Miss Rockaway Armada band | March 2, 2007 6:30 p.m. Culling materials and subjects from the streets, Swoon creates paper cutouts and installations that re-envision the experience of urban life. Inspired by historical sources ranging from German Expressionist woodblock prints to Indonesian shadow puppets, this New York–based artist has covered the city streets with her work for over six years. She has exhibited most recently in P.S.1 Contemporary Art Center’s Greater New York 2005. In the summer of 2006, she participated in the “Miss Rockaway Armada” on the Mississippi River. Introductory music by the Miss Rockaway Armada band | 12/3/10 | Free | View In iTunes |
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Gallery Talks: The Artist Edition with Kota Ezawa | February 28, 2007 3:30 p.m. In this series, artists whose work has been exhibited at MoMA lead Gallery Talks. Kota Ezawa describes his media works as "video archaeology." Often basing his art on archival news footage and movie clips, he provokes viewers to evaluate the accuracy of their own memories of events in comparison to his modified version. Ezawa studied at D¨sseldorf's Kunstakademie under Nam June Paik and at the San Francisco Art Institute. In this presentation Ezawa discusses paintings by Cézanne's The Bather and Château Noir, Marcel Duchamp's Bicycle Wheel, Kazimir Malevich's Suprematist Composition: White on White, Brancusi's Fish and Bird in Space, Giacometti's City Square and Dog, Martin Creed's Work No. 227, The Lights Going On And Off, and his own video, The Simpson Verdict. Photo courtesy of Meredith Rees | 12/3/10 | Free | View In iTunes |
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Jeff Wall Talks about His Work | February 26, 2007 6:00 p.m. Jeff Wall discusses his work in conjunction with the retrospective that traces his photography from the late 1970s to the present. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Armando Reverón: Another Modernity? | February 28, 2007 6:00 p.m. Scholars offer their perspectives on the artist's work, placing it in the greater context of art history, Latin American culture (Venezuela in particular), and European avant-garde movements. John Elderfield, The Marie-Josée and Henry Kravis of Painting and Sculpture, The Museum of Modern Art, and organizer of the exhibition, moderates the discussion. María Elena Huizi, Independent scholar, Caracas. Luis Pérez-Oramas, The Estrellita Brodsky Curator of Latin American Art, Department of Drawings, The Museum of Modern Art. Susan Stewart, Annan Professor of English, Princeton University; poet; and author of The Open Studio: Essays on Art and Aesthetics (2004). Held in conjunction with the exhibition Armando Reverón. | 12/3/10 | Free | View In iTunes |
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OBRA Architects | February 23, 2007 6:30 p.m. New York-based architecture firm OBRA Architects, founded by Pablo Castro and Jennifer Lee in 2000, has exhibited internationally and was named one of the 2005 Emerging Voices by the Architectural League of New York. The firm received two American Architecture Awards from the Chicago Athenaeum Museum of Architecture and Design and won the 2006 MoMA/P.S.1 Young Architects Program competition with BEATFUSE!, a courtyard installation of interconnecting curved shells and wooden tidal pools. | 12/3/10 | Free | View In iTunes |
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Manet and the Execution of Maximilian: Representing Politics and the Spectacle of War | January 18, 2007 6:00 p.m. Captivated by the politics of colonialism and war, Edouard Manet depicted the execution of the Emperor Maximilian in a series of paintings and lithographs from 1867 to 1869. In this panel discussion, scholars and artists discuss the legacy of Manet’s representation of politics and war through painting and historical documentation. Panelists include artists Sue Coe, Gilles Peress, Yinka Shonibare, and Krzysztof Wodiczko; Philip Gourevitch, editor, The Paris Review and author of We wish to inform you that tomorrow we will be killed with our families: Stories from Rwanda (1998); and moderated by Darcy Grimaldo Grigsby, Associate Professor, European Art since 1700, University of California, Berkeley. Held in conjunction with the exhibition Manet and the Execution of Maximillian. | 12/3/10 | Free | View In iTunes |
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Gallery Talks: The Artist Edition with Jon Kessler | January 31, 2007 3:30 p.m. In this series, artists whose work has been exhibited at MoMA lead Gallery Talks. While his early wall-mounted works read like animated paintings, Jon Kessler’s recent floor sculptures combine jerry-rigged mechanisms with surveillance cameras to create videos in real time. Kessler is an associate professor at Columbia University’s School of the Arts and has exhibited internationally, including a 1994 retrospective in Europe and a major exhibition of his mechanical video sculptures at P.S.1 Contemporary Art Center in 2005. NOTE: The recording only contains the introduction and part of the discussion of The Palace at 4 A.M. | 12/3/10 | Free | View In iTunes |
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Experimental Magazines and the International Avant-Gardes, 1945–75 | Monday, December 11, 2006 6:00 p.m. This panel considers various aspects of the avant-garde magazine. Examining experimental journals that were conceived as ongoing platforms for new works of art, graphic experimentation, and simultaneous expression in the arts, literature, philosophy, politics, and other fields, participants discuss the ways in which magazines represented the ideas of particular artistic and intellectual communities, even as they responded to and disseminated ideas internationally. With Liza Bear, former editor and co-founder with Willoughby Sharp of Avalanche magazine (1970–76); Benjamin Buchloh, Franklin D. and Florence Rosenblatt Professor of Modern Art, Harvard University and former editor of Interfunktionen (1968–75); Edward Sullivan, Dean for the Humanities and Professor of Fine Arts, New York University; and Willoughby Sharp, independent curator, artist, and former publisher and co-founder of Avalanche. Moderated by David Little, Director of Adult and Academic Programs, The Museum of Modern Art. Photo courtesy of Paula Court | 12/3/10 | Free | View In iTunes |
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Modern Danish Design Revisited | Thursday, December 7, 2006 6:00 p.m. Professor Penny Sparke, Dean of the Faculty of Art, Design & Music, Kingston University, London, delivers a lecture investigating contemporary design within the legacy of modern design in Denmark today. A panel discussion, moderated by Laetitia Wolff, writer, curator, and founding director of futureflair, inc., follows the lecture and includes designer Christina Strand and Anders Byriel, director of the textile manufacturing company Kvadrat. | 12/3/10 | Free | View In iTunes |
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Place and Light: From New York to China and the Mediterranean | Monday, December 4, 2006 6:00 p.m. Critics and scholars discuss the influence of geography and culture on Brice Marden’s work through individual presentations and a discussion moderated by Gary Garrels. “The New York School” Richard Shiff, Effie Marie Cain Regents Chair in Art, The University of Texas at Austin “China and the East” John Yau, poet and author of Paradiso Diaspora (2006), Ing Grish (2005), Borrowed Love Poems (2002), and Brice Marden: Drawings and Paintings 1964–2002 (2003), among many others. “The Mediterranean, the Classical, and the Renaissance” Jean-Pierre Criqui, art historian, critic, and editor of Les Cahiers du Musée national d’art moderne of the Centre Pompidou Held in conjunction with the exhibition Brice Marden: A Retrospective of Paintings and Drawings. | 12/3/10 | Free | View In iTunes |
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Artists among Nations: Ghada Amer and Alfredo Jaar | Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry Thursday, November 2, 2006 6:30 p.m. In a conversation moderated by Glenn D. Lowry, artists Ghada Amer and Alfredo Jaar discuss the role in contemporary culture of the artist as an international nomad and the problem of locating new work within current artistic categories. | 12/3/10 | Free | View In iTunes |
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Plane Image: A Conversation with Brice Marden | Wednesday, November 1, 2006 6:00 p.m. Brice Marden and Gary Garrels, curator of Brice Marden: A Retrospective of Paintings and Drawings, discuss the artist's work and the exhibition. Photo courtesy of Miriam Berkley | 12/3/10 | Free | View In iTunes |
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Trisha Donnelly | Friday, November 10, 2006 6:30 p.m. Trisha Donnelly's photographs, drawings, and video, sound, and performance art challenge viewers to consider the meaning of signs, logic, and narrative. Through gestures, expressions, and the passage of time, she cryptically reveals imaginary languages and belief systems that alter viewers' perceptions of images and environments. Donnelly received a BFA from UCLA and an MFA from Yale University. Her work has been seen most recently in the 2003 Venice Biennale and the Carnegie International in 2004. Photo courtesy of Miriam Berkley | 12/3/10 | Free | View In iTunes |
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Barry Whitmill of Freeplay Energy | Friday, November 3, 2006 6:30 p.m. Based in South Africa, industrial designer Barry Whitmill of Freeplay Energy seeks freedom from traditional energy sources. The organization's Self-Sufficient Energy technology combines wind-up, solar, and rechargeable power in unique and portable consumer electronic products. Freeplay makes products such as Lifeline Radio—simultaneously a functional appliance and a means to communicate with, educate, and empower people in the harsh conditions of Third World countries. | 12/3/10 | Free | View In iTunes |
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Manet at MoMA: A Conversation between John Elderfield and Michael Fried | Wednesday, November 8, 2006 6:30 p.m. John Elderfield, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, The Museum of Modern Art, and organizer of the exhibition Manet and the Execution of Maximilian, and Michael Fried, the J.R. Herbert Boone Professor in the Humanities, Krieger School of Arts and Science, The Johns Hopkins University, and author of the critically acclaimed Manet's Modernism: or, the Face of Painting in the 1860s, discuss the Maximilian paintings and Manet's importance to the history of modern art. Photo courtesy of Miriam Berkley | 12/3/10 | Free | View In iTunes |
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An Artists Panel: Brice Marden: Francesco Clemente, Luc Tuymans, and Christopher Wool | Monday, November 13, 2006 6:00 p.m. Artists Francesco Clemente, Luc Tuymans, and Christopher Wool discuss the impact of Brice Marden's work through individual presentations and a conversation moderated by Gary Garrels. Held in conjunction with the exhibition Brice Marden: A Retrospective of Paintings and Drawings. Photo courtesy of Miriam Berkley | 12/3/10 | Free | View In iTunes |
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A Conversation with Jacques Herzog and Glenn D. Lowry | Tuesday, September 19, 2006 6:30 p.m. In conjunction with the exhibition Artist’s Choice: Herzog & de Meuron, Perception Restrained, Glenn D. Lowry, director of The Museum of Modern Art, and Jacques Herzog consider the collection from an architect’s perspective and discuss the ways in which thoughtful selections and innovative installations inspire new understandings of art. | 12/3/10 | Free | View In iTunes |
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Yuri Masnyj | Friday, October 13, 2006 6:30 p.m. Yuri Masnyj's sculptures and works on paper meticulously investigate form and color, juxtaposing figuration and abstraction. Masnyj appropriates material from everyday life, art history, and contemporary culture, transforming it through fragmentation, line, gesture, and structure. He is a graduate of The Cooper Union and has exhibited internationally and in New York, most recently in the 2006 Whitney Biennial and P.S.1's Greater New York 2005. | 12/3/10 | Free | View In iTunes |
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Performing History: Critical Autobiographies: An-My Lê and Allison Smith | Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry Performing History: Critical Autobiographies Tuesday, October 17, 2006 6:30 p.m. An-My Lê and Allison Smith discuss the role of history in their work. Inspired by personal histories, historical reenactments, war, and performance, these artists confront the present by investigating constructions of the past. | 12/3/10 | Free | View In iTunes |
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Atlas: Art beyond Art History | Friday, September 15, 2006 6:00 p.m. In conjunction with the exhibition Transforming Chronologies: An Atlas of Drawings, this panel discussion seeks to uncover meanings within and relationships among works of art that are not usually considered in traditional studies of art history. The program consists of brief presentations and a conversation moderated by Luis Pérez-Oramas, curator of the exhibition. Participants include Philippe-Alain Michaud, Film Curator, Musée national d’art moderne, Centre Georges Pompidou, Paris; John Rajchman, Associate Professor and Director of MA Programs, 20th Century Art and Philosophy, Columbia University; and Michel Weemans, Professor, L’École Nationale Supérieure d’Art de Bourges, Paris. | 12/3/10 | Free | View In iTunes |
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Greater New York 2010: Artists Present: A.L. Steiner (6 of 7) | Part II of a series of talks by ten artists represented in MoMA PS1's Greater New York 2010 , (May 23–October 18), an exhibition of work by artists in the New York metropolitan area who engage in a wide range of art practices and mediums. In sessions consisting of short and dynamic presentations of twenty images, twenty-five seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, their creative process, and other issues in contemporary art. Presenting artists include David Brooks, Liz Magic Laser, Ryan McNamara, Amir Mogharabi, and A.L. Steiner. Moderated by Eva Respini, Associate Curator, Department of Photography, The Museum of Modern Art. | 12/3/10 | Free | View In iTunes |
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On Sculpture: A Sculptors Panel: Judith Shea and Joel Shapiro | Monday, June 19, 2006 6:00 p.m. Artists Judith Shea and Joel Shapiro discuss modern and contemporary sculpture through individual presentations and a conversation moderated by Ann Temkin, curator of the exhibition. Held in conjunction with the MoMA exhibition Against the Grain: Contemporary Art from the Edward R. Broida Collection. | 12/3/10 | Free | View In iTunes |
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Without Boundary: Meditations on Truth | Without Boundary: Meditations on Truth Thursday, May 4, 2006 6:00 p.m. Understanding work by artists who come from the Islamic world raises complex questions, especially when examined within a postcolonial and Western context. Artists Shirin Neshat and Walid Raad, and Gavatri Chakravorty Spivak, Avalon Foundation Professor in the Humanities, Columbia University, discuss diverse interpretations of truth, as well as how they review, revise, and subvert received understandings of the Islamic world. Note: Only three minutes of Walid Raad's lecture are included in this recording. Held in conjunction with the exhibition Without Boundary: Seventeen Ways of Looking. | 12/3/10 | Free | View In iTunes |
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Without Boundary: Home and Away | Wednesday, March 8, 2006 6:00 p.m. Writers, cultural theorists, and artists discuss the idea of "home" and the effects of exile. Panelists include Homi Bhabha, Chair of the Program in History and Literature, Harvard University, and artists Shahzia Sikander and Shirazeh Houshiary. Held in conjunction with the exhibition Without Boundary: Seventeen Ways of Looking. | 12/3/10 | Free | View In iTunes |
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Isaac Julien | Conversations with Contemporary Artists: Isaac Julien Friday, November 18, 2005 6:30 p.m. British audio-visual installation artist Isaac Julien draws from a variety of artistic and theoretical sources to create films that explore the construction of cultural identities. His films include Frantz Fanon: Black Skin, White Mask (1995); the Cannes Film Festival prize-winner Young Soul Rebels (1991); and the groundbreaking documentary Looking for Langston (1989). In 2001, Julien was short-listed for the Turner Prize (for his film The Long Road to Mazatlan, 1999), and received the prestigious MIT Eugene McDermott Award in the Arts. | 12/3/10 | Free | View In iTunes |
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Elizabeth Murray: Gallery Talk with Robert Storr | Elizabeth Murray: Gallery Talk Monday, October 24, 2005 6:00 p.m. Robert Storr, organizer of the exhibition and Rosalie Solow Professor of Modern Art, The Institute of Fine Arts, New York University, leads a discussion about the exhibition in the Museum galleries, after-hours. | 12/3/10 | Free | View In iTunes |
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Obsession and Practice | Monday, February 27, 2006 6:00 p.m. The Museum of Modern Art presents an interdisciplinary panel that investigates the repetitive, detail-oriented creative practices of artists, writers, and performers. Panelists include artists Trenton Doyle Hancock and Daniel Zeller, poet Susan Howe, and musician David Grubbs. Moderated by Brooke Davis Anderson, curator of Obsessive Drawing. Held in conjunction with the MoMA exhibition The Compulsive Line: Etching 1900 to Now and the American Folk Art Museum's exhibition Obsessive Drawing. | 12/3/10 | Free | View In iTunes |
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The Persistence of Figuration: Dana Schutz and Ernesto Caivano | Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry The Persistence of Figuration Wednesday, March 1, 2006 6:30 p.m. Glenn Lowry, Director of MoMA, moderates discussions with leading artists about contemporary art and culture. In this session, Dana Schutz and Ernesto Caivano discuss the persistence of painting and figuration. | 12/3/10 | Free | View In iTunes |
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Elizabeth Murray: Artists Panel | Monday, November 21, 2005 6:00 p.m. Contemporary artists, including Carroll Dunham, Robert Gober, and Jessica Stockholder discuss the impact of Elizabeth Murray’s work in a panel discussion moderated by Robert Storr, organizer of the exhibition. Held in conjunction with the exhibition Elizabeth Murray. | 12/3/10 | Free | View In iTunes |
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Building on Barnes: Reflections by Contemporary Architects and Critics | Wednesday, November 16, 2005 6:00 p.m. Edward Larrabee Barnes (1915–2004), an American architect known for his original, modern approach to designing houses, skyscrapers, museums, and educational and religious buildings, is celebrated through presentations by architects and critics who offer their perspectives on the span of his career and his designs for the UCLA Hammer Museum and Walker Art Center. Participants include Robert Campbell, Architect and Architecture Critic, The Boston Globe; Jacques Herzog, Herzog & de Meuron, Basel; Michael Maltzan, Michael Maltzan Architecture, Los Angeles; Toshiko Mori, Toshiko Mori Architect, New York and Robert P. Hubbard Professor in the Practice of Architecture, Chair, Department of Architecture, Harvard University Graduate School of Design; and Terence Riley, The Philip Johnson Chief Curator of Architecture and Design, The Museum of Modern Art. Sponsored by the Department of Architecture and Design, The Museum of Modern Art, with the Department of Architecture, Graduate School of Design, Harvard University. | 12/3/10 | Free | View In iTunes |
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A Conversation between Lynne Cooke and Richard Serra | September 6, 2007 6:00 p.m. Co-curator Lynne Cooke and Richard Serra discuss the artist's work and the exhibition Richard Serra Sculpture: Forty Years. Photo courtesy of Paula Court | 2/8/09 | Free | View In iTunes |
| Total: 181 Episodes |
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