San Francisco Symphony Podcasts
By San Francisco Symphony
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Podcast Description
Welcome to the San Francisco Symphony podcast series. Each week, we'll be exploring a particular classical work to be performed by the orchestra during the 2010-11 season. We'll also bring you occasional special podcasts. Thanks for joining us.
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1 |
Rachmaninoff 3rd Piano Concerto | Rachmaninoff was already an admired conductor and pianist when he wrote his Piano Concerto No. 3 to bring along on his first tour of the United States. On that tour, he performed the concerto with the New York Philharmonic under their conductor Gust | 5/29/12 | Free | View In iTunes |
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2 |
Dvořák's Symphony No. 7 | Considered at first to be a composer of popular music and not a great symphonist, it was Brahms who believed in Dvořák enough to set him up with an important publisher. Written for the London Symphony, Dvořák’s Symphony No. 7 is a personal cathars | 5/17/12 | Free | View In iTunes |
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3 |
Shostakovich's Symphony No. 6 | Following the conventional success of his Symphony No. 5, written to pacify the Soviet leaders scandalized by his opera Lady Macbeth, Shostakovich composed the Symphony No. 6. Characterized by its unusual Largo opening and scherzo-like finish, the w | 5/14/12 | Free | View In iTunes |
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4 |
From the Archives: Comparisons | The sheer scope of the Symphony's recorded legacy allows us to hear the same piece performed over the years. Differences are fascinating, but sometimes the similarities are just as remarkable. As the conclusion of the series, this episode takes the broade | 5/8/12 | Free | View In iTunes |
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5 |
Beethoven's Symphony No. 6 | Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-paddin | 5/3/12 | Free | View In iTunes |
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6 |
From the Archives: First-Chair Soloists | This episode brings us the playing of the San Francisco Symphony musicians down the years, from Henry Hadley's own choice for principal horn Walter Hornig, through long-serving stalwarts such as oboist Merrill Remington and flutist Paul Renzi, to concertm | 4/26/12 | Free | View In iTunes |
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7 |
Bach's "Brandenburg" Concertos | After becoming disenchanted with his position of Capellmeister to Leopold, Prince of Anhalt Cöthen, Bach prepared a special copy of six concertos to send to the Margrave of Brandenburg in hopes of employment. Now known as the Brandenburg concertos, the s | 4/24/12 | Free | View In iTunes |
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8 |
From the Archives: Guest Conductors | Some of the Symphony's guest conductors have bequeathed recordings to posterity. Hear giants such as Leopold Stokowski and his two RCA Victor albums with the SFS, local 1940s favorite and future Broadway legend Meredith Willson (shown above left), or fame | 4/12/12 | Free | View In iTunes |
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9 |
Sibelius's Symphony No. 1 | Jean Sibelius (1865-1957) witnessed in his lifetime the complete transformation of Western music. Written during his young party-animal days (a boozy brawl forced a break in its composition), Sibelius’ Symphony No. 1 was influenced by the symphonies of | 4/9/12 | Free | View In iTunes |
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10 |
Stravinsky’s "Firebird" | Serge Diaghilev was turned down by four composers before turning to Igor Stravinsky to write the music for a new production by the Ballet Russe. Luckily, Stravinsky, eager to try his hand at a ballet, had already been working on the music for a month, and | 4/4/12 | Free | View In iTunes |
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11 |
From the Archives: The MTT Era | Under Michael Tilson Thomas (1944–) the San Francisco Symphony has risen to unprecedented heights of renown and artistic achievement. After a series of award-winning releases on RCA Red Seal, the Symphony created the in-house SFS Media label, under whic | 3/27/12 | Free | View In iTunes |
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12 |
From the Archives: The Blomstedt Era | Herbert Blomstedt (1927–) stepped up to the Symphony podium in 1985 and brought the orchestra to the Decca label, in which capacity the orchestra produced a distinguished series of recordings covering the repertory from Beethoven to Bartók and beyond. | 3/15/12 | Free | View In iTunes |
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13 |
Varèse's "Amériques" | A complete departure from the mainstream European tradition, Amériques marks Varèse’s explosive breakout into modernism. Amériques calls for 125 musicians and a battery of unusual percussion, and according to Varèse, is meant to be understood “as | 3/12/12 | Free | View In iTunes |
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14 |
Ruggle's "Sun-treader" | Carl Ruggles, one of the most original voices in 20th century American music, was a curmudgeonly man whose musical output totals just ten works, which he endlessly re-wrote and edited as close to perfection as he could. His works, including Sun-trea | 3/9/12 | Free | View In iTunes |
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15 |
Cowell's Piano Concerto | A native of Menlo Park, California, Henry Cowell is accredited with coining the term tone cluster, an effect he uses frequently in his Piano Concerto. Cowell specifies that the performer use the forearm or specially cut wooden sticks to play many adjacent | 3/7/12 | Free | View In iTunes |
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16 |
From the Archives: The de Waart Era | Edo de Waart (1941–) became the Symphony's music director in 1977 and saw the orchestra through two important transitions: the move to Davies Symphony Hall and the change from analog to digital recording technology. De Waart's tenure at the SFS is exhau | 3/1/12 | Free | View In iTunes |
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17 |
Harrison Concerto for Organ with Percussion Orchestra | Long-time Bay Area resident Lou Harrison was influenced by Eastern musical traditions. He and partner Bill Colvig built many of their own instruments, including an Indonesian gamelan. For his Concerto for Organ with Percussion Orchestra, musicians perform | 2/29/12 | Free | View In iTunes |
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18 |
Mozart's Symphony No. 39 | In the space of nine weeks in summer 1788, Mozart produced the last three of his symphonies, including Symphony No. 39. Started within a month after his opera Don Giovanni opened to a less than enthusiastic audience in Vienna, the symphony opens with a re | 2/15/12 | Free | View In iTunes |
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19 |
From the Archives: The Ozawa Era | The Symphony returned to the recording studio in 1971 with Seiji Ozawa (1935–), first on Deutsche Grammophon, then on Philips. The Symphony began keeping recorded archives of its performances during Ozawa's tenure, thus preserving the sound of the Symph | 2/14/12 | Free | View In iTunes |
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20 |
Saint-Saens's "Organ" Symphony | A child prodigy, Saint-Saëns was not only a gifted composer but an accomplished pianist who could perform all of Beethoven’s 32 piano sonatas from memory by the age of ten. Composed for the Philharmonic Society of London, his Symphony No. 3, Organ, | 2/6/12 | Free | View In iTunes |
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21 |
From the Archives: The Krips Era | The renowned Austrian conductor Josef Krips (1902–1974) took over the reins of the Symphony in 1963, charged with rebuilding an orchestra that had grown slack. Although Krips refused to allow the Symphony to record commercially, he approved a series of | 1/31/12 | Free | View In iTunes |
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22 |
Bruckner's Symphony No. 5 | Anton Bruckner grew up an unsophisticated teacher’s son. By the time he reached Vienna and the composition of his Symphony No. 5, he had a sound combining Beethoven’s sense of mystery and suspense, Schubert’s harmony, and Wagner’s breadth in unfol | 1/31/12 | Free | View In iTunes |
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23 |
From the Archives: The Monteux Era | Pierre Monteux (1875–1964) led the Symphony from 1935 to 1952 and brought it back to the recording studio after a long hiatus. Both on RCA Victor and the popular Standard Hour Broadcasts, Maître Monteux left us copious recordings of a vibrant ensemble | 1/25/12 | Free | View In iTunes |
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24 |
From the Archives: The Jordá Era | A two-year search for Pierre Monteux's successor resulted in the 1954 appointment of Enrique Jordá (1911–1996), an electrifying stage presence and passionate advocate of contemporary music. Jordá's discography with the SFS is modest, but his three RCA | 1/25/12 | Free | View In iTunes |
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25 |
Mozart's Symphony No. 40 | Mozart composed his Symphony No. 40 during the very productive summer of 1788, when he also completed his Symphony No. 39 and Symphony No. 41—the last symphonies he would compose. After a series of revisions, including Mozart’s addition of clarinet | 1/20/12 | Free | View In iTunes |
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26 |
Tchaikovsky's Symphony No. 5 | Perpetually self-conscious, Tchaikovsky worried in spring 1888 that his imagination had dried up, and that he had nothing left to express through music. Vacationing at his home in Frolovskoe provided all the inspiration he needed, and by August, his Symph | 1/19/12 | Free | View In iTunes |
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27 |
Ravel's Piano Concerto in G major | During a wildly successful tour of the United States in 1928, Maurice Ravel met American composer George Gershwin, and listened to jazz in Harlem and New Orleans. These influences plus his Basque heritage (already exhibited in his Rapsodie espagnole | 1/17/12 | Free | View In iTunes |
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28 |
Debussy's "Le Martyre de Saint Sebastien" | In 1911, Claude Debussy wrote the incidental music for a mystery play by Gabriele d'Annunzio. Written for the Belle Époque figure Ida Rubinstein, who was muse to numerous artists and musicians, the play chronicles the martyrdom of the Roman archer S | 1/5/12 | Free | View In iTunes |
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29 |
Tchaikovsky's Symphony No. 1 | First symphonies usually serve as stepping stones on the way to greater things. Tchaikovsky’s First was already great, written in a bold and assured manner the composer would not achieve again until his later symphonies. But even Tchaikovsky admitted th | 1/3/12 | Free | View In iTunes |
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30 |
From the Archives: The Hertz Era | The Symphony's recorded history begins in 1925, as the eminent German maestro Alfred Hertz (1872–1942) brought his orchestra into the recording studio for its first sessions. Hertz's 24 recordings with the San Francisco Symphony have been treasured coll | 12/20/11 | Free | View In iTunes |
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31 |
From the Archives: An Overview | The Symphony’s legacy on records is vast. This first episode provides an introductory overview of the whole. Along the way, we’ll learn about some of the challenges of assembling a complete collection of the Symphony’s surviving recordings, and expl | 12/6/11 | Free | View In iTunes |
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32 |
Wagner's Götterdämmerung | Wagner, taking inspiration from Nordic mythology, wrote the Ring Cycle to tell the epic tale of the magical golden ring of the Nibelung. Granting its owner the power to rule the world, the ring is coveted by many, including Wotan, the ruler of the G | 12/5/11 | Free | View In iTunes |
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33 |
Brahms's Piano Quartet (orch. Schoenberg) | Although his own compositional techniques are considered avant garde, Arnold Schoenberg viewed himself as a direct extension of the German tradition of Bach, Mozart, Beethoven, and Brahms. He was 22 when Brahms died, and his particular affinity | 11/11/11 | Free | View In iTunes |
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34 |
Brahms's German Requiem | Although not a conventionally religious man, Johannes Brahms knew his Bible well and assembled the text for his German Requiem himself, choosing passages that suited his means perfectly. By titling it the German Requiem, Brahms meant that it was for | 11/8/11 | Free | View In iTunes |
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35 |
Schubert's "Death and the Maiden" (arr. Mahler) | Years before there was Photoshop, there was Gustav Mahler, and his infamous "retouchings" of respected scores to bring them up to modern listening standards. Known in his day more as a conductor than a composer, Mahler would make revisions to the music he | 10/31/11 | Free | View In iTunes |
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36 |
Schumann's Symphony No. 2 | By the time he wrote what we now know as his Symphony No. 2, Robert Schumann had already completed his Symphony No. 1, his Overture, Scherzo, and Finale, and the first version of the work that would eventually be published as Symphony No. 4. However, by s | 10/24/11 | Free | View In iTunes |
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37 |
Beethoven's Symphony No. 8 | Much like his fifth and sixth symphonies, Ludwig van Beethoven composed his seventh and eighth symphonies in quick succession. Compared with Symphony No. 7 and Symphony No. 9 (which would not be completed for twelve more years), Symphony No. 8 seems | 10/19/11 | Free | View In iTunes |
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38 |
Verdi's Requiem | In mid-nineteenth century Italy, Alessandro Manzoni, a poet and humanist, was one of the central figures in Italian cultural life. Not only was he a great writer, but he had been elected to the first Senate of the new Kingdom of Italy in 1861. Upon | 10/6/11 | Free | View In iTunes |
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39 |
Mussorgsky's Pictures at an Exhibition | Originally composed for solo piano (and later orchestrated by Ravel), Pictures at an Exhibition was written by Modest Mussorgsky after he visited a retrospective exhibit of the works of his friend Victor Hartmann. The collection of pieces represents | 9/29/11 | Free | View In iTunes |
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40 |
Elgar's Symphony No. 1 | Born the son of a piano tuner and educated by playing in and conducting small amateur bands (including that of the Worcester Pauper Lunatic Asylum), Sir Edward Elgar had already written the Enigma variations, four Pomp and Circumstance marches, and the or | 9/21/11 | Free | View In iTunes |
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41 |
Petrushka | Upon visiting Stravinsky in late 1910, expecting to find him immersed in composing the Rite of Spring, Serge Diaghilev, director of the Ballet Russe, was quite surprised to find him instead composing the ballet of an anthropomorphized puppet. The st | 9/20/11 | Free | View In iTunes |
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42 |
Beethoven's Symphony No. 7 | The premiere of Beethoven’s Symphony No. 7 was perhaps his greatest rock-star moment. Buoyed by the excited troops in whose honor the concert was being performed, Beethoven “tore his arms with a great vehemence asunder ... at the entrance of a forte h | 9/12/11 | Free | View In iTunes |
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43 |
Walton's Symphony No. 1 | The tumult and melancholy in William Walton’s first symphony have roots in perhaps the most familiar of all artistic inspirations: unrequited love. He wrote the first three movements after his girlfriend left him (including markings such as con mali | 9/12/11 | Free | View In iTunes |
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44 |
Berlioz's Roméo et Juliette | Roméo et Juliette was composer Hector Berlioz’s attempt to write the next great choral symphony after Beethoven’s Ninth. In this “symphonie dramatique,” Berlioz uses the orchestra and the chorus not as dramatic actor and accompaniment, but as two | 9/12/11 | Free | View In iTunes |
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45 |
Tchaikovsky's Symphony No. 4 | Tchaikovsky’s Fourth Symphony is a musical diary of his emotional life during a period of intense personal crisis. “I was down in the dumps last winter when the symphony was in the writing, and it is a faithful echo of what I was going through at th | 9/12/11 | Free | View In iTunes |
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46 |
Mahler Symphony No. 3 | In summer 1895, Gustav Mahler went on vacation. He’d had a busy year conducting in Hamburg, and went to his cabin to do what he always did in his free time—compose. He outlined a program for his new work—Pan’s awakening, the Bacchic entrance o | 9/8/11 | Free | View In iTunes |
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47 |
Michael Tilson Thomas on Mahler's Symphony No. 5 | San Francisco Symphony Music Director Michael Tilson Thomas, a passionate interpreter of Mahler's music, describes the composer's Symphony No. 5. The San Francisco Symphony is part of the global commemoration of Mahler's birth and death anniversaries duri | 9/7/11 | Free | View In iTunes |
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48 |
Brahms's Symphony No. 1 | Beethoven’s first symphony premiered when he was 30. Schubert wrote his first at 16, and Mozart’s was composed when he was only 8. But Johannes Brahms, at 43, had yet to finish his Symphony No. 1, which he’d begun writing more than twenty years p | 8/23/11 | Free | View In iTunes |
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49 |
Bartok Piano Concerto No. 2 | Following the relative unpopularity of his Piano Concerto No. 1, Bela Bartók returned to his roots for the composition of his next piano concerto, which he called an “antithesis” to the first. This second concerto takes more of a classical form, with | 6/13/11 | Free | View In iTunes |
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50 |
Beethoven's 'Missa Solemnis' | To set about composing his Missa Solemnis, Beethoven looked to the past. He obtained a copy of the score to J.S. Bach's B Minor Mass, at that time still unpublished, and also studied the sacred music of C.P.E. Bach. After countless sketches and spiritual | 6/13/11 | Free | View In iTunes |
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51 |
Mahler's Symphony No. 2, "Resurrection" | Symphony No. 2, Resurrection, by Gustav Mahler opens with a first movement originally composed as a stand-alone work entitled Todtenfeier (Funeral Rites). Five years later, following his appointment as principal conductor in Hamburg, Mahler realized | 5/3/11 | Free | View In iTunes |
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52 |
Mahler's Symphony No. 6 | In summer 1903, Mahler was at his happiest time of life. Married to the beautiful Alma and father to two healthy daughters, it doesn’t seem like the time when one would compose a symphony often called the Tragic. However, in an eerily prescien | 4/28/11 | Free | View In iTunes |
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53 |
Mahler's Symphony No. 9 | Almost exactly one hundred years ago, on May 18, 1911, the great composer and conductor Gustav Mahler died of a blood infection just weeks before his fifty-first birthday. His last complete work, the Symphony No. 9, was composed following a whi | 4/26/11 | Free | View In iTunes |
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54 |
Brahms's Symphony No. 3 | After composing Serenade No. 1, Johannes Brahms waited fifteen years before he wrote another purely orchestral work for large ensemble. Infamous for his harsh self-criticism and haunted by the feeling that he was living in Beethoven’s shadow, Brahms fin | 4/14/11 | Free | View In iTunes |
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55 |
Berlioz's "Symphonie fantastique" | A man spots a woman across the room at a party and falls instantly in love with her. In a fit of despair over his unrequited love, he poisons himself and fantastic dreams and visions result. This is the story, inspired by his own love for the actress Harr | 3/31/11 | Free | View In iTunes |
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56 |
Vaughan Williams's Symphony No. 2, "A London Symphony" | In 1903, Ralph Vaughan Williams began collecting folk songs. His dedication to his English heritage was evident early on in his career, from his editions of Purcell’s music for the Purcell Society to his assembling, editing, and contributing to The Engl | 3/25/11 | Free | View In iTunes |
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57 |
Sibelius's Symphony No. 2 | At the close of the nineteenth century, Finnish natives were enjoying a renaissance of their native culture, in opposition to their Russian occupiers. Jean Sibelius was swept up in this nationalistic fervor, and composed several patriotic tone poems, incl | 3/17/11 | Free | View In iTunes |
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58 |
Dvorak's New World Symphony | In June 1891, Antonín Dvořák was invited to direct the newly-formed National Conservatory in New York City. Leaving four of their six children behind in Bohemia, Dvořák and his wife made their new home on East 17th Street in cacophonous Manhattan, | 3/14/11 | Free | View In iTunes |
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59 |
Bach’s Mass in B minor | Bach’s Mass in B minor can viewed as a compendium of all of the musical styles in which the composer was fluent. The work encompasses many different styles popular in the Baroque era, including polyphonic choral textures, instrumental solos, and operati | 3/3/11 | Free | View In iTunes |
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60 |
Mendelssohn's Symphony No. 4 | On an extended journey through Italy in 1830 and 1831, Felix Mendelssohn began work on his Fourth Symphony. A wildly talented composer who wrote his famous Octet when he was only sixteen, Mendelssohn was prompted to finish the work when the London P | 3/1/11 | Free | View In iTunes |
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61 |
Brahms's Serenade | In 1857, Johannes Brahms assumed the post of Clara Schumann, recently departed for Berlin, as piano teacher at the court of Prince Leopold. His pupils and members of his choir loved him, and at the court he reveled in his time to compose, condu | 2/15/11 | Free | View In iTunes |
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62 |
Mozart's Requiem | Mystery and myth surround Mozart’s Requiem. It was left uncompleted at the composer’s somewhat sudden death, and no one quite knows exactly how much music he left behind. His widow, Constanze, was set with the task of finding another composer | 2/11/11 | Free | View In iTunes |
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63 |
Prokofiev's Symphony No. 1 | Following encouragement from his teacher to immerse himself in the works of Mozart and Haydn, Sergei Prokofiev composed his Symphony No. 1, Classical, in 1916-17. Harkening back to his forbears in the realms of form and structure while using th | 1/28/11 | Free | View In iTunes |
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64 |
Schubert's Symphony No. 5 | At 17, Schubert composed his art song masterpiece Gretchen am Spinnrade. The following year, he composed more than 145 more, including Erlkönig. By the time he reached age 19, in 1816, he had already composed a treasure trove of art songs and instrum | 1/24/11 | Free | View In iTunes |
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65 |
Beethoven's Symphony No. 1 | Arriving in Vienna in 1792, with a stack of music he’d composed in Bonn, young Beethoven settled down to study composition with Josef Haydn. By the time he premiered his first symphony in 1800, he had already published an impressive catalogue, includ | 1/20/11 | Free | View In iTunes |
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66 |
Beethoven's Symphony No. 4 | In summer 1806, Beethoven had to give up his summer vacation home in order to pay off his and his family’s debts. Despite the financial turmoil, the year was an extraordinarily productive one for him: the composer wrote many of his great works in th | 1/7/11 | Free | View In iTunes |
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67 |
Rachmaninoff's 'Symphonic Dances' | In summer 1940, while enjoying a very busy career as a pianist and conductor, Rachmaninoff finally found time to compose while vacationing on Long Island. Following the successful dance production of his Rhapsody on a Theme of Paganini, choreog | 1/5/11 | Free | View In iTunes |
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68 |
Episode 14: Prokofiev's Scenes from Romeo and Juliet | Following multiple failed agreements with various ballet companies (including the Bolshoi, which declared the music impossible to dance to), Sergei Prokofiev reduced what would eventually become his most popular ballet to three orchestral suites. &nb | 12/22/10 | Free | View In iTunes |
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69 |
John Adams' "Harmonielehre" | After a year-long writer’s block and amid feelings of uncertainty about how contemporary music would evolve, composer John Adams had a dream. He dreamt that as he was driving across the San Francisco-Oakland Bay Bridge and looking at the water, an o | 12/20/10 | Free | View In iTunes |
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70 |
John Adams's "El Niño" | After witnessing the whirling emotions of his wife’s pregnancy, the pain of labor, and their culmination in the birth of his daughter, John Adams was inspired to re-tell the story of the most famous birth of all: the birth of Jesus. Narrated by a woman, | 11/18/10 | Free | View In iTunes |
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71 |
Brahms' Piano Concerto No. 1 | In 1854, Robert Schumann, friend and mentor to a young Johannes Brahms, attempted suicide by drowning in the Rhine River. Thrown into emotional turmoil by Schumann’s resulting institutionalization and his unrequited love for Robert’s wife Clara,&nbs | 11/4/10 | Free | View In iTunes |
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72 |
Strauss’ 'Ein Heldenleben' | Richard Strauss’ tone poem Ein Heldenleben (A Hero’s Life) is regarded by many as a musical self-portrait. Its vivid sketches of the characters and events depict the hero himself, in a soaring E flat-major horn solo; his adversaries, played by stumbli | 11/3/10 | Free | View In iTunes |
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73 |
Ravel's Piano Concerto in G major | During a wildly successful tour of the United States in 1928, Maurice Ravel met American composer George Gershwin, and listened to jazz in Harlem and New Orleans. These influences plus his Basque heritage (already exhibited in his Rapsodie espagnole | 10/26/10 | Free | View In iTunes |
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74 |
Orff's 'Carmina burana' | With a libretto based on a collection of poems discovered in a Benedictine monastery, Carl Orff’s Carmina burana (“Bavarian Songs”) elaborates on many topics familiar to both 13th century and current listeners: springtime beauty, going out for | 10/14/10 | Free | View In iTunes |
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75 |
Liszt's Piano Concerto No. 1 | Franz Liszt may have been one of the nineteenth century’s most exasperating underachievers, to say nothing of committing the unforgivable sin of success on a staggering scale. But he was a genius, as this concerto can remind us. It was begun in 1835 at | 10/8/10 | Free | View In iTunes |
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76 |
Bruch's Violin Concerto No. 1 | After advocating for Beethoven's concerto, advising on the composition of Brahms', and performing Mendelssohn's more than two hundred times, celebrated violinist Joseph Joachim lent his musical talents to a fourth great German violin concerto: Max Bruch's | 10/5/10 | Free | View In iTunes |
| Total: 76 Episodes |
Customer Reviews
Captivating and Informative
I recommend this for anyone who is interested in learning more about classical music or who study classical music. You might appreciate this higher art even more after you learn it's story, history, and background.
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