Bird and Diz (Import)
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Bird & Diz is a jazz summit meeting, but it’s an unusual one. Charlie Parker and Dizzy Gillespie’s well-known innovations helped lay the foundation of bebop but this is the only recording of the pair playing with Thelonious Monk, whose solos here shine. Oddly, the 1950 session also features the big band swing legend Buddy Rich on drums. (Bassist Curly Russell rounds out the quintet.) Parker wrote or co-wrote all of the material except for the old standard “My Melancholy Baby,” which the band plays with great charm. The high energy opener, “Bloomdido,” finds the trumpet/alto sax team interpreting the head with a joyful verve before each horn player masterfully solos. Rich attacks the trap kit in an aggressive fashion that is alien to bop, but his presence makes for an interesting contrast to the rest of the band’s approach. “Leap Frog” is a dazzler; the group races at a breakneck pace, the sort of tempo beboppers loved to tackle in order to challenge — and show off — their abilities. Bird & Diz includes plenty of alternate takes for hardcore fans to study and compare but any music lover can enjoy the sounds found here.
are you f'ing kidding?
Just look at this cast! It's a no brainer. Put it on your ipod...play it over and over and you will love it. Not to mention, you'll impress all that come across it while searching for their favorites at a party.
The beginning of Bebop.
Charlie Parker and Dizzy Gillespie have already credited themselves as the true inventors of bebop. This meeting of the two masters is proof of this claim. Charlie "Bird" Parker and "Diz" Gillespie fly through 6 songs with an unknown-at-the-time Thelonious Monk and influential big-band drummer Buddy Rich. The result is astonishing. Charlie and Dizzy play swingingly and gracefully at the same time. Sadly, Thelonious does not have many solos and is overshadowed by the rest of the band. But, this is only a nitpick for Monk fans. Overall, this is an essential jazz album for those who want to get into bebop.
Another reviewer commented on Buddy Rich's drumming and how it "doesn't fit at all". It was not because Buddy did not use his ears, it was simply because this was what bebop was viewed at the time. Bebop jazz was viewed as frantic and crazy, so Buddy reflected this style by playing just that. I don't see what he means by he "doesn't fit". Buddy is on-beat and swings with the others.
I am Shaw Nuff Groovin High!!
Got to have this one baby, it's hot. Bird and Diz were the revolution and this is a good testament. Get it right now!
Born: August 29, 1920 in Kansas City, KS
Years Active: '30s, '40s, '50s
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