12 Songs, 36 Minutes


Ratings and Reviews

4.5 out of 5

14 Ratings

14 Ratings

Solid album but messed up last track


Sounds great, but the last track cuts out early on the digital download from iTunes. There's about 40 or 50 seconds left on the song and then it just ends while the music is going full-on. Anyone else have that same problem?

Eloquent progressive/thrash/punk.

Stephan Frost

If you have listened to Propagandhi over the years, you can hear their lyrical and instrumental skills mature. This album also delivers the same clean production, shredding riffs and hardcore left ideologies you come to know and love. (Or not, depending on your political leanings.)

If you are fan thrash/punk/progressive whatever-the-hell-you'd-call-this-genre, then buy this record. I love it. I'll be listening to this while head-banging, while eating my veggie burger, while reading Chris Hedges. Bro.

This album is no Supporting Caste


Decent album, but it won't spend as much time in my CD player (or iPod) as Supporting Caste did. There just seems to be less oomph, fewer sing-alongs, and too much being different for different's sake. Maybe I just like Supporting Caste too much, perhaps I'm more of a fan of Propagandhi's pop-punk leanings in How to Clean Everything than I am of their metal influences. Still, the influence and importance of this band cannot be denied.

About Propagandhi

As one of Fat Wreck Chords' very first bands, Propagandhi have long been going against the grain of not just society, but even their own record label. Initiated by Chris Hannah and Jordy Samolesky, the band of radicals from Winnipeg, Manitoba, Canada, got together in 1989 and eventually played a show with NOFX. After talking with Fat Mike and realizing they shared the same D.I.Y. attitude, Propagandhi agreed to join his fledgling label. Ideally, the band would have loved to skirt the entire capitalist process of selling and marketing music, but made compromises in order to get its pro-gay, pro-feminist, pro-civil liberties, anti-fascism message out. Screeching over fast, catchy punk music, the group moved easily from humorous to profound to blunt with song titles like "I Was a Pre-Teen McCarthyist," "Hate, Myth, Muscle, Etiquette," and "Stick the Fucking Flag Up Your Goddam Ass, You Sonofabitch."

That style took a dramatic turn in 1997 when singer, songwriter, and bassist John K. Samson left to write, start a publishing company, and eventually form the Weakerthans. The remaining members of Propagandhi started their own label, G7 Welcoming Committee, which released several Weakerthans records and Propagandhi's 2001 effort, Today's Empire, Tomorrow's Ashes, in Canada. Their last for Fat Wreck Chords, Potemkin City Limits, appeared in 2005, featuring Glen Lambert as an apparent replacement for Chris Hannah -- although it soon became clear that Hannah had not left the band, and had instead been using the "Glen Lambert" moniker as a pseudonym. Propagandhi became a four-piece in 2006 when guitarist David Guillas joined up, touring with the band before making his album debut on 2009's Supporting Caste. The group followed up three years later with Failed States, which was released by Epitaph in 2012. In May 2017, Propagandhi announced via social media that they had finished recording their seventh studio long-player. The resulting Victory Lap was released via Epitaph later that September. ~ Ron DePasquale

    Winnipeg, Manitoba, Canada



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