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The Fine Art of Self-Destruction

Jesse Malin

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Album Review

Jesse Malin has come a long way from his glam rock heyday of fronting D Generation, and his solo debut, The Fine Art of Self Destruction, is an impressive look at Malin's musical maturation. He's a crooner, an Americana caterwaul, and a picaro of his native New York City, but a lonesome one at that. The Fine Art of Self Destruction displays a hearty mix of bittersweet alt-country ("Queen of the Underworld") and ballsy roots rock ("Wendy"), but the album is fully supported with a punk rock edge that Malin's most familiar with. Having ex-Whiskeytown frontman Ryan Adams in the production seat is a great fit, for both he and Malin's love-sucker hearts dance around the soft-hued beauty of each song. One might sense a slight hesitation in Malin's presentation, but it's not distracting. Malin's flight-or-fight theme on The Fine Art of Self Destruction is what makes this album an enjoyable introduction. He sifts through personal confusion on all different levels, and Adams has captured Malin's most intimate moments. "Almost Grown," layered with candied guitar licks, recounts being a child of divorce, while "Xmas" is a bit more angelic with its lush string arrangements. Those tender years of being a kid are hell, and Malin isn't afraid in reminding all of his listeners that time shapes one's character as well, and that's what The Fine Art of Self Destruction is about: regardless of where your home is, find your focus and don't get lost. In "Cigarettes and Violets," Malin warbles: "Messed up like a prizefight/At least you could have tried/Messed up like the system/You used to call a sin," and it's so raw you can tell Malin's heart is breaking and mending ten times over. There's no regret here, but Malin makes it alright to talk about what could have happened. He's done an intricate, stunning job.

Customer Reviews

Jesse Malin: The Fine Art of Good CD

I love his music. The lyrics are -for the most part- amazing. You can tell he means every word. Good for alternative/indie fans. Not for those expecting metal or heavy rock.

Great stuff

Jesse Malin used to be in the group D-Generation, a punk outfit. His solo career goes in a different direction. Good friend Ryan "the juggernaut" Adams produced this album in six days. But this is Jesse's record, period. Future classics like "Queen of the Underworld," "Brooklyn," and the rockin' "Wendy" should be on everybody's playlist.

like the artist--don't like omitted tracks

why leave off the track "queen of the underworld?" especially since it's referenced in the album synopsis...i'm getting so whipped by itunes' partial albums.

Biography

Born: January 26, 1968 in Queens, NY

Genre: Rock

Years Active: '90s, '00s, '10s

Singer/songwriter Jesse Malin was the face of the glam/hard rock band D Generation for eight years, following the dissolution of Heart Attack, the hardcore punk act he fronted as a teenager in the '80s. They weren't a metal band, but critics quickly dismissed D Generation as Johnny Thunders copycats. Their teased hair and glossy wardrobe were just a part of the act, but substance and song structure were there. As one of New York City's more talented acts of the 1990s, the band released three albums...
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The Fine Art of Self-Destruction, Jesse Malin
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