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At the National Grid

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Album Review

The Bats' first album in ten years starts off perfectly with the low-key "Western Isles," with Robert Scott and Kaye Woodward singing delicate harmonies while the guitars gently hum behind them. It is a lovely welcome back, and not only do they pick up where they left off, At the National Grid may be their best album since Daddy's Highway. If you know your New Zealand pop or college rock history, that's really saying something. That record was a masterpiece of understated emotion that sounded completely unique and true. This record is lighter in tone, more cleanly recorded, and almost as powerful. The songs are perhaps the most diverse-sounding batch they have released yet, ranging from the slow-burning "Pre War Blues" and the noisy instrumental "Hubert" to the sweet-as-pie "Bells," the clattering indie rocker "Things," and the bouncy "Flowers & Trees." Of course, they all sound like the Bats, with Scott's fragile but forceful vocals, the jangling, intertwining guitars from Scott and Woodward, Paul Kean's melodic and up-front bass, Malcolm Grant's simple but rock-solid drumming, and — above all — poignant and lively songwriting. In fact, Robert Scott is at the top of his considerable talents here, crafting tunes that linger long after the record is over. Maybe that is one of the benefits of taking ten years off. Woodward's one song, the surging drone rocker "Mir," is a gem, too, and her vocal harmonies are as sparkling as ever. In fact, the whole band is as sparkling as ever, and having the group back at such a high level is as refreshing as a plunge into an ice-cold mountain stream. Indeed, after 23 years with the same lineup and after having taken ten years off, you would expect a band to come back and rest on its laurels by playing the old hits to the faithful. Thankfully, not the Bats.

Customer Reviews

I love the bats and have since 1989

Seen them at NYC'S Knitting factory a million years ago and so happy they just released this new record(!!!). Not since "tragedy" has a song moved me like "Bells" and the record has so many beatuful moments like that-buy it dammit. This band, more than any other, is like this weird comfort food for me, I think of them as a delicate band not unlike the REM of reckoning era or the earliest velvet underground. Just buy every record and pray they finally get to a live dvd!!!!!

The Bats are back!?!

Good heavens... who would have thought a Bats comeback possible? This album doesn't depart much from their classic sound, and still managed to catch my attention with select tracks. Diehard Bats fans may likely want to download the whole album, while the more picky should check out "Up to the Sky", "The Rays" and "Things".


Formed: 1982 in Christchurch, New Zealand

Genre: Alternative

Years Active: '80s, '90s, '00s, '10s

Yet another outgrowth of the seminal Clean, the Bats are an institution on the New Zealand music scene, their melancholy jangle pop sound and infectious melodies consistently defining the kiwi rock aesthetic at its very best. The Bats were formed in Christchurch in 1982 by ex-Clean bassist Robert Scott, ex-Toy Love bassist Paul Kean, singer/multi-instrumentalist Kaye Woodward, and drummer Malcolm Grant; with Scott adopting lead vocal and guitar duties as well as serving as the Bats' chief songwriter,...
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