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Celebracion: The Warner Brothers Recordings

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Album Review

While one has to wonder whether the demand for Malo's product is wide enough to merit a four-CD box set rather than individual reissues of some or all of their albums, Celebracion certainly does a great job of presenting the band's legacy in total. Each of their four 1972-1974 Warner Brothers albums is included in gatefold sleeves, with a 20-page booklet that goes over the band's history with some depth, bolstered by interview quotes from several bandmembers. Two to five bonus tracks are added to each disc/album, though unfortunately these are just shorter single edits of album tracks. There's one previously unreleased cut, "Pana," but that's just an unreleased single edit of the same track of that name that appears on their debut album. Although the albums can be erratic and slightly decline in quality after the debut, Malo, they amply illustrate the band's importance as one of the most exciting outfits to fuse rock with Latin and jazz. Certainly there are similarities with Santana, as might be expected from a band featuring Carlos Santana's brother on guitar. But Malo was more Latin-oriented and sometimes expert at constructing multi-part extended tracks with blistering interplay between hard rock guitar, Latin percussion, and jazz brass. In addition, they could sometimes summon heartfelt, sentimental soul ballads, the hit "Suavecito" being the famous one, though each album has one or two songs in the same vein. They couldn't avoid a certain formulaic quality after a while, and the group drifted toward less-satisfying pop inclinations as time went on and personnel changed, but at its best, this set contains some of the finest Latino rock ever laid down.

Customer Reviews

The Best In Latin Rock!

This is an excellent compilation of music from 1st generation of founding fathers of Latin Rock music. Malo's first self-titled album is probably the best ever written. Utilizing horns and latin percussion to present Latin fused rock and jazz, Malo's sound is electrifying and captivating. Luis Gasca on trumpet, Richard Kermode on keys, Jorge Santana on guitar, and guests like Coke Escovedo on timbales provide a wide array of styles and precision sounds created by young aspriring Latin artists in the lats 60's and 70's. All songs on disc one (mentioned above) are terrific. Upbeat, rhymthic tempos are featured on "Pana", "Cafe", and "Nena" while soft and romantic elements prevail on "Just Say Goodbye" and the immortal classic "Suavecito" sung by "Sapo" front man, Richard Bean. Other notable tunes are "Oye Mama" and "Latin Bugaloo" (disc two), "Moving Away" (disc three), "Everlasting Night", "Chevere" (disc four). This compiltaion is a must have for all Santana and Latin Rock fans!

MALO: Celebracion

I bought these albums back in the early '70's when they came out. I still have them on vinyl. They were great back then and still are now. If you like Santana, Azteca, Mandrill, you will like this group too. They are definately more on the Latin side then Santana, but if you really like Santana songs Para Los Rumberos, Oye Como Va (which were both originally written by Tito Puente), Guajira, Se A Cabo and El Nicoya you'll really get a groove injection from MALO.

Latin's Boiling Passion

Malo took Latin to a passionate boil of rhythms, horns, and grooves. They set a blazing Latin standard for horns and percussionists to follow. Many groups of the 70's had creativity, but Malo enhanced the passion of the merengue and mambo along with the grooves of the creative era. Watching them play live is always a treat and well worth the trip. Fortunately, they now have a collection for all to enjoy. This is what people meant when they talked about Latin/Rock or Latin/Funk. Excitement with a Latin Beat.


Formed: 1971 in San Francisco, CA

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

Latin rock band Malo were formed in San Francisco by ex-members of the Malibus and Naked Lunch. Led by vocalist Arcelio Garcia and guitarist Jorge Santana (brother of Carlos Santana), the band signed to Warner Bros. in 1971 and recorded its debut with David Rubinson, producer of fellow California-based acts the Chambers Brothers and Moby Grape, and a future close associate of Herbie Hancock. The album, self-titled, was released in early 1972 and was successful due to "Suavecito," a mellow romantic...
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Celebracion: The Warner Brothers Recordings, Malo
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