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iTunes Review

Old Crow Medicine Show return with producer Ted Hutt (Gaslight Anthem, Carry Me Back) onboard for their fifth album and most professional-sounding to date, Remedy. Ten years after Bob Dylan sent Old Crow’s bandleader and fiddler Ketch Secor the worktape for what became the classic “Wagon Wheel,” the two again collaborated on the excellent “Sweet Amarillo,” a song that explains in three and a half minutes everything that's hopeful and wonderful about Old Crow Medicine Show. They know how to jam like an Appalachian version of The Band, breaking through “Brushy Mountain Conjugal Trailer” with a carefree sense that obscures their studied chops. The banjos get firing on “8 Dogs 8 Banjos” and “Mean Enough World.” When in need of moderation, the Show offer up the weeper “Dearly Departed Friend” and the modest “Firewater” before turning back into a wild mountain-music jam for “Brave Boys.” Bluegrass never sounded more punk than on “S**t Creek.” Naturally, they end on a spirited but restrained note with “The Warden.”

Customer Reviews

Best Album Yet

Absolutely spectacular!!!

another outstanding set of songs

this is yet another excellent album from my good ole boys OCMS.i caught them at the ROMPmusic festival this past saturday.if you get the chance check them out.nothing beats Old Crow live.Nothing.


I'm a huge OCMS fan but on first listen, it's subpar. The song writing seems to have continued to go downhill even compared to their last release. There are multiple instances where the lyrics just don't seem to match up with the timing of the music. Overall, it's not at all close to being as good as what I was expecting it to be. However, I still can't wait to see them perform live again in the fall!


Formed: 1998 in Harrisonburg, VA

Genre: Singer/Songwriter

Years Active: '90s, '00s, '10s

Mountain music revivalists Old Crow Medicine Show spin traditional folk and bluegrass yarns with a rock & roll attitude. Critter Fuqua (vocals/banjo/resonator guitar), Kevin Hayes (guitjo), Morgan Jahnig (upright bass), Ketch Secor (vocals/fiddle/harmonica/banjo), and Willie Watson (vocals/guitar/banjo) may specialize in rags, hollers, and pre-World War II blues, but they were weaned on Nirvana and Public Enemy. The quintet's members -- who are all from different states -- met in New York, hit the...
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