10 Songs

EDITORS’ NOTES

Social Distortion’s cover of Johnny Cash’s “Ring of Fire” signaled a crucial shift in the career of Orange County’s proudest sons. It wasn't simply a revved-up, tongue-in-cheek punk cover of a Nashville classic; it was a genuine and heartfelt reanimation of a timeless love song, passed from one outlaw to another. The self-titled album that accompanied “Ring of Fire” proved that Social Distortion had become much more than an O.C. punk band. It was the eager inheritor of a rock tradition that extended not only from Joe Strummer and Bruce Springsteen, but also from Cash, Jerry Lee Lewis, and Hank Williams. Band leader Mike Ness would always carry himself as a graduate of the L.A. gutter-punk scene, and songs like “She’s a Knockout,” “A Place in My Heart," and “So Far Away” carried the torch for hardcore. But with this album, he started to identify more with the singing outlaws who'd preceded him, scarred but sensitive with their tall tales of lost love, jailbreaks, and train robberies. By superimposing the iconography of early American roots music on his Orange County punk ethos, Ness created two of the band’s most enduring songs: “Ball and Chain” and “Story of My Life.”

EDITORS’ NOTES

Social Distortion’s cover of Johnny Cash’s “Ring of Fire” signaled a crucial shift in the career of Orange County’s proudest sons. It wasn't simply a revved-up, tongue-in-cheek punk cover of a Nashville classic; it was a genuine and heartfelt reanimation of a timeless love song, passed from one outlaw to another. The self-titled album that accompanied “Ring of Fire” proved that Social Distortion had become much more than an O.C. punk band. It was the eager inheritor of a rock tradition that extended not only from Joe Strummer and Bruce Springsteen, but also from Cash, Jerry Lee Lewis, and Hank Williams. Band leader Mike Ness would always carry himself as a graduate of the L.A. gutter-punk scene, and songs like “She’s a Knockout,” “A Place in My Heart," and “So Far Away” carried the torch for hardcore. But with this album, he started to identify more with the singing outlaws who'd preceded him, scarred but sensitive with their tall tales of lost love, jailbreaks, and train robberies. By superimposing the iconography of early American roots music on his Orange County punk ethos, Ness created two of the band’s most enduring songs: “Ball and Chain” and “Story of My Life.”

TITLE TIME
3:37
4:15
5:46
3:19
3:50
5:43
3:52
3:52
3:15
3:41

About Social Distortion

The enduring L.A. punk band Social Distortion has overcome numerous personnel shifts, the demise of the Los Angeles hardcore scene that spawned them, and the heroin addiction of singer/guitarist/bandleader Mike Ness to achieve a measure mainstream acceptance for their rootsy, hard-hitting punk without compromise. Inspired by the fertile L.A. punk scene, Ness formed the group in 1978 with drummer Casey Royer and brothers Frank (bass) and Rikk Agnew (guitar). When the brothers left to join the Adolescents, Ness' schoolmate Dennis Danell joined on bass; the next few years saw a revolving-door membership. When the group finally recorded its debut album, Mommy's Little Monster in 1983, the band consisted of Ness, Danell (now on guitar), bassist Brent Liles, and drummer Derek O'Brien. Their music was often described as a punk version of the Rolling Stones, and "Another State of Mind" was one of the few punk videos to air on MTV in 1984. However, the band took four years to record a follow-up, as Ness descended into heroin addiction and self-consciously rebellious behavior. Liles and O'Brien left, and Ness, after straightening himself out, finally regrouped in 1988 with John Maurer on bass and Chris Reece on drums. This lineup recorded Prison Bound, a mature album broadening Social Distortion's roots rock influences with a country feel. Their self-titled 1990 effort included a cover of Johnny Cash's "Ring of Fire" and returned the group to MTV via "Ball and Chain." Somewhere Between Heaven and Hell became their most popular album to date, producing a minor radio hit in "Bad Luck" and keeping with their now-established blend of punk, blues, country, and rockabilly.

Social Distortion took an extended hiatus following the release of Somewhere Between Heaven and Hell, returning in 1996 with White Light, White Heat, White Trash, which proved to be a moderate hit on MTV and modern-rock radio; former Black Flag and D.O.A. drummer Chuck Biscuits made his debut on the album, following the departure of Reece. Live at the Roxy followed in 1998, and a year later Ness issued a pair of solo albums, Cheating at Solitaire and the covers collection Under the Influences. Danell died February 29, 2000 of an apparent brain aneurysm; the guitarist was just 38-years-old. In the fall of 2000, Jonny Wickersham signed on as the group's new guitarist, and Charlie Quintana took over on drums from the often busy Biscuits. After extensive touring, the band went back into the studio in 2004 to record Sex, Love and Rock 'n' Roll. Another six years passed before Social D returned to recording. Produced by Mike Ness himself, 2011's glossy-but-muscular Hard Times and Nursery Rhymes featured a new lineup, with bassist Brent Harding and the son of Los Lobos’ David Hidalgo, drummer David Hidalgo Jr. joining Wickersham and Ness. ~ Steve Huey

  • ORIGIN
    Fullerton, CA
  • GENRE
    Rock
  • FORMED
    1978

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