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Back On the Street

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Reseña de álbum

By the time trumpeter Jonah Jones teamed up with pianist Earl Hines and tenor-saxophonist Buddy Tate for this straightforward sextet date, Jones had been a star with his quartet for 15 years. On what would be one of Jones's last recording sessions from his prime, this Chiaroscuro reissue CD has a bit of slickness associated with the trumpeter's more commercial dates but also some very good jazz playing. Three previously unrelesed numbers have been added to the original seven-song program and the music falls between Dixieland and swing with an emphasis on familiar standards. A fine effort.

Biografía

Nacido(a): 28 de diciembre de 1905 en Duquesne, PA

Género: Jazz

Años de actividad: '20s, '30s, '40s, '50s, '60s, '70s, '80s

Once called "the first modern jazz pianist," Earl Hines differed from the stride pianists of the 1920s by breaking up the stride rhythms with unusual accents from his left hand. While his right hand often played octaves so as to ring clearly over ensembles, Hines had the trickiest left hand in the business, often suspending time recklessly but without ever losing the beat. One of the all-time great pianists, Hines was a major influence on Teddy Wilson, Jess Stacy, Joe Sullivan, Nat King Cole, and...
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Back On the Street, Earl "Fatha" Hines
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