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B.B. King: Anthology

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Reseña de álbum

MCA's double-disc set Anthology is a bit of a blessing, actually, a welcome entry to B.B. King's extensive catalog, since the last half of his career has not been anthologized often (it was most notably on the box set The King of Blues). Once King's career entered the '70s, he never lost his way, but his recordings became uneven. The situation didn't improve in the '80s or '90s, either — he was always reliable, but the records could either be too slick or uninspired or just solid journeyman efforts. Anthology does a terrific job of consolidating the years between 1963 and 1998, his time at ABC and MCA, respectively. Smartly, the compilers lean heavily on the '60s and early-'70s material, with only a handful of tracks from 1980-1998. There are certainly some terrific tracks missing, but by concentrating on his great recordings of the mid-'60s, plus the work that just followed it, they wind up with not just a very enjoyable compilation, but one that's a testament to B.B.'s talents as a guitarist, vocalist, stylist, and showman. This, in conjunction with a compilation of early Flair recordings and Live at the Regal, provide a better history of the great bluesman's career than his box set.


Nacido(a): 16 de septiembre de 1925 en Indianola, MS

Género: Blues

Años de actividad: '40s, '50s, '60s, '70s, '80s, '90s, '00s, '10s

Universalmente aclamado como el rey del blues, B.B. King fue sin lugar a dudas el guitarrista eléctrico de blues más importante de la segunda mitad del siglo XX. Su manera de tocar la guitarra influenció a legiones de músicos, mientras que su expresiva voz era capaz de sacarle el máximo provecho a cualquier letra. Entre 1951 y 1985 King acumuló la impresionante cifra de 74 entradas en las listas de R&B de Billboard, y en 1970 tuvo incluso un éxito masivo con "The Thrill Is Gone", algo extremadamente...
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