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If Big Country had been more of an instrumental band with more of a commitment to folk music, they might have produced a record like this. Wolfstone's second album to date opens with a beautiful and riveting instrumental invocation (a salvage job, no less, from a failed attempt to write a signature tune for the BBC Radio Orkney), followed by a haunting (and hard-rocking) drinking song; it gets better from there, plunging into Scottish history ("The Prophet") and topical songwriting, all of it memorable and gorgeous. The lineup here is Chisholm (fiddle), Ivan Drever (vocals, guitar), Struan Eaglesham (keyboards), Stuart Eaglesham (vocals, guitars), and Andy Murray (electric guitar). Even when they try for a more contemporary sound, as on "The Appropriate Dipstick," the presence of Dougie Pincock's pipes (which start the break solo, and then join with Duncan Chisholm's fiddle) gives the music a challenging duality between the old and the new. The rhythm section — Neil Hay on bass and John Henderson on drums (who does a killer job on "The Prophet") — is better integrated into the group's sound, making for a solid piece of folk-rock.


Género: Músicas del mundo

Años de actividad: '90s

Over the course of nine years, Wolfstone dragged Scottish music — sometimes kicking and screaming, but always quite loudly — into the world of rock. They were loud and proud and transferred Seattle's grunge ethic from the Pacific Northwest to the Highlands, applying it to both traditional and their original music. It all began when fiddler Duncan Chisholm put together a ceilidh band to play dances in the Highlands, adding pipes and bass and drums into the mix — a combination that...
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