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The Clones of Dr. Funkenstein

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Reseña de álbum

Come 1976, and Parliament got up to its usual tricks in that particular incarnation — right down to opening backwards-masked vocal weirdness plus sci-fi scenarios in the "Prelude," where "funk is its own reward." With Bernie Worrell and Fred Wesley splitting the horn arrangements and Clinton and Bootsy Collins taking care of the rest, the result is a concept album of sorts you can dance to. The clones get up and do their thing throughout, and if it's not The Wall, then that's all to its benefit. The immediate downside of Clones is that it's a fairly one-note record — every groove can just about be exchanged for any other one, unlike the wider variety apparent on other releases. Given Clinton and company's sheer work rate, something likely had to give and this is one of the stress points. There are a couple of stronger songs — "I've Been Watching You (Move Your Sexy Body)" is classic slow jam territory. Not exactly Barry White, but hearing Parliament tone it down just enough pays off, especially with Worrell's drowsy, sensuous horn charts. "Funkin' for Fun," meanwhile, brings the album to a strong, lively end, with just enough in the call-and-response vocals and horns to spark some extra energy into the proceedings. As is the case with most mid- to late-'70s Parliament, things may not be as deep as what was done as Funkadelic, but only those who always explicitly value lyrical worth have any cause to complain. Listening to the silly squeals and burbles on "Dr. Funkenstein" itself is pure fun with sound, while the good doctor's speech is scientific craziness. As one voice says out of nowhere, "Kiss me on my ego!" Special bonus — the utterly goofball cover photo, one of P-Funk's best.

Biografía

Se formó en: 1970 en Detroit, MI

Género: R&B/Soul

Años de actividad: '60s, '70s, '80s, '90s, '00s

Inspired by Motown's assembly line of sound, George Clinton gradually put together a collective of over 50 musicians and recorded the ensemble during the '70s both as Parliament and Funkadelic. While Funkadelic pursued band-format psychedelic rock, Parliament engaged in a funk free-for-all, blending influences from the godfathers (James Brown and Sly Stone) with freaky costumes and themes inspired by '60s acid culture and science fiction. From its 1970 inception until Clinton's dissolving of Parliament...
Biografía completa