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Tom Rush

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Reseña de álbum

It's unfortunate that Tom Rush's third album has such a strong reputation among rock listeners — not that it doesn't deserve it, but it sort of distracts them from this album, which was as natural a fit for rock listeners as any folk album of its era. Rush's debut album is filled with a hard, bluesy brand of folk music that's hard on the acoustic guitar strings and not much easier on his voice; he sings stuff like "Long John" and "If Your Man Gets Busted" with a deep, throaty baritone that's only a little less raw than John Hammond's was while doing his work of the same era. Rush had the misfortune to be equated with Bob Dylan, but he had a more easygoing and accessible personality that comes out on numbers here such as Woody Guthrie's "Do-Re-Mi" and Kokomo Arnold's "Milkcow Blues," which are thoroughly enjoyable and quietly (but totally) beguiling. Additionally, he isn't such a purist that he felt above covering a Leiber & Stoller number such as "When She Wants Good Lovin'."

Biografía

Nacido(a): 08 de febrero de 1941 en Portsmouth, NH

Género: Intérprete/compositor

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

With his warm and slightly world-weary baritone voice, solid acoustic guitar playing, and gifted if hardly prolific songwriting skills, Tom Rush was one of the finest and most unsung performers to come out of the '60s urban folk revival. Born February 8, 1941 in Portsmouth, New Hampshire, Rush began his performing career in 1961 while attending Harvard University (where he majored in English literature), and he soon became a regular on the east coast folk circuit. A careful, unhurried songwriter,...
Biografía completa
Tom Rush, Tom Rush
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