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The Incredible Honk (Bonus Track Version)

Roswell Rudd

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Reseña de álbum

In his mid-seventies at the time of these recording sessions, trombonist Roswell Rudd takes the listener on a worldwide journey with his diverse musical interests. He explores a couple of widely known songs, though his bluesy take of "Feeling Good" is a funky affair showing off his chops with a mute and on open horn as organist Arne Wendt and pianist Ivan Rubenstein-Gillis lead the rhythm section behind him. His take of "Danny Boy" showcases Wu Tong on sheng (a bamboo predecessor to the harmonica), followed by the leader's sassy muted horn accompanied by bassist John Lindberg, with Tong achieving an organ-like sound as he rejoins them. Rudd also ventures to Latin America, interpreting the Cuban traditional piece "Dame la Mano" with guitarist/vocalist David Oquendo. Rudd even composed the Cajun-flavored "C'Etait dans la Nuit" to feature fiddler/vocalist Michael Doucet and Beausoleil, along with penning "BRO" to play with an impressive group of musicians from Bali playing exotic instruments. The Incredible Honk is one of the rare CDs that will broaden the listening experience of everyone.

Biografía

Nacido(a): 17 de noviembre de 1935 en Sharon, CT

Género: Jazz

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s, '10s

Bebop was probably the worst thing ever to happen to the trombone. While the blockish rhythms and rough-hewn sonorities of early jazz were tailor-made for — and in part, defined by — the infinitely flexible instrument, the technical requirements of modern jazz just about put it out of business. Over the years, a number of very fine players (J.J. Johnson and Frank Rosolino being, arguably, the foremost among them) managed to adapt the instrument to the exigencies of bop. In the process,...
Biografía completa
The Incredible Honk (Bonus Track Version), Roswell Rudd
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