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Astrud Gilberto's Finest Hour

Astrud Gilberto

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Reseña de álbum

Like Nico, Astrud Gilberto's everywoman voiced has always had a polarizing effect on critics and fans alike. While her take on bossa nova is less than reverent and decidedly lightweight, the warmth and approachability she brings to each performance is stunning. Verve's lovingly compiled — and blissfully affordable — Astrud Gilberto's Finest Hour is as solid a collection of her heady mixture of samba, jazz and pop as you're likely to find. Twenty songs, including the classic "Girl From Ipanema," wash in like waves from the warmest of oceans, carrying with them the soft, reverb-drenched soundtrack to summer. If the tropical heat of "Berimbau," the lazy and lonely pulse of Burt Bacharach's "Trains and Boats and Planes" and the upbeat swing of "Wish Me a Rainbow" don't instantly take the drudgery of your day away, then consider yourself hopelessly bitter. Highly recommended.

Reseñas de usuarios

Correcion del Género

El album está muy bueno.
Corrigan el GÉNERO de todos los albumes.. no es Jazz ni Brasileña... es Bossa Nova

Biografía

Nacido(a): 30 de marzo de 1940 en Salvador, Bahia, Brazil

Género: Brasileña

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

The honey-toned chanteuse on the surprise Brazilian crossover hit "The Girl From Ipanema," Astrud Gilberto parlayed her previously unscheduled appearance (and professional singing debut) on the song into a lengthy career that resulted in nearly a dozen albums for Verve and a successful performing career that lasted into the '90s. Though her appearance at the studio to record "The Girl From Ipanema" was due only to her husband João, one of the most famed Brazilian artists of the century,...
Biografía completa
Astrud Gilberto's Finest Hour, Astrud Gilberto
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