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No Exit

Fates Warning

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Reseña de álbum

Usually regarded as the finest release from Fates Warning's early years, when their progressive leanings were tempered with no small amount of classic metal riffing, No Exit is a typically difficult album to come to grips with. As was often the case on prior releases, the band has a hard time reconciling its ruthless experimentation with the need to construct coherent songs, leading to any number of awkward passages in which melodies and riffs are recklessly spliced together. Still, the album is another step forward, and tracks like "Anarchy Divine," "Shades of Heavenly Death," and "In a Word" rank among the best of their career thus far. Side two is entirely taken by the daunting "The Ivory Gate of Dreams," which at over 20 minutes and eight separate parts, finds the band in its most extreme and complex progressive metal mode. Like his predecessor, new vocalist Ray Alder's piercing screams are something of an acquired taste (coming off like a less disciplined version of Queensrÿche's Geoff Tate), but the rest of the band perform to their usual high technical standards.

Biografía

Se formó en: Hartford, CT

Género: Rock

Años de actividad: '80s, '90s, '00s, '10s

When prog rock first reared its head during the early '70s, it contained elements of hard rock, but few bands crossed the line into heavy metal. This all changed during the '80s, when bands such as Dream Theater, Watchtower, and Fates Warning merged their love of Yes and Rush with their admiration for Iron Maiden and Judas Priest. Formed in Hartford, Connecticut in 1983, Fates Warning have endured quite a few lineup changes since their inception, with the exception of guitarist Jim Matheos, who has...
Biografía completa
No Exit, Fates Warning
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  • USD 9.99
  • Géneros: Rock, Música, Metal
  • Publicado: 1988

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