Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de Let's Do It de Louis Armstrong, descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

I Have iTunes Descarga gratis
iTunes para Mac y PC

Let's Do It

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

No thanks to a concert schedule that gave recording sessions a low priority, Louis Armstrong's period at Verve was unconscionably short — only a little over a year (August 1956 to October 1957). But since Verve chief Norman Granz liked to record his artists a lot, Armstrong's Verve sessions produced quite a harvest — six albums on eight LPs, including three with the redoubtable Ella Fitzgerald — substantial portions of which are included in this well-packed two-CD set. The albums Ella and Louis Again and Louis Armstrong Meets Oscar Peterson get the most exposure with eight tracks apiece, the first Ella and Louis album gets five, I've Got the World on a String gets four, and Louis Under the Stars and, strangely, the Porgy and Bess album with Fitzgerald only get three each. Granz caught Armstrong at a fortuitous time, the autumn of his life, where he had reached a mellow state of artistic maturity with his trumpet powers still intact, and Granz fed him a steady diet of time-tested standards to work out on, world-class rhythm sections from the Verve roster, big orchestras, and of course, a matchless duet partner named Ella Fitzgerald. Among highlights too numerous to summarize, check out the sublime arrangement of "When Your Lover Has Gone," a simply heartbreaking statement of the tune of "You Go to My Head" on muted trumpet, and the exhaustive catalog of intercouplings that marks Satchmo's irreverently easygoing rendering of Cole Porter's complete "Let's Do It" with Peterson's quartet. Listeners also get a studio sound-check breakdown of "Back Home in Indiana" at a fast Dixieland tempo, with Peterson comping up a storm, Armstrong playing through his mouthpiece, and overheard studio dialogue — an informal vérité gem. Probably because the programmers couldn't resist rummaging through PolyGram's vast acquired jazz archive, the second CD ends rather incongruously with two Armstrong all-star tracks from 1964 and 1965 — "The Three of Us" and "Pretty Little Missy" — nice performances but out of place in a Verve survey. They should have instead squeezed in the soulful 1957 "Body and Soul," or something else from Satch's once-undervalued Verve period. ~ Richard S. Ginell, Rovi


Nacido(a): 05 de agosto de 1901 en New Orleans, LA

Género: Jazz

Años de actividad: '20s, '30s, '40s, '50s, '60s, '70s

Louis Armstrong fue el primer solista importante que surgió en el jazz, y se convirtió en el músico más influyente de la historia de esta música. Como virtuoso de la trompeta, su manera de tocar, que comenzó con las grabaciones de estudio de 1920 con sus conjuntos Hot Five y Hot Seven, fueron como un mapa para el futuro del jazz por su improvisación altamente imaginativa y con una gran carga emocional. Por este motivo, es venerado por los fanáticos del jazz. Pero Armstrong también se convirtió en...
Biografía completa