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Nothing Can Stop Us

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Reseña de álbum

This compilation of early-'80s singles includes some of Wyatt's finest work. Aside from "Born Again Cretin" (whose vocals recall the Beach Boys at their most experimental), all of it's non-original material that Wyatt makes his own with his sad, haunting vocals. You could hardly ask for a more diverse assortment of covers: Chic's "At Last I Am Free" (given an eerie treatment with especially mysterious, spacy keyboards), the a cappella gospel of "Stalin Wasn't Stallin'," political commentary with "Trade Union," the Billie Holiday standard "Strange Fruit," Ivor Cutler's "Grass," and a couple of songs in Spanish. The tracks have since been reissued a few times, with bonus tracks such as the "Shipbuilding" single; the best option for U.S. consumers is Compilation, which pairs Nothing Can Stop Us with Old Rottenhat.

Biografía

Nacido(a): 28 de enero de 1945 en Bristol, England

Género: Rock

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

An enduring figure who came to prominence in the early days of the English art rock scene, Robert Wyatt has produced a significant body of work, both as the original drummer for art rockers Soft Machine and as a radical political singer/songwriter. Born in Bristol, England, Wyatt came to Soft Machine during the exciting, slightly post-psychedelic Canterbury Scene of the mid-'60s that produced bands like Gong and Pink Floyd. Unlike many of the art rock bands that would come later (Jethro Tull, Yes,...
Biografía completa
Nothing Can Stop Us, Robert Wyatt
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