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Popular Songs: The Best of Wynton Marsalis

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Reseña de álbum

Oh, the delicious irony of the title! Because, as you educated and erudite readers know, Mr. Wynton Marsalis is not fond at all of popular music, so the very fact that there are popular tunes within his catalog is nearly anathema to his aesthetic. But, given his stature as an ambassador of jazz (for the record, I once considered myself the ambassador of techno, but then I realized that anyone who considers the Stones the greatest band ever should graciously defer that title), and given the prominence of his role in Ken Burns' Jazz, there was a need for a sampler like this record, and hence the appearance of Popular Songs: The Best of Wynton Marsalis in the summer of 2001. Marsalis has recorded a lot of music — and I mean a lot of music — for Columbia. It's inevitable that the selections here are open for dispute, but it's still a little puzzling that much of this album bypasses the music that brought him to the spotlight (only "Black Codes" is here from his early-'80s albums), favoring the endless Standard Time series. This is accessible, enjoyable music — there's a reason Marsalis coined these as standards — and, as such, it's good for listeners who want a sampling of Marsalis at his easiest and most enjoyable, but it's hardly a definitive, or even representative, retrospective of Marsalis' career.

Biografía

Nacido(a): 18 de octubre de 1961 en New Orleans, LA

Género: Jazz

Años de actividad: '80s, '90s, '00s, '10s

A Wynton Marsalis se le reconoce haber instaurado, casi por sí solo, el poderoso movimiento de jazz neo-tradicionalista de los años ochenta y noventa. Junto con su padre Ellis y sus hermanos Brandford, Delfeayo y Jason, Wynton es miembro de una dinastía familiar de Nueva Orleans firmemente instalada en los anales de la historia de la música. No solo Marsalis es el líder de varios grupos de su creación, sino que es también el director musical de la orquesta de jazz del Lincoln Center y el compositor...
Biografía completa