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Good Technology

Electro Group

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Reseña de álbum

On only their second full-length release in nearly a decade together, Sacramento noise pop trio the Electro Group scale back on the neo-prog conceptualism of 2001's A New Pacifica in favor of a more concise form of buzzy guitar pop triangulated somewhere between early Jesus and Mary Chain, My Bloody Valentine's oceans of feedback, and Dirty-era Sonic Youth. Only three of the album's 11 songs reach the three-minute mark, and the overall effect of perfect little nuggets like the hurtling "Bikini States" and the druggy haze of "Two Course March" is like finding a great lost shoegazer album that's been lying hidden since 1990 or so. Muffled, artless lead vocals buried in a miasma of drones and choppy single-note rhythm lines, Peter Hook-like melodic basslines under shambolic, thudding drums, and a tactile atmosphere so retro you can almost see the anoraks and bowl haircuts, Good Technology is certainly a throwback, but it's the best possible sort of throwback, one that simply pays tribute to a favorite musical time and place.

Biografía

Género: Alternativa

Años de actividad: '90s, '00s

After the breakup of Rocketship and Trance, members of each outfit got together to form the Electro Group in early 1998. The trio would soon establish a wall of distorted noise pop to their native of Sacramento, CA, before signing to Omnibus Records in 1999. Resulting in the release of their debut single "Lifter"/"Green Machine" that same year,...
Biografía completa
Good Technology, Electro Group
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