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Con Soul And Jazz: Wild Bill Is The Boss!

Johnny Hodges

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Reseña de álbum

When the Lone Hill Jazz reissue label took on most of the many collaborative albums by alto saxophonist Johnny Hodges and organist Wild Bill Davis, the project extended over several volumes, including Mess of Blues, Blue Hodge, and Joe's Blues. Released in 2007, Con-Soul & Jazz/Wild Bill Is the Boss! is the only double-disc set in the series. This hefty helping of groove-oriented mainstream organ combo jazz combines the albums Con-Soul & Jazz, In Atlantic City, and Blue Pyramid, which date from the years 1965 and 1966. The compilation is rounded off with selections from the albums Blue Notes and Sandy's Gone, bringing the scope of the time line back to 1963. The Atlantic City recordings were made at a club called Grace's Little Belmont, and the Blue Notes album was taped about a week later in mid-August 1966. These would be the last of the Davis/Hodges collaborations, a fortuitous meeting of minds which began in August 1961 with the album Blue Hodge and ended almost exactly five years later.


Nacido(a): 25 de julio de 1907 en Cambridge, MA

Género: Jazz

Años de actividad: '20s, '30s, '40s, '50s, '60s

Possessor of the most beautiful tone ever heard in jazz, altoist Johnny Hodges formed his style early on and had little reason to change it through the decades. Although he could stomp with the best swing players and was masterful on the blues, Hodges' luscious playing on ballads has never been topped. He played drums and piano early on before switching to soprano sax when he was 14. Hodges was taught and inspired by Sidney Bechet, although he soon used alto as his main ax; he would regretfully drop...
Biografía completa
Con Soul And Jazz: Wild Bill Is The Boss!, Johnny Hodges
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