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Sonic Encounters

Margaret Leng Tan

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Reseña de álbum

An interesting collection demonstrating the mutual effects of Asian and American aesthetics. Contains: first recordings of two John Cage pieces "Primitive" (1942) and "In The Name Of The Holocaust" (1942) for prepared piano, and Alan Hovhaness "Orbit #2" (1952) and "Jhala" (1952), George Crumb "Five Pieces for Piano" (1962), Somei Satoh "Cosmic Womb" (1975) for two pianos with digital delay, and Ge Gan-Ru "Gu Yue" (1986, premiere recording). ~ "Blue" Gene Tyranny, Rovi

Biografía

Nacido(a): 1945 en Singapore

Género: Clásica

Años de actividad: '80s, '90s, '00s, '10s

Margaret Leng Tan has established herself as a major force within the American avant-garde — a highly visible, talented, and visionary pianist whose work sidesteps perceived artificial boundaries within the usual concert experience and creates a new level of communication with listeners. Embracing aspects of theater, choreography, performance, and even "props" such as the teapot she "plays" in Alvin Lucier's Nothing Is Real, Tan has brought to the avant-garde a measure of good old-fashioned...
Biografía completa
Sonic Encounters, Margaret Leng Tan
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