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Swing Around Rosie

Rosemary Clooney

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Reseña de álbum

This is an odd release by Rosemary Clooney, who's accompanied by keyboardist Buddy Cole and an unidentified rhythm section. Although the singer is in great form, Cole's extremely corny arrangements and his very dated sound on both organ and piano (which are frequently overdubbed, often in unison) threaten to make the entire session more of a nostalgia trip than something that will appeal to jazz collectors. Still, Clooney's pure swinging vocals on standards such as "'Deed I Do," "Blue Moon," "Do Nothin' Till You Hear From Me," and "This Can't be Love" are very rewarding, in spite of Cole's uninspiring backgrounds. The original Coral LP jacket reproduced in this Verve CD reissue (which will remain in print until May 2005) has a mini-LP paper jacket and sleeve as well as gossip columnist Earl Wilson's inane liner notes.

Biografía

Nacido(a): 23 de mayo de 1928 en Maysville, KY

Género: Jazz

Años de actividad: '40s, '50s, '60s, '70s, '80s, '90s, '00s

Before the rock & roll revolution, Rosemary Clooney was one of the most popular female singers in America, rising to superstardom during the golden age of adult pop. Like many of her peers in the so-called "girl singer" movement — Doris Day, Kay Starr, Peggy Lee, Patti Page, et al. — Clooney's style was grounded in jazz, particularly big-band swing. She wasn't an improviser or a technical virtuoso, and lacked the training to stand on an equal footing with the greatest true jazz singers....
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