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Taboo - The Exotic Sounds of Arthur Lyman

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Reseña de álbum

Lyman's debut album, recorded shortly after he left Martin Denny's group, was almost as popular as the concurrent releases by his former mentor, reaching the Top Ten. Purists may hang me for this, but I honestly don't detect much difference between Lyman's late '50s releases and Denny's. Meaning, if you like one, you'll most likely want the other, and if you're not all that excited about exotica to begin with, one Denny compilation should be all you need. If there are any subtle differences between the pair, Lyman may have a slightly sedate, jazzier sound, though he too uses a wide variety of ethnic instruments, percussions, and bird calls. The CD reissue adds four tracks from the Bwana A album.

Biografía

Nacido(a): 02 de febrero de 1932 en Kauai, HI

Género: Jazz

Años de actividad: '40s, '50s, '60s, '70s, '80s, '90s, '00s

As the vibraphonist for Martin Denny's group, Lyman was instrumental in crafting the sound of exotica. Lyman didn't stay with Denny for long, however, leaving the ensemble in 1957 to start a solo career that was nearly as successful as Denny's. To no one's surprise, Lyman's albums sounded very much like Denny's, with even more of a somnambulant feel. Much of the public wanted to relax, though, and they sent his debut, "Taboo," to number six in the album charts in 1958. In addition to playing vibes...
Biografía completa
Taboo - The Exotic Sounds of Arthur Lyman, Arthur Lyman
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