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On his score for Ron Howard's brooding Western The Missing, James Horner reins in some of his lush tendencies as a composer, delivering a restrained but still emotional collection of music. Nevertheless, even the score's smaller compositions, such as "New Mexico, 1885," retain the epic sound that defines Horner's work. This tension is put to particularly good use on "Dawn to Dusk; The Riderless Horse," which begins with delicate flutes and strings before soaring into a quietly majestic melody that becomes darker and more ominous as it unfolds. Most of the score alternates between yearning and hope, as on "The Search Begins," and eerie portent, as on "Dark and Restless Wind" and "The Brujo's Storm — A Loss of Innocence." Horner's music also ties into the film's Native American aspects with the use of flutes as both a textural and melodic element, particularly on tracks like "The Stranger" and "A Rescue Is Planned," where they sound like crying wolves. Likewise, "Setting the Trap" and "An Insurmountable Hurdle" are thrilling homages to past Western scores. All of these themes, musical and emotional, culminate on "The Long Ride Home," a 16-minute finale that encompasses the delicacy and danger that are in the rest of the score. One of Horner's most accomplished scores in recent memory, The Missing is nearly as much of a journey as the film it enhances.


Nacido(a): 14 de agosto de 1953 en Los Angeles, CA

Género: Bandas sonoras

Años de actividad: '70s, '80s, '90s, '00s, '10s

Famed for his lush, sweeping scores for films including Braveheart, Apollo 13, and Titanic, the prolific composer James Horner was born in Los Angeles on August 14, 1953. Educated at London's Royal College of Music as well as local universities USC and UCLA, he landed his first motion picture assignments during the 1970s, scoring B-movies like The Lady in Red, Humanoids of the Deep, and Battle Beyond the Stars for producer Roger Corman's New World organization. By 1982, Horner had moved on to major...
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